The Winter Sea (Slains, #1)(148)

Waiting while my kettle boiled, I took a bite of fudge and turned the pages of the catalogue. There wasn’t much. A table and a mirror, and two miniature portraits of McClellands from a different family tree branch than our own, and some assorted jewelry: rings, a necklace of pink pearls, a brooch…

I paused, and felt a chill chase up my spine as though a sudden wind had struck between my shoulder blades and lifted all the hair along my neck. Forgetting both the kettle and the fudge, I moved to lean against the counter for support as I looked closely at the picture of the brooch.

It was a simple thing—a small but heavy square of silver with a red stone at its centre.

No, I thought. Not possible. But there it was. Beneath the photograph, a brief description of the item stated that, in the opinion of the jeweler who’d appraised it, this appeared to be an old ring that had been made over as a brooch, most likely in the later Georgian period.

I traced the outline, plain and square, of Moray’s ring, and thought of all the times that I had seen it in my mind while I’d been writing, all the times I’d almost felt its weight against my own chest, all the times I’d wondered what had happened to it.

Now I knew.

She’d kept it, and the years had sent it traveling down through the family until no one could remember where it came from, who had worn it, what it meant. It might have passed out of our family altogether and been sold to strangers, if I had not come to Slains.

But I had come. The sea, the shore, the castle walls had called to me, and I had come.

I touched the picture of the brooch with fingers that shook slightly, because Moray’s ring, too, had a voice—a quiet but insistent voice that called to me across a wider sea, and when I heard it there was no doubt left within my mind what I was meant to do.



Graham was still up and reading when I came to bed. He’d put on one of the small electric heaters to take the chill out of the room, but it was no match for the storm winds blowing strongly off the sea, so strongly that I’d spent the evening worrying the phone lines would go down and I would miss my scheduled call from New York City. But I hadn’t.

Graham looked up from his book as I came in the room. ‘Did ye get it?’

But he knew the answer from my smile as I climbed shivering beneath the covers. ‘Yes.’ I didn’t bother saying what I’d paid for it, because it didn’t matter. I had known when I’d arranged to bid by telephone tonight at auction that I wasn’t going to stop until I got the brooch. The ring. And in the end there hadn’t been that many people bidding for it, only two besides myself, and they had lacked my private motivation. To them, it had been nothing more than jewelry, but to me it was a piece of Moray and Sophia that I could hold in my hand, and keep with me for always, to remember them.

‘What’s that you’re reading?’ I asked Graham, and he turned the cover round to show me.

‘Dryden’s plays. The one that you had marked,’ he said. ‘The Merlin one. Where did you dig this up?’

‘Dr Weir loaned it to me.’ I’d been at Dr Weir’s for tea two days ago, and seen the book of Dryden on his shelf—a modern volume, not an old one, but I’d asked about it anyway, and he had known the play I meant.

‘Except it was renamed,’ he’d said. ‘Yes, this is what you’re after, here. Merlin, or the British Enchanter.’

Why Dryden had changed the play’s title from Arthur to Merlin I couldn’t imagine, but it was the same play. I’d read the lines with the warm sense of recognition that I felt when picking up a favorite novel.

Graham said, ‘I’m nearly at the end. King Arthur’s just been reunited with his Emmeline.’ He quoted smoothly from the page: ‘“At length, at length, I have thee in my Arms; Tho’ our Malevolent Stars have struggled hard, And held us long asunder”. Sounds like us,’ he said, and setting down the book he switched the lamp off, rolling over while I snuggled close against him in the dark.

It sounded more like someone else, to me. I smiled. ‘We didn’t have any malevolent stars.’

‘Well, maybe not, no. Only Stuie.’

He was drifting, I could hear it in his voice. He always fell asleep as easily as some great lazing cat, he only had to close his eyes and moments later he’d be gone, while my own mind kept on whirring round with scattered thoughts and images.

I felt his breathing slow against my neck, the heavy warmth of him behind me like a shield to block the fierceness of the storm that even now seemed bent on shaking its way through the windows of the cottage. I was lying there and thinking when I heard the click. At first I didn’t realize what had happened, till I saw the glow of the electric heater dying. ‘Oh, no. The power’s out. The storm—’

‘It’s not the storm,’ said Graham. ‘Just the meter. It was low this afternoon, I meant to fix it for you. Sorry.’

‘Well, I’ll fix it now.’

But Graham held more tightly to me. ‘Let it be,’ he mumbled, low, against my shoulder. ‘We’ll be warm enough.’

My eyes closed and I started drifting, too. Until I realized what he’d said.

I was awake again, and staring. ‘Graham?’

But he was already sleeping deeply, and he didn’t hear.

It might be just coincidence, I thought, that he had twice now used the same words that I’d written in my book, the words that Moray had once spoken to Sophia. And Moray only looked like him because I’d made him look like him…I had made Moray look like Graham, hadn’t I? It couldn’t be that Moray had in fact had eyes the color of the winter sea, the same as Graham’s eyes, and Graham’s mother’s eyes…