They Both Die at the End (Death-Cast #1)(45)

“Howie Maldonado won’t be the last person to die, I’m pleased to report,” Sandy says, opening the car door and removing her sunglasses. “You have your whole life ahead of you to eulogize celebrities.”

Delilah still can’t believe how low Victor sank last night with that prank Death-Cast alert.

Sandy gives Delilah’s colorful hair a once-over, and Delilah wishes she’d respected her editor’s hints to dye it brown again, if only to gain her favor right now.

“Do you know how many MTV Movie Awards Howie has won?” Delilah asks. “Or which sport he played competitively as a child? How many siblings he has? How many languages he speaks?”

Sandy doesn’t answer a single question.

Delilah answers them all: “Two awards for Best Villain. Competitive fencing. Only child. He speaks English and French. . . . Sandy, please. I promise I won’t let my passion get in your way. I will never have another chance to meet Howie.”

His death can be life-changing for her career.

Sandy shakes her head and releases a deep breath. “Fine. He’s agreed to interview, but there are no guarantees. Obviously. We’ve reserved a private dining area in Midtown and we’re still awaiting confirmation from his publicist that Howie has agreed to this setup. The earliest Howie may see us is at two.”

Delilah is ready to sit in the car with her when Sandy shakes her finger.

“There’s still time before we meet,” Sandy says. “Please find me a copy of Howie’s book, the one he wrote.” The sarcasm in Sandy’s voice is so sharp she doesn’t need air quotes. “I’ll be a hero if I get a copy signed for my son.” Sandy closes the door and lowers her window. “I’d stop wasting time if I were you.”

The car takes off and Delilah pulls out her phone, walking toward the street corner while looking up phone numbers for nearby bookstores. She trips off the curb and lands flat in the street, a car honking as it approaches her. The car brakes, a couple feet away from her face. Her heart runs wild and her eyes tear up.

But she lived because Delilah isn’t dying today. People fall all the time.

Delilah is no exception, she reminds herself, even if she’s not a Decker.





MATEO


11:32 a.m.

The clouds are gathering as we walk into Evergreens Cemetery. I haven’t been here since I was twelve, the weekend of Mother’s Day, and I cannot for the life of me tell you which of the entrances will help us reach her headstone fastest, so we’re sure to be wandering for a bit. A breeze carries the smell of trimmed grass.

“Weird question: Do you believe in the afterlife?” I ask.

“That’s not weird, we’re dying,” Rufus says.

“Right.”

“Weird answer: I believe in two afterlives.”

“Two?”

“Two.”

“What are they?” I ask.

As we walk around tombstones—many so deeply worn that the names are no longer visible, others with crosses planted in them so high they look like swords in rocks—and under large pin oak trees, Rufus tells me his theory on the afterlives.

“I think we’re already dead, dude. Not everyone, just Deckers. The whole Death-Cast thing seems too fantasy to be true. Knowing when our last day is going down so we can live it right? Straight-up fantasy. The first afterlife kicks off when Death-Cast tells us to live out our day knowing it’s our last; that way we’ll take full advantage of it, thinking we’re still alive. Then we enter the next and final afterlife without any regrets. You get me?”

I nod. “That’s interesting.” His afterlife is definitely more impressive and thoughtful than Dad’s—Dad believes in the usual golden-gated island in the sky. Still, the popular afterlife is better than no afterlife, like Lidia believes. “But wouldn’t it be better if we already knew we were dead so we’re not living in the fear of how it happens?”

“Nope.” Rufus wheels his bike around a stone cherub. “That defeats the purpose. It’s supposed to feel real and the risks should scare you and the goodbyes should suck. Otherwise it feels cheap, like Make-A-Moment. If you live it right, one day should be good. If we stay longer than that we turn into ghosts who haunt and kill, and no one wants that.”

We laugh on strangers’ graves, and even though we’re talking about our afterlives, I forget for a second that this is where we’ll end up. “What’s the next level? Do you get on an elevator and rise up?”

“Nah. Your time expires and, I don’t know, you fade or something and reappear in what people call ‘heaven.’ I’m not religious. I believe there’s some alien creator and somewhere for dead people to hang out, but I don’t credit all that as God and heaven.”

“Me too! Ditto on the God thing.” And maybe the rest of Rufus’s theory is right too. Maybe I’m already dead and have been paired with a life-changer to spend my last day with as a reward for daring to do something new, like trying the Last Friend app. Maybe. “What does your after-afterlife look like?”

“It’s whatever you want. No limitations. If you’re into angels and halos and ghost dogs, then cool. If you wanna fly, you do you. If you wanna go back in time, knock yourself out.”

“You’ve thought about this a lot,” I say.