Seven Ways We Lie(15)

Go ahead and judge me for this, but her screwing up like that makes me feel as if I’ve won some sort of unstated competition.

“The hell was that?” Olivia says, staring after Juniper.

“No clue. I’m going to see if she wants to talk.” I stand, crumpling my trash into my brown paper bag.

“She’s not going to talk, dude,” Olivia says. “Remember last winter’s recital?”

I grimace. It’d be hard to forget Juniper’s concert last December. In the middle of the final movement of a concerto, she fumbled a transition and stopped playing, to crushing silence from the audience and accompanist. She had to restart the movement, a grueling, seven-minute piece of technical wizardry. When the audience left, she locked herself in the bathroom, and nothing her parents, Olivia, or I said could coax her out.

After half an hour, she emerged, quiet and collected. She’s still never mentioned it.

“Well, I can try,” I say.

“Godspeed,” Olivia says.

I head out, frowning as I hoist my backpack higher on my shoulders. Twenty pounds of textbooks and notebooks and overflowing binders. As I leave the lunchroom, a voice in the back of my head says, It wouldn’t kill Olivia to try talking to her, at least. But Olivia never does that with me and Juni. She doesn’t push us like that. In my opinion, she hates getting that close.

When Olivia’s mom left Paloma, I did something for her every day. I texted, called, visited—I poured everything I had into her recovery. Back then, the summer before freshman year, I was too young to drive, so I cajoled my sister, Grace, into driving me wherever Olivia needed me to be. But when I went through my breakup in May, Olivia hid behind a bland, scared layer of sympathy, offering me platitudes like “It’ll be okay soon,” and “Tell me if I can do anything.”

Looking back, I don’t know if that was fair.

As I turn the corner, I catch a glimpse of Juni way down the hall, disappearing into the girls’ bathroom. I hurry after her.

When I reach the door, I push against it with my shoulder. She’s locked it. “Juniper?” I say. “It’s Claire. Want to talk?”

“It’s fine,” she says, muffled. “Please. I need some time.”

“Okay. Let me know.” I back away, stifling a sigh. Olivia was right. Of course.

Sometimes I feel as if Olivia and Juni operate on a different plane than me. They love pretending everything’s fine. They understand that about each other. Me, though—I hate keeping everything bottled up. I feel messy, compared with them. They’re neatly printed arias, and I’m a sloppy sonatina, splattered across loose staff paper. Juniper is elegant; Olivia is stoic. And God knows what I am.

All this squabbling and silence among the three of us has me on edge. Are we drifting away from one another? We’ve been a trio, inseparable, since sixth grade—the thought of losing them makes my heart squeeze.

I gnaw on my pinky nail. “Losing them”—that’s not quite right, is it? It’s not that the three of us are moving apart. I’m trying as hard as ever. It’s the two of them who are pulling away from me.

That’s how it feels, anyway. Juni and Olivia are a matched set as always, and I’m some spectator growing more distant by the day.

I glance back at the bathroom door. The fact that Olivia was right about this makes me angry. She knows Juniper better than I do, is what that says. I was wrong, it says.

I hate being wrong.





AS I’M DRIVING BACK TO SCHOOL FROM THE LIQUOR store, I keep thinking about this TV show I used to watch in New York, The Confessor. The title character, the host, is a dude called Antoine Abbotson, who’s short and smiley and wears a navy blue suit. Each show, he brings in three people who each have a secret. The idea is, the Confessor bids up the price to get them to confess that secret on live TV. But if he hits a certain dollar threshold—a concealed number somewhere under $50,000—the contestant walks away empty-handed. Sometimes, though, the people on that show make bank. One woman got paid $47,000 to explain to her husband that the front room in their house smelled awful because she’d pooped into their upright piano while sleepwalking, couldn’t reach down far enough to extract the resulting poop after the fact, and never had the heart to tell anyone.

It’s strange, watching that show, seeing how people price their secrets. My family hangs their eccentricities around their necks when they walk out the door every day. There’s Uncle Jeremy, who won a trophy for having the longest mustache in New York State. There’s my cousin Cabret, who dropped out of college to start her own private-investigation service. And you can’t forget Great-Grandma Louise, who at age ninety-one lives alone in a cabin in the Catskills and still checks her traps every morning for dead animals.

My family values honesty for a couple of reasons: first, the Ten Commandments say, “Thou shalt not bear false witness”; and second, my family is full of givers. Givers palm off their secrets with every handshake; they lay it all bare.

Me? I keep one secret from my parents. It’s boring, and everyone at school knows it: I sell drugs. Not hard drugs, just weed and booze, but I’m not about to tell my mom and dad. They think my money is leftover from sweeping aisles down at Brent Hardware, where I work over the summers.

It’d break their hearts if I ever told them, but as selfless as they are, what they give me never feels like enough. I always want more, and Paloma only makes it worse. This place seemed unreal when I got here freshman year: a dollhouse town, unimaginably small, and it’s shrunk since then. I’ve met everyone. I’ve been everywhere. There’s nothing left to collect now, except profits from deals. It gets depressing, sometimes.