Mud Vein(73)
Please, please let him live.
And then I walk.
I hear the beating of helicopter blades.
Whump-Whump
Whump-Whump
Whump-Whump
I force my eyes open. I have to use my fingers to pry them apart, and even then I can’t get them to stay cracked.
Whump-Whump
It sounds like it’s getting closer. I have to get up, get outside. I am already outside. I feel the snow beneath my fingertips. I raise my head. There is a lot of pain. From my head? Yes, I fell. Climbing over the fence.
Whump-Whump
Whump-Whump
You have to get to a clearing. Somewhere they can see you. But all around me there are trees. I’ve walked so far. I am in the thickest of thickets. I can reach out and touch the nearest tree trunk with my pinkie. Did I stop here because I thought it would be warmer? Did I just collapse? I can’t remember. But I hear a helicopter whipping the air, and I have to make them see me. I utilize the nearest tree trunk and pull myself to my feet. I stumble forward, heading in the direction I came from. I can see my prints in the snow. I think I remember a thicket just ahead. One where I could see the sky. It’s farther than I thought, and by the time I reach it and tilt my head back, I can’t hear the Whump-Whump quite as clearly as before. Not enough time to build a fire. I picture myself crouched in the snow whittling away at a pile of wood, and laugh. Too late to go back to the house, how long have I been out her? I’ve lost all concept of time. Two days? Three? Then I think it. Isaac is alive! He sent them. There is nothing to do but to stand in the clearing, head tilted up, and wait.
I am airlifted to the nearest hospital in Anchorage. There are already news trucks outside. I see flashes and hear slamming doors and voices before I am wheeled on the gurney through the back door and into a private room. Nurses and doctors in salmon-colored scrubs come rushing toward me. I am compelled to roll off the gurney and hide. There are too many people. I want to tell them that I’m fine. I’m a death escapist. There is no need for this many medical professionals or this many tests. Their faces are serious; they are concentrating on saving me. There’s nothing really left for them to save.
Nevertheless, needles slide into my arms over and over until I can’t even feel them anymore. They make me comfortable in a private room, with only an IV to keep me company. The nurses ask how I feel, but I don’t know what to tell them. I know that my heart is beating and that I am not cold anymore. They tell me that I’m dehydrated, undernourished. I want to say, “No shit” but I can’t form words yet. After a few hours they feed me. Or they try to. Simple food that my hollow stomach can handle: bread and something that is white and mushy. I push the food aside and ask for coffee. They say, “No.” When I try to stand up and tell them that I’m getting my own, they bring me coffee.
The police come next. All official looking. I tell them I want to speak to Saphira before I speak to them. They want my statement; they’re clicking the little buttons on the ends of their pens and pushing tape recorders at me, but I stare at them tight lipped until I can speak to Saphira.
“You can speak to her when you’re well enough to come in to the station,” they tell me. A chill runs through my body. They have her. Here.
“That’s when I’ll speak to you, then,” I tell them.
A day before I am discharged I am visited by two doctors; one is an oncologist and the other an orthopedic surgeon. The ortho guy holds up the x-rays they took of my leg.
“The bone didn’t heal straight, which is why you have pain when you put too much pressure on it. I’ve scheduled you for—”
“No,” I tell him.
He brings his eyes to my face. “No?”
“I’m not interested in fixing it. I’ll leave it how it is.” I open the magazine on my lap to signal that the conversation is over.
“Ms. Richards, with all due respect, the irregular fusion of your bone that was caused by the accident will be something that pains you for the rest of your life. You will want to have the surgeries needed to repair it.”
I close my magazine. “I like pain. I like when it lingers. It reminds a person of what they’ve lived through.”
“That’s a very unique perspective,” he says. “But not practical.”
I fling the magazine across the room. It flies with surprising force and hits the door with a healthy thud. Then I pull down my hospital gown—all the way—until the scars on my chest are exposed. He looks like he might pass out.
“I like my scars,” I say. “I earned them. Now, get out.”
As soon as the door shuts behind him, I scream. The nurses come rushing in, but I throw my water jug at them. At the rate I’m going they’re going to put me in the psych ward.
“Get out!” I scream at them. “Stop telling me how to live my life!”
I am much nicer to the oncologist. She got my file from the hospital in Seattle and ran the yearly tests that I’d missed during my imprisonment. When she gives me the results she sits on the edge of my bed. It reminds me so much of Isaac that I feel overwhelmed. When she is finished she tells me that I am built to fight; emotionally and physically. I actually smile.
Tarryn Fisher's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)