Serpent & Dove (Serpent & Dove, #1)(93)
He wasn’t the only one. Those not feasting on macarons and hazelnuts whispered behind their hands in disapproval. One word rose above the rest, a soft hiss repeated over and over in the wind.
Women.
The actors in this troupe were all women.
And not just any women: though they ranged in age from crones to maidens, all held themselves with the telltale grace of artists. Proud and erect, but also fluid. They watched the crowd murmur with impish smiles. Already performing before the show began. The youngest couldn’t have been older than thirteen, and she winked at a man twice her age. He nearly choked on his popcorn.
I don’t know what these idiots had expected. The troupe’s name was Ye Olde Sisters.
“Abominable.” The Archbishop halted at the top of the steps, lip curling. “A woman should never debase herself with such a disreputable profession.”
I smirked and withdrew my arm from his. He didn’t stop me. “I’ve heard they’re very talented.”
At my words, the youngest caught sight of us. Her eyes met mine, and she flashed a mischievous grin. With an imperious toss of her wheat-colored hair, she lifted her hands to the crowd. “Joyeux No?l à tous! Our guest of honor has arrived! Quiet, now, so we might begin our special performance!”
The crowd instantly quieted, and eyes everywhere turned to her in anticipation. She paused, arms still spread wide, to bask in their attention. For someone so young, she held an uncommon amount of confidence. Even the Archbishop stood transfixed. At her nod, the other actors darted into one of the wagons.
“We all know the story of Saint Nicolas, bringer of gifts and protector of children.” She spun in a slow circle, arms still wide. “We know the evil butcher, Père Fouettard, lured the foolish brothers into his meat shop and cut them into little pieces.” She sliced her hand through the air to mimic a knife. Those near her drew back with disapproving looks. “We know Saint Nicolas arrived and defeated Père Fouettard. We know he resurrected the children and returned them safe and whole to their parents.” She inclined her head. “We know this story. We cherish it. It is why we gather every year to celebrate Saint Nicolas.
“But today—today we bring you a different story.” She paused, another naughty smile touching her lips. “Lesser known and darker in nature, but still the tale of a holy man. We shall call him an archbishop.”
The Archbishop stiffened beside me as a woman strode out of the wagon wearing choral robes uncannily similar to his own. Even the shades of crimson and gold matched. She trained her face into a severe expression. Brows furrowed, mouth tight.
“Once upon a time in a faraway place,” the young narrator began, her voice turning musical, “or not so far, as is truly the case, lived an orphan boy, bitter and ignored, who found his call in the work of the Lord.”
With each word, the woman portraying the Archbishop stepped closer, lifting her chin to glare down her nose at us. The real Archbishop remained still as stone. I risked a glance at him. His gaze was locked on the young narrator, his face noticeably paler than a few moments ago. I frowned.
The pretend Archbishop lit a match and held it before his eyes, watching it smoke and burn with unsettling fervency. The narrator dropped her voice to a dramatic whisper. “With faith and fire in his heart, he hunted the wicked and set them apart to burn at the stake for evil committed . . . for the Lord’s word no magic permitted.”
My sense of foreboding returned tenfold. Something was wrong here.
A commotion down the street distracted the audience, and the Chasseurs appeared. Reid rode in front, with Jean Luc following closely behind. Their identical expressions of alarm became clear as they drew closer, but the troupe’s wagons—and the audience—blocked the street. They hurried to dismount. I started toward them, but the Archbishop caught my arm. “Stay.”
“Excuse me?”
He shook his head, eyes still fixed on the narrator’s face. “Stay close to me.” The urgency in his voice stilled my feet, and my unease deepened. He didn’t release my arm, his skin clammy and cold on mine. “Whatever happens, do not leave my side. Do you understand?”
Something was very wrong here.
The pretend Archbishop raised a fist. “Thou shalt not suffer a witch to live!”
The narrator leaned forward with a wicked gleam in her eyes and brought a hand to her mouth, as if revealing a secret. “But he failed to remember God’s plea to forgive. So Fate, a cruel, cunning mistress, did plan another end for this bloodthirsty man.”
A tall, elegant woman with deep brown skin swept from the wagon next. Her black robes billowed as she circled the pretend Archbishop, but he didn’t see her. The real Archbishop’s grip on me tightened.
“A beautiful witch, cloaked in guise of damsel, soon lured the man down the path to Hell.” A third woman fell from the wagon, clothed in dazzling white robes. She cried out, and the pretend Archbishop raced forward.
“What is going on?” I hissed, but he ignored me.
The pretend Archbishop and the woman in white moved in a sensual circle around one another. She trailed her hand down his cheek, and he drew her into his arms. Fate looked on with a sinister smile. The crowd muttered, gazes shifting between the actors and the Archbishop. Reid stopped trying to push through the crowd. He stood rooted to the spot, watching the performance through narrowed eyes. A ringing started in my ears.