The Cruel Prince (The Folk of the Air #1)(41)
I almost stumble off the box, I am so surprised. “That’s wonderful,” I whisper back, knowing better than to thank her. Faeries don’t believe in dismissing gratitude with a few words. They believe in debts and bargains, and the person I am meant to be most indebted to is not here. Prince Dain is the one who expects to be repaid.
She smiles, pins in her mouth, and I grin back at her. I will repay him, although it seems I will have much to repay him for. I will make him proud of me. Everyone else, I will make very, very sorry.
When I look up, Vivi is watching me suspiciously. Taryn is next to be measured. As she gets on the box, I go and drink more tea. Then I eat three sugary cakes and a strip of ham.
“Where did you go the other day?” Vivi asks as I gulp down the meat like some kind of raptor bird. I have woken ravenous.
I think of how I fled from our conversation on my way to Hollow Hall. I can’t exactly deny that, not without explaining more about where I was going than my geased tongue will allow. I shrug, one-shouldered.
“I made one of the other Gentry kids describe what happened to you at that lecture,” Vivi says. “You could have died. The only reason you’re alive is that they didn’t want their game to be over.”
“That’s the way they are,” I remind her. “That’s the way things are. Do you want the world to be different than it is? Because this is the world we get, Vivi.”
“It’s not the only world,” she says softly.
“It’s my world,” I say, my heart hammering in my chest. I stand before she can tell me otherwise. My hands are shaking, though, and my palms are sweaty when I go to finger the fabrics.
Ever since I staggered home through the woods in my underwear, I have been trying to feel nothing about what happened. I am afraid that if I begin to feel, I won’t be able to bear it. I am afraid that the emotion will be like a wave sucking me under.
It’s not the first awful thing I have endured and pushed into the back of my brain. That’s how I’ve been coping, and if there’s another, better way, I do not know it.
I focus my attention on the cloth until I can breathe evenly again, until the panic dissipates. There’s a velvet blue-green, reminding me of the lake at dusk. I find an amazing, fantastical fabric embroidered with moths and butterflies and ferns and flowers. I lift it up, and underneath is a bolt of beautiful fog-gray cloth that ripples like smoke. They’re so very pretty. The kind of fabrics that princesses in fairy tales wear.
Of course, Taryn is right about stories. Bad things happen to those princesses. They are pricked with thorns, poisoned by apples, married to their own fathers. They have their hands cut off and their brothers turned into swans, their lovers chopped up and planted in basil pots. They vomit up diamonds. When they walk, it feels as though they’re walking on knives.
They still manage to look nice.
“I want that one,” Taryn says, pointing to the bolt of fabric I’m holding, the one with the embroidery. She’s done being measured. Vivi is up there, holding out her arms, watching me in that unnerving way she has, as though she knows my very thoughts.
“Your sister found it first,” Oriana says.
“Pleeeeeeeease,” Taryn says to me, bending her head and looking up through her eyelashes. She’s joking, but she’s not. She needs to look nice for this boy who is supposed to declare himself at the coronation. She doesn’t understand what use my looking nice would be, me with my grudges and feuds.
With a half smile, I set down the bolt. “Sure. All yours.”
Taryn kisses me on the cheek. I guess we’re back to normal. If only everything in my life were so easily resolved.
I choose a different cloth, the dark blue velvet. Vivienne chooses a violet that seems to be a silvery gray when she turns it over her hand. Oriana chooses a blush pink for herself and a cricket green for Oak. Brambleweft starts to sketch—billowing skirts and cunning little capes, corsets stitched with fanciful creatures. Butterflies alighting along arms and in elaborate headpieces. I am charmed at the alien vision of myself—my corset will have two golden beetles stitched in what looks like a breastplate, with Madoc’s moon crest and elaborate swirls of shining thread continuing down my front, and tiny sheer drop sleeves of more gold.
It will certainly be clear to what household I belong.
We are still making small changes when Oak runs in, being chased by Gnarbone. Oak spots me first and scrambles onto my lap, throwing his arms around my neck and giving me a small bite just beneath my shoulder.
“Ow!” I say in surprise, but he just laughs. It makes me laugh, too. He’s kind of a weird kid, maybe because he’s a faerie or maybe because all kids, human or inhuman, are equally weird. “Do you want me to tell you a story about a little boy who bit a stone and lost all his pearly white teeth?” I ask him in what I hope is a menacing fashion, sticking my fingers under his armpits to tickle him.
“Yes,” he says immediately between breathless giggles and shrieks.
Oriana strides over to us, her face full of trouble. “That’s very kind of you, but we ought to begin dressing for dinner.” She pulls him off my lap and into her arms. He begins screaming and kicking his legs. One of the kicks lands against my stomach hard enough to bruise, but I don’t say anything.
“Story!” he shouts. “I want the story!”
“Jude is busy right now,” she says, carrying his squirming body toward the door, where Gnarbone is waiting to take him back to the nursery.
Holly Black's Books
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)
- The Copper Gauntlet (Magisterium #2)
- The Bronze Key (Magisterium #3)