The Warded Man (Demon Cycle, #1)(121)

Like his talisman, the song wrapped itself around Rojer, reminding him how safe it had made him feel that night. Arrick had been a coward, it was true, but he had honored Kally’s request to take care of him, though it had cost him his royal commission and ruined his career.

He tucked his talisman away in its secret pocket and stared out into the night as images over a decade old flashed in his mind and he tried desperately to make sense of them.

Eventually, Arrick’s singing trailed off, and Rojer pulled himself from contemplation and fetched their cooking utensils. They fried sausages and tomatoes in a small skillet, eating them with hard, crusty bread. After supper, they practiced. Rojer took out his fiddle, and Arrick wet his lips with the last drops from his wineskin. They faced one another, doing their best to ignore the corelings stalking about the circle.

Rojer began to play, and all his doubts and fears fell away as the vibration of the strings became his world. He caressed a melody forth, and nodded when he was ready. Arrick joined him with a soft hum, waiting for another nod before beginning to sing. They played thus for some time, falling into a comfortable harmony honed by years of practice and performance. Much later, Arrick broke off suddenly, looking around.

“What is it?” Rojer asked.

“I don’t think a demon has struck the wards since we started,” Arrick said.

Rojer stopped playing, looking out into the night. It was true, he realized, wondering how he hadn’t noticed it before. The wood demons were crouched about the circle, motionless, but as Rojer met the eyes of one, it sprang at him.

Rojer screamed and fell back as the coreling struck the wards and was repelled. All around them the magic flared as the rest of the creatures shook off their daze and attacked.

“It was the music!” Arrick said. “The music held them back!”

Seeing the confused look on the boy’s face, Arrick cleared his throat, and began to sing.

His voice was strong, and carried far down the road, drowning out the demon roars with its beautiful sound, but it did nothing to keep the demons at bay. On the contrary, the corelings shrieked all the louder and clawed at the barrier, as if desperate to silence him.

Arrick’s thick eyebrows furrowed, and he changed tune, singing the last song he and Rojer had been practicing, but the corelings still swiped at the wards. Rojer felt a stab of fear. What if the demons found a weakness in the wards, like they had …

“The fiddle, boy!” Arrick called. Rojer looked dumbly down at the fiddle and bow still clutched in his hands. “Play it, fool!” Arrick commanded.

But Rojer’s crippled hand shook, and the bow touched string with a piercing whine, like fingernails on slate. The corelings shrieked, and backed a step away. Emboldened, Rojer played more jarring and sour notes, driving the demons farther and farther off. They howled and put clawed hands to their heads as if in pain.

But they did not flee. The demons backed away from the circle slowly until they found a tolerable distance. There they waited, black eyes reflecting the firelight.

The sight chilled Rojer’s heart. They knew he couldn’t play forever.

Arrick had not been exaggerating when he said they would be treated as heroes in the hamlets. The people of Cricket Run had no Jongleurs of their own, and many remembered Arrick from his time as the duke’s herald, a decade gone.

There was a small inn for housing cattle drivers and produce farmers heading to and from Woodsend and Shepherd’s Dale, and they were welcomed there and given free room and board. The whole town showed up to watch them perform, drinking enough ale to more than repay the innkeep. In fact, everything went flawlessly, until it came time to pass the hat.

“An ear of corn!” Arrick shouted, shaking it in Rojer’s face. “Whar we sposa to do wi’that?”

“We could always eat it,” Rojer offered. His master glared at him and continued to pace.

Rojer had liked Cricket Run. The people there were simple and good-hearted, and knew how to enjoy life. In Angiers, crowds pressed close to hear his fiddle, nodding and clapping, but he had never seen folk so quick to dance as the Runners. Before his fiddle was halfway from its case, they were backing up, making room. Before long, they were reeling and spinning and laughing uproariously, embracing his music fully and flowing wherever it took them.

They cried without shame at Arrick’s sad ballads, and laughed hysterically at their bawdy jokes and mummery. They were, in Rojer’s estimation, everything one could ask in an audience.

When the act was over, chants of “Sweetsong and Halfgrip!” were deafening. They were inundated with offers of lodging, and the wine and food overflowed. Rojer was swept behind a haystack by a pair of raven-eyed Runner girls, sharing kisses until his head spun.

Arrick was less pleased.

“How could I have forgotten what it was like?” he lamented.

He was referring, of course, to the collection hat. There was no coin in the hamlets, or little enough. What there was went for necessities, seed and tools and wardposts. A pair of wooden klats settled to the bottom of the hat, but that wasn’t even enough to pay for the wine Arrick had drunk on the journey from Angiers. For the most part, the Runners paid in grain, with the occasional bag of salt or spice thrown in.

“Barter!” Arrick spat the word like a curse. “No vintner in Angiersh will take payment in bagsh of barley!”

The Runners had paid in more than just grain. They gave gifts of salted meat and fresh bread, a horn of clotted cream and a basket of fruit. Warm quilts. Fresh patches for their boots. Whatever good or service they could spare was offered with gratitude. Rojer hadn’t eaten so well since the duke’s palace, and for the life of him he could not understand his master’s distress. What was coin for, if not to buy the very things that the Runners gave in abundance?