The Secrets of Sir Richard Kenworthy (Smythe-Smith Quartet #4)(2)

Richard looked over at him. “Is that a flaw?”

“Of course not. It’s just . . .” Winston paused, his brow coming together in a little furrow of concentration. “Well, to be honest, that’s pretty much all I recall of her.”

Richard nodded slowly, his eyes settling on the cello, resting against its stand. It also looked expensive, although it wasn’t as if he knew anything about the manufacture of cellos.

“Why such curiosity?” Winston asked. “I know you’re keen to marry, but surely you can do better than a Smythe-Smith.”

Two weeks ago that might have been true.

“Besides, you need someone with a dowry, do you not?”

“We all need someone with a dowry,” Richard said darkly.

“True, true.” Winston might be the son of the Earl of Rudland, but he was the second son. He wasn’t going to inherit any spectacular fortunes. Not with a healthy older brother who had two sons of his own. “The Pleinsworth chit likely has ten thousand,” he said, looking back down at the program with an assessing glance. “But as I said, she’s quite young.”

Richard grimaced. Even he had limits.

“The florals—”

“The florals?” Richard interrupted.

“Iris and Daisy,” Winston explained. “Their sisters are Rose and Marigold and I can’t remember what else. Tulip? Bluebell? Hopefully not Chrysanthemum, poor thing.”

“My sister’s name is Fleur,” Richard felt compelled to mention.

“And a lovely girl she is,” Winston said, even though he had never met her.

“You were saying . . .” Richard prompted.

“I was? Oh, yes, I was. The florals. I’m not sure of their portions, but it can’t be much. I think there are five daughters in the family.” Winston’s lips twisted to one side as he considered this. “Maybe more.”

This didn’t necessarily mean that the dowries were small, Richard thought with more hope than anything else. He knew little of that branch of the Smythe-Smith family—he knew little of any branch, truth be told, except that once a year they all banded together, plucked four musicians from their midst, and hosted a concert that most of his friends were reluctant to attend.

“Take these,” Winston suddenly said, holding out two wads of cotton. “You’ll thank me later.”

Richard stared at him as if he’d gone mad.

“For your ears,” Winston clarified. “Trust me.”

“Trust me,” Richard echoed. “Coming from your lips, words to send a chill down my spine.”

“In this,” Winston said, stuffing his own ears with cotton, “I do not exaggerate.”

Richard glanced discreetly about the room. Winston was making no effort to hide his actions; surely it was considered rude to block one’s ears at a concert. But very few people seemed to notice him, and those who did wore expressions of envy, not censure.

Richard shrugged and followed suit.

“It’s a good thing you’re here,” Winston said, leaning in so that Richard could hear him through the cotton. “I’m not sure I could have borne it without fortification.”

“Fortification?”

“The pained company of beleaguered bachelors,” Winston quipped.

The pained company of beleaguered bachelors? Richard rolled his eyes. “God help you if you attempt to form sentences while intoxicated.”

“Oh, you’ll have that pleasure soon enough,” Winston returned, using his index finger to hold his coat pocket open just far enough to reveal a small metal flask.

Richard’s eyes widened. He was no prig, but even he knew better than to drink openly at a musical performance given by teenaged girls.

And then it began.

After a minute, Richard found himself adjusting the cotton in his ears. By the end of the first movement, he could feel a vein twitching painfully in his brow. But it was when they reached a long violin solo that the true gravity of his situation sank in.

“The flask,” he nearly gasped.

To his credit, Winston didn’t even smirk.

Richard took a long swig of what turned out to be mulled wine, but it did little to dull the pain. “Can we leave during intermission?” he whispered to Winston.

“There is no intermission.”

Richard stared at his program in horror. He was no musician, but surely the Smythe-Smiths had to know that what they were doing . . . that this so-called concert . . .

It was an assault against the very dignity of man.

According to the program, the four young ladies on the makeshift stage were playing a piano concerto by Wolfgang Amadeus Mozart. But to Richard’s mind, a piano concerto seemed to imply actual playing of a piano. The lady seated at that fine instrument was striking only half the required notes, if that. He could not see her face, but from the way she was hunched over the keys, she appeared to be a musician of great concentration.

Albeit not one of great skill.

“That’s the one with no sense of humor,” Winston said, motioning with his head toward one of the violinists.

Ah, Miss Daisy. She of the bouncing blond curls. Of all the performers, she was clearly the one who most considered herself a great musician. Her body dipped and swayed like the most proficient virtuoso as her bow flew across the strings. Her movements were almost mesmerizing, and Richard supposed that a deaf man might have described her as being one with the music.