Mud Vein(62)



I am about halfway through the box when I realize that there is a third book. This one is mine. My fingers linger over the bright white pages—white because I told the publisher if they printed on cream I would sue them for breach of contract. Three books. One written for MV, one written for Nick … but the third…? My eyes reach over to the unknown pile. Who belongs to that book? And what is the zookeeper trying to tell me? Isaac pushes himself off the wall and steps toward the pile that belongs to Nick.

“We have to finish reading this one,” he says. My face drains of blood and I can feel a tingling along the tops of my shoulders as they tighten.

I hand him the pile. “It’s out of order and the pages aren’t numbered. Good luck.” Our fingers touch. Gooseflesh rises on my arms and I look away quickly.





We work to set the books in order. Through the longest night, the night that never ends. It’s good to have something to do, to keep you from waltzing down crazy street—not that we haven’t already been there. It’s a street you only want to visit a couple times in your life. We have power again … heat. So we take advantage by not sleeping, our fingers flying over pages, our brows creased with the strain. Isaac has Nick’s book. I take on the task of the other two—mine and…? It seems that there are too many pages to make up only three books. I wonder if we will discover a fourth.

Even as I come across pages of Knotted and hand them to Isaac, it is the nameless book that catches my attention. Each page has a line that pulls at my eyes. I read them, re-read them. No one I know writes this way, yet it is so familiar. I feel a lust for this author’s words. A jealousy at being able to string such rich sentences together. The first line keeps coming back to me with each subsequent line I read. The punishment for her peace was upon him, and he gave her rest.

I don’t notice when Isaac disappears from the room to make us food. I smell it when he comes back and hands me a bowl of soup. I set it aside, intent on finishing my work, but he picks it up and places it back in my hands.

“Eat it,” he instructs me. I don’t realize how hungry I am until I reluctantly place the spoon in my mouth, sucking the salty brown broth. I set the spoon aside and drink from the bowl, my eyes still scanning the piles set neatly around me. My leg is aching, as is my back, but I don’t want to stop. If I ask Isaac to help me move he will guess at my discomfort and force me to rest. I rub the small of my back when he’s not looking, and press on.

“I know what you’re doing,” he says, as he leans over his pile of pages.

I look up in surprise. “What?”

“When you think I’m not looking, I am.”

I flush, and my hand automatically reaches for my aching muscles. I pull back at the last minute and curl my hand into a fist instead. Isaac snickers and shakes his head, turning back to his work. I’m glad he doesn’t press the issue. I pick up another page. It’s my own. The story I wrote for Nick. Instead of putting it on its pile, I read it. True and trite. It was my call to him. The first line of the book went like this:



Every time you want to remember what love feels like, you look for me.



That line grabbed every woman who had ever offered their throbbing little heart to a man. Because we all have someone who reminds us of what love stings like. That unreliquished love that slips between our fingers like sand. The second line of the book confused them a little. It’s why their eyes kept following my trail of words. I was dropping breadcrumbs for the disaster that was to come.



Stay the f*ck away from me.



I only wrote the book because he wrote one for me. It seemed fair. Most people text, or call, or write e-mails. My love and I write each other books. Hey! Here’s a hundred thousand words of ‘Why the hell did we break up anyway?’ It was Nick who had finally crippled me; it was Nick who took my belief away. And I decided sometime after I filed the restraining order against Isaac that it was a story worth telling.



When we broke up it was his choice. Nick liked to love me. I was not like him, and he valued that. I think I made him feel more like an artist because he didn’t know how to suffer until I came into his life. But he didn’t understand me. He tried to change me. And that was our destruction. And then Isaac read that book to me, perched on the edge of my hospital bed, my breasts sitting in a medical waste container somewhere. Suddenly I was hearing Nick’s thoughts, seeing myself as he saw me, and I heard him calling to me.



Nick Nissley was perfect. Perfect looking, perfectly flawed, perfect in everything he said. His life was graceful and his words were whetted to poignancy—both written and spoken. But he didn’t mean any of them. And that was the greatest disappointment. He was a pretender, trying to grasp what it felt like to live. So, he found me looking at a lake and grabbed me. Because I wore a shroud of darkness and he wanted desperately to understand what that was like. I was charmed for a while. Charmed that someone so gifted was interested in me. I thought that by being with him, his talent would rub off on me.

I was always waiting to see what he would do next. How he would handle the waitress who spilled an entire dish of pumpkin curry on his pants (he took his pants off and ate his meal in boxers); or what he would say to the fan who tracked him down and showed up at his door while we were having sex (he signed her book half leaning out the door with his hair ruffled and a sheet wrapped around his waist). He taught me how to write by simply existing—and existing well. I can’t say for sure when it was that I fell in love with him. It might have been when he told me that I had a mud vein. It might have been days later when I realized it was true. But whatever moment it took for my heart to decide to love him, it decided swiftly, and it decided for me.

Tarryn Fisher's Books