Mud Vein(43)

“Isaac.” My voice was full of conviction, but when he turned to face me, hands in pockets, I didn’t know what to say. We stared at each other. It was awful. It was painful.

“Senna, what do you want?”

I wanted my white room. I wanted to never have smelled him or heard the words to his music.

“I don’t know.”

He took a step backwards, toward the door. I wanted to step toward him. I wanted to.

“Senna…”

He took another step back, like he wanted me to stop him. He’s giving me a chance, I thought. Three more and he would be out the door. I felt the pull. It was in the hollows behind my kneecaps, something tugging me to him. I wanted to reach down and still it. Another step. Another.

His eyes were pleading with me. It was no use. I was too far gone.

“Goodbye, Isaac.”





I took it as a loss. I thought so anyway. It had been a long time since I had mourned a person—twenty years, to be exact. But I mourned Isaac Asterholder in my own way. I didn’t cry; I was too dry to cry. Every day I touched the spot where Nick’s book used to sit on my nightstand. Dust was starting to fill the space. Nick was something to me. We shared a life. Isaac and I had shared nothing. Or maybe that wasn’t true. We shared my tragedies. People leave—that’s what I was used to—but Isaac showed up. I sat in my white room for days trying to clear myself of all the color I was suddenly feeling: red bikes, lyrics with thorns, the smell of herbs. I sat on the floor with my dress pulled over my knees and my head curled into my lap. The white room couldn’t cure me. Color stained everything.

Seven days after he walked backwards out of my house I went to the mailbox and on my way back, found a CD on my windshield. I clutched it to my chest for an hour before I slipped it into my stereo. It was an intense crescendo of lyrics and drums and harp and everything he was feeling—and I was, too. The most remarkable thing was that I was feeling.



It ripped at me until I wanted to gasp for breath. How could music know what you were feeling? How could it help you name it? I went to my closet. There was a box on my top shelf. I pulled it down and ripped off the lid. There was a red vase. Bright. Brighter than blood. My father sent it to me when my first book was published. I thought it was terrible—so bright it hurt my eyes. Now, my eyes were drawn to the color. I carried it to my white room and set it on the desk. Now there was blood everywhere.



I searched for a song for days. I was new to the wonders of iTunes. I went back to Florence Welch. There was something about the intensity of her. I found it. I didn’t know how to transfer it to one of those generic CD’s he used. But I found out. Then I drove to the hospital, the disk on my lap the whole time. I stood for a long time next to his car. This was a bold move. It was color. I didn’t know I had any color. I put the brown envelope on his windshield, and hoped for the best.



His songs reminded me of swimming, which somehow I’d forgotten.



He didn’t come right away. He probably wouldn’t have come at all if he hadn’t seen me at the hospital a few weeks later. I’d gone to sign some of the financial paperwork for my bill. Insurance crap. I only saw him briefly—a few seconds, tops. He was with Dr. Akela. They had been walking down the hall together, their identical white coats differentiating them from the other humans milling around the nurses’ station—two demi-gods in a sea of humans. I froze when I saw him, felt a feeling only drugs can give you. He was headed for the elevator, same as me. Oh great, this is going to suck. If there were people in the elevator I could scoot to the back and hide. I waited hopefully, but when the doors slid open the only people inside were on the poster advertisement for erectile dysfunction. We should do this more often, the slogan said. A handsome, athletic couple in their late forties, woman looking coy. I jumped in and hit the lobby button with my fist. Close! It did. Thankfully, it did, but before the doors sealed shut Isaac appeared in the gap. For a second it looked like he was going to hold a hand between the doors, force them to open. He drew back instead, the shock sketched around his eyes. He hadn’t been expecting to see me today. We should do this more often, I thought. It all happened in a dizzy three seconds. The time it takes for you to blink, blink and blink. But I didn’t blink, and neither did he. We locked into a three second staring contest. We couldn’t have said any more in those three seconds.



When you spend extraordinary amounts of time pushing someone away, their reaction to your apology tends to be slow. I imagined so, anyway. That’s how I wrote it in my stories. He came a week later. Since then I’d put away the red vase, gone back to craving white.

I was at the mailbox when his car pulled into my driveway. I felt.

You feel.

When had that started happening again? I waited with the stack of junk mail clutched in my hands. He stepped out of his car and walked to me.

“Hey,” he said.

“Hi.”

“I’m headed to the hospital, but I wanted to see you first.” I took it. I missed him. You miss Nick, You know Nick. You don’t know this man.

I pushed that away.

We walked up to my house together. When I closed the door behind us, he took my mail from my hands. I watched as he set it on the table next to the door. A single, white envelope slipped off the edge and slid to the floor. It skidded to a stop behind Isaac’s right heel. He turned to me and took my face in his hands. I wanted to keep looking at the safe white of that envelope, but he was right there, making me look at him. His gaze was slicing. Sluicing. There was too much emotion. He kissed me with color, with drumbeat, and a surgeon’s precision. He kissed me with who he was, the sum of his life—and it was all encompassing. I wondered what I kissed him with since I was only broken parts.