The Cruel Prince (The Folk of the Air #1)(15)
“Think on us,” he says to me. “All through your long, sodden, shameful walk home. Think on your answer. This is the least of what we can do.” With that, he turns away from us, and after a moment, the others turn, too. I watch him go. I watch them all go.
When they’re out of sight, I pull myself onto the bank, flopping onto my back in the mud next to where Taryn is standing. I take big, gulping breaths of air. The nixies begin to surface, looking at us with hungry, opalescent eyes. They peer at us through a patch of foxtails. One begins to crawl onto land.
I throw my rock. It doesn’t come close to hitting, but the splash startles them into not coming closer.
Grunting, I force myself up to begin walking. And all through our walk home, while Taryn makes soft, sobbing sounds, I think about how much I hate them and how much I hate myself. And then I don’t think about anything but lifting my wet boots, one step after another carrying me past the briars and fiddleheads and elms, past bushes of red-lipped cherries, barberries and damsons, past the wood sprites who nest in the rosebushes, home to a bath and a bed in a world that isn’t mine and might never be.
My head is pounding when Vivienne shakes me awake. She jumps up onto the bed, kicking off the coverlets and making the frame groan. I press a cushion over my face and curl up on my side, trying to ignore her and go back to dreamless slumber.
“Get up, sleepyhead,” she says, pulling back my blankets. “We’re going to the mall.”
I make a strangled noise and wave her away.
“Up!” she commands, leaping again.
“No,” I moan, burrowing deeper in what’s left of the blankets. “I’ve got to rehearse for the tournament.”
Vivi stops bouncing, and I realize that it’s no longer true. I don’t have to fight. Except that I foolishly told Cardan I would never quit.
Which makes me remember the river and the nixies and Taryn.
How she was right, and I was magnificently, extravagantly wrong.
“I’ll buy you coffee when we get there, coffee with chocolate and whipped cream.” Vivi is relentless. “Come on. Taryn’s waiting.”
I half-stumble out of bed. Standing, I scratch my hip and glare. She gives me her most charming smile, and I find my annoyance fading, despite myself. Vivi is often selfish, but she’s so cheerful about it and so encouraging of cheerful selfishness in others that it’s easy to have fun with her.
I dress quickly in the modern clothes I keep in the very back of my wardrobe—jeans, an old gray sweater with a black star on it, and a pair of glittery silver Converse high-tops. I pull my hair into a slouchy knitted hat, and when I catch a glimpse of myself in the full-length mirror (carved so that it seems like a pair of bawdy fauns are on either side of the glass, leering), a different person is looking back at me.
Maybe the person I might have been if I’d been raised human.
Whoever that is.
When we were little, we used to talk about getting back to the human world all the time. Vivi kept saying that if she learned just a little more magic, we’d be able to go. We were going to find an abandoned mansion, and she was going to enchant birds to take care of us. They would buy us pizza and candy, and we would go to school only if we felt like it.
By the time Vivi learned how to travel there, though, reality had intruded on our plans. It turns out birds can’t really buy pizza, even if they’re enchanted.
I meet my sisters in front of Madoc’s stables, where silver-shod faerie horses are penned up beside enormous toads ready to be saddled and bridled and reindeer with broad antlers hung with bells. Vivi is wearing black jeans and a white shirt, mirrored sunglasses hiding her cat eyes. Taryn has on pink jeggings, a fuzzy cardigan, and a pair of ankle boots.
We try to imitate girls we see in the human world, girls in magazines, girls we see on movie screens in air-conditioned theaters, eating candy so sweet it makes my teeth ache. I don’t know what people think when they look at us. These clothes are a costume for me. I am playing dress-up in ignorance. I no more can guess the assumptions that go along with glittering sneakers than a child in a dragon costume knows what real dragons would make of the color of her scales.
Vivi picks stalks of ragwort that grow near the water troughs. After finding three that meet her specifications, she lifts the first and blows on it, saying, “Steed, rise and bear us where I command.”
With those words, she tosses the stalk to the ground, and it becomes a raw-boned yellow pony with emerald eyes and a mane that resembles lacy foliage. It makes an odd keening neigh. She throws down two more stalks, and moments later three ragwort ponies snort the air and snuffle at the ground. They look a little like sea horses and will ride over land and sky, according to Vivi’s command, keeping their seeming for hours before collapsing back into weeds.
It turns out that passing between Faerie and the mortal world isn’t all that difficult. Faerie exists beside and below mortal towns, in the shadows of mortal cities, and at their rotten, derelict, worm-eaten centers. Faeries live in hills and valleys and barrows, in alleys and abandoned mortal buildings. Vivi isn’t the only faerie from our islands to sneak across the sea and into the human world with some regularity, although most don mortal guises to mess with people. Less than a month ago, Valerian was bragging about campers he and his friends had tricked into feasting with them, gorging on rotten leaves enchanted to look like delicacies.
Holly Black's Books
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)
- The Copper Gauntlet (Magisterium #2)
- The Bronze Key (Magisterium #3)