Surviving Ice (Burying Water, #4)(38)



Please don’t be a mall cop.

“No. I’m not a mall cop.” He chuckles, forcing my needle away from his skin until he settles down. He has a nice laugh. And nice straight white teeth, I see, watching him from this angle. When his laughter dies down and my needle touches his skin again, he admits, “I’m a bodyguard.”

I have to pull away again, to process. “Really . . .” That is way more interesting—and appealing—than a mall cop. “I’ve never met a real bodyguard before. That sounds dangerous.”

“It can be.”

“Who do you protect?”

“People who need bodyguards.”

I wipe away the excess ink just a touch harder than I probably should. “Are you always so evasive?”

“Are you always so inquisitive?”

“Only when I’m doing someone a huge favor.” I bite my bottom lip to keep from tacking on an extra-acidic remark about his shitty communication skills.

He sighs. “For politicians, for celebrities, for civilians facing safety concerns. Pretty much anyone who needs a shield.”

“That’s . . . commendable.” And brave. “I guess it’s a natural career coming out of the army?”

“I guess,” he says quietly.

It’s all beginning to make sense to me now. No wonder Sebastian is so in shape, so strong. No wonder his movements seem so fluid and measured. No wonder, when he stepped into Black Rabbit for the first time, I felt his looming presence taking control of the entire room. Though I couldn’t have articulated it at the time, I sensed right away that he could protect me from anything.

“So, are you working now?” His schedule seems flexible, if he’s shown up here three days in a row, ready to spend seven hours under my needle on any one of them.

“I’m taking a break,” he says simply.

“A bodyguard on vacation?”

He smirks. “We need vacations, too.”

“I guess. But why’d you stay in town, then? I think I’d be on a beach the second I had a chance.”

He smiles. “Maybe next week. I really needed to get this tattoo before you ran off.”

“Sure you did,” I mock, but I also smile. “Where are you going to go?”

“Greece.”

“Why there? You have family there?”

“Nope.”

“So you’re just going to pick up and go to Greece?”

“Pretty much.”

I grin. Finally, something that Sebastian and I have in common.





FOURTEEN


SEBASTIAN


HOUR TWO


The ink on my shoulder was done by a small shop in San Diego nine years ago. It took four and a half hours to complete. I didn’t feel nearly as vulnerable with the artist—a scrawny middle-aged hipster named Marcus—as I do now, under Ivy’s skilled hands, with her leaning over me, her gloved fingers touching my skin, that intoxicating perfume wafting around my nostrils in seductive waves.

I have no choice but to lie to her about my work—for obvious reasons. She bought the cover instantly. I wasn’t sure that she would.

“How are you doing? Still good? Need a five-minute break?” she asks, a hint of concern in her voice.

She was trying to figure me out earlier. A guy who doesn’t even flinch when he feels the sting from that needle like a knife carving into his flesh. Odd to her, I’m sure. But she saw the shrapnel scars on my back. It doesn’t take a genius to figure out that they were serious, that they would have hurt far more than any tattoo.

“Keep going.” We passed the one-hour mark quickly enough, even with my ambiguous answers and her annoyed sighs. But we still have six more hours, and I need to steer this conversation away from the places we’ve traveled—between the two of us I think we’ve covered every continent except Antarctica—and start pumping her for any information that might be useful to me in finding this tape.

“So what made you want to become a tattoo artist?”

“I love doing it,” she answers simply, wiping away excess ink.

I’m careful not to move my body when I turn my head to peer up at her face. She knows I’m watching her, but she seems intent on avoiding my eyes. “Who’s being evasive now?”

Her lips press into a tight line, like she’s trying not to smile. And suddenly I wish I wasn’t having this piece done on my side. I wish I’d picked my chest for its location, so I could lie on my back and stare up at her the entire time.

Because I meant what I said: Ivy is fierce, stunning, and captivating.

“I love to draw,” she finally says. “I’ve been drawing on every surface I could reach since I was able to grip a crayon in my hand. Paper, walls, cars, you name it, my parents will tell you I marked it.” A wistful look flickers past her eyes. “And my uncle. He’s what got me into this career of drawing on bodies.”

“The uncle who owned this shop?”

She swallows hard. “Yeah, him.”

“Tell me about him.”

She frowns. “Why?” There’s a hint of suspicion in there.

I need to tread carefully. “Because sometimes it helps to talk about loved ones you’ve lost to a complete stranger.” Even though that’s not why I’m asking, it’s still true. I watch her as she seems to think about that, still working away on the outline.

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