The Cruel Prince (The Folk of the Air #1)(30)
It preens a bit, ruffling its feathers.
“You,” I say. “You’re one of his—”
“Go to Hollow Hall tomorrow, sweetmeat,” it chirps, cutting me off. “Find us a secret the king won’t like. Find treason.”
Hollow Hall. That’s the home of Balekin, the eldest prince.
I have my first assignment from the Court of Shadows.
I go to sleep early, and when I wake, it is full dark. My head hurts—maybe from sleeping too long—and my body aches. I must have slept with all my muscles tensed.
The lectures of that day have already begun. It doesn’t matter. I’m not going.
Tatterfell has left me a tray with coffee on it, spiced with cinnamon and cloves and a little bit of pepper. I pour a cup. It’s lukewarm, which means it has been there for a while. There’s toast, too, which softens up when I dunk it a few times.
Then I wash my face, which is still sticky with pulp, and then the rest of me. I brush my hair roughly, and then I pull it into a bun by knotting it around a twig.
I refuse to think about what happened the day before. I refuse to think about anything but today and my mission for Prince Dain.
Go to Hollow Hall. Find us a secret the king won’t like. Find treason.
So Dain wants me to help ensure that Balekin isn’t chosen to be the next High King. Eldred can choose any of his children for the throne, but he favors the three eldest: Balekin, Dain, and Elowyn—and Dain above the others. I wonder if spies help keep it that way.
If I can be good at this, then Dain will give me power when he ascends the throne. And after yesterday, I crave it. I crave it like I craved the taste of faerie fruit.
I put on the servant’s dress without any of my mall-acquired underclothes to make sure I am as authentic as possible. For shoes, I dig out a pair of old leather slippers from the back of my closet. They have a hole through the toe that I tried to fix nearly a year ago, but my sewing skills are poor, and I wound up just making them ugly. They fit, though, and all my other shoes are too beautifully made.
We do not have human servants at Madoc’s estate, but I have seen them in other parts of Faerie. Human midwives to deliver babies from human consorts. Human artisans cursed or blessed with tempting skill. Human wet nurses to suckle sickly faerie infants. Little human changelings, raised in Faerie, but not educated with the Gentry as we are. Cheerful magic-seekers who don’t mind a little drudgery in exchange for some wish of their heart. When our paths cross, I try to talk to them. Sometimes they want to, and sometimes they don’t. Most nonartisans have been at least slightly glamoured to smooth out their memories. They think they’re in a hospital or at a rich person’s house. And when they’re returned home—and Madoc has assured me that they are—they’re paid well and even given gifts, such as good luck or shiny hair or a knack for guessing the right lotto numbers.
But I know there are also humans who make bad bargains or offend the wrong faerie and who are not treated so well. Taryn and I hear things, even if no one means for us to—stories of humans sleeping on stone floors and eating refuse, believing themselves to be resting on feather beds and supping on delicacies. Humans drugged out of their minds on faerie fruit. Balekin’s servants are rumored to be the latter, ill-favored and worse-treated.
I shudder at the thought of it. And yet I can see why a mortal would make a useful spy, beyond the ability to lie. A mortal can pass into low places and high without much notice. Holding a harp, we’re bards. In homespun, we’re servants. In gowns, we’re wives with squalling goblin children.
I guess being beneath notice has advantages.
Next I pack a leather bag with a shift and a knife, throw a thick velvet cloak over my dress, and descend the stairs. The coffee churns in my gut. I am almost to the door when I see Vivi seated on the tapestry-covered window seat.
“You’re up,” she says, standing. “Good. Do you want to shoot things? I’ve got arrows.”
“Maybe later.” I keep my cloak clutched tightly around me and try to move past her, keeping a blandly happy expression on my face.
It doesn’t work. Her arm shoots out to block me. “Taryn told me what you said to the prince at the tournament,” she says. “And Oriana told me how you came home last night. I can guess the rest.”
“I don’t need another lecture,” I say to her. This mission from Dain is the only thing keeping me from being haunted by what happened the day before. I don’t want to lose focus. I am afraid that if I do, I will lose my composure, too.
“Taryn feels awful,” Vivi says.
“Yeah,” I say. “Sometimes it sucks to be right.”
“Stop it.” She grabs for my arm, looking at me with her split-pupiled eyes. “You can talk to me. You can trust me. What’s going on?”
“Nothing,” I say. “I made a mistake. I got angry. I wanted to prove something. It was stupid.”
“Was it because of what I said?” Her fingers are gripping my arm hard.
The Folk are going to keep treating you like crap.
“Vivi, there’s no way my deciding to mess up my life is your fault,” I tell her. “But I will make them regret crossing me.”
“Wait, what do you mean?” Vivi asks.
“I don’t know,” I say, pulling free. I head toward the door, and this time she doesn’t stop me. Once I’m out, I rush across the lawn to the stables.
Holly Black's Books
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)
- The Copper Gauntlet (Magisterium #2)
- The Bronze Key (Magisterium #3)