Push(4)

David does not look like a cupboard fixer. Frankly, he looks a little psycho, and I wonder how stupid I am to let him waltz into my apartment without checking for a message from Carl first. But if I close the door on him now, I’m going to look like the psycho. A stupid cliché pops unwelcome into my head: “Don’t judge a book by its cover.” I stuff the words back into my brain, back into the mouth of every Sunday-school teacher I ever had.
The only visual indication that David is actually here for the reason he claims is the belt of tools slung low around his waist. There is a hammer swaying off his left hip and some screwdrivers tucked into little loops on the right. A tape measure sits next to the hammer, and what appears to be a pair of lineman’s pliers is sticking out of a small pocket to the side. There are some other tools there, too, but I don’t recognize them.
He catches my glance at the tool belt, and I realize that I must have some foolish look of relief on my face, because a second later he is wearing a small, lopsided grin. He looks quite pleased with himself, as a matter of fact, and I immediately think he must be a cocky bastard.
Aside from the tool belt, he is wearing a gray T-shirt, a pair of black skinny jeans and a pair of heavy black work boots. His dark, mussed-up hair is cut short, and it looks as if he forgot to shave—for the past several days. On each ear are two small silver hoops, and his arms are covered in tattoos. I can see the swirls of ink beneath his skin, but I can’t tell what the images are—I don’t want to look at them any longer than I already have. I don’t want him to think I am checking him out. Cocky bastards love being checked out, and I refuse to give him the pleasure.
I step aside and let him into the apartment. He looks around quickly and makes a beeline towards the kitchen. I think immediately that he must be familiar with the apartment’s layout because he doesn’t ask where to go, nor does he hesitate.
“Come on in,” I say sarcastically as he breezes past me.
“Thanks,” he says without turning around. I watch him walk around the corner to the kitchen and wonder whether I am supposed to follow him in there.
“Holy hell,” he says quietly. “What a mess.”
“Sorry,” I answer sheepishly from the living room. And, before I know it, I add, “My grandma got stoned here the other night and was desperate for some munchies. She gets a little out of hand sometimes.” The utter idiocy of my own words makes me want to evaporate. I don’t even have a grandma anymore.
In a split second he is out of the kitchen and standing in the hallway, his hand on the door frame. He looks right at me, completely stone-faced. Without a trace of mockery, he says, “I think I might like to meet your grandma someday.” He quickly turns away and slides back into the kitchen. I am silent. What the hell am I supposed to say to that?
* * *

Since I can’t come up with a sharp retort, I decide to say nothing. I am not going to encourage this *. I am going to shut him down. In fact, I do not say another word to him for the rest of the morning. Instead I go back to the bedroom and continue unpacking my suitcases. I can hear him banging around in the kitchen, and I briefly consider closing my bedroom door just in case he really is some sort of psycho.
But then I wonder what he will think if he sees that I closed the door. I don’t want to seem paranoid or judgmental...or weak. The fact that I am putting so much thought into whether or not I should close the freaking door bothers the hell out of me. I want to not be bothered by the fact that I am alone with a strange man in my apartment. And for some stupid reason, I want him to see that I am not bothered by the fact that I am alone with a strange man in my apartment. I want to beat myself silly over all my foolish waffling about the goddamned door. I finally decide to shut my brain down before it melts—the door stays open, and I keep unpacking.
As I empty out the last suitcase, I decide that I am hungry. It’s got to be close to lunchtime by now. I turn to my alarm clock to check the time, and as I do, I see his reflection in the dresser mirror. He is walking down the hallway, toward my bedroom. Good. Now he’ll see that I didn’t close my door. I am standing next to my bed, and I try to come up with something to do with my hands so that he doesn’t think I’m just standing in my bedroom doing nothing. My nightstand is right next to me, and I reach down to grab something in advance of him hitting the doorway. Before I know it, I am flipping open my little plastic compact of birth control pills and looking at their circular pattern. Oh, f*ck me. What the hell, Emma?
“Hey,” he says when he gets to the end of the hallway. “Sorry to bother you, but I need to use your head.” I turn to look at him just as he comes into the door frame. He has lost the tool belt, and his thumbs are casually hooked into the back of his waistband. He looks quickly around the bedroom before his eyes settle on my hands. I snap the pack shut quickly, hoping he might not recognize what I am holding—but I’m pretty sure he is the kind of guy who knows precisely what a packet of birth control pills looks like. I am deciding if I would prefer to curl up in a ball and die or evaporate yet again, when my mind registers what he has said.
“Um, for what?” I ask sharply. Should I offer him a calculator or something instead?
“Um, to take a piss,” he says with far too much lilt in his voice.
I stand staring blankly at him, and I have the distinct feeling that I am missing something. What is going on here?
After another moment passes, he says “Well?” And then it hits me. Oh, sweet Jesus, Emma! He is asking to use your head, not your brain.