Mud Vein(30)

I walked to the middle of the driveway and scooped up some of the snow, cupping it in my palm, looking around. It was then that I saw it. A patch of snow had been cleared from my car’s windshield. The car that I never park in the garage, though now I wish I had. There was something underneath my wiper blade. I carried my handful of snow over, stopping when I reached the driver’s side door. Anyone could drive past my house and see me half undressed, cupping snow in my hand and staring limpidly at my snow-capped Volvo. There was a brown square underneath the blade. I dropped my snow, and it landed in a semi-hard clump on my foot. The package was thin, wrapped grocery bag paper I turned it over in my hands. He’d written something on it in blue sharpie. His handwriting flicked across the paper in messy, carefree lines. A doctor’s scrawl, the kind you might find on a medical chart or a script. I narrowed my eyes, absently licking off drops of snow on the back of my hand.

Words. That’s what he’d written.

I carried it inside, flipping it over in my hand. There was a slot on one side of the cardboard. I stuck my finger inside and pulled out a CD. It was black. A generic disk, something he’d burned himself.

Curious, I put the disk into my stereo and hit play with my big toe as I stretched out on the floor.

Music. I closed my eyes.



Heavy drum beat, a woman’s words … her voice bothered me. It was emotive, going from warm cooing to hard with each word. I didn’t like it. It was too unstable, unpredictable. It was bipolar. I stood up to turn it off. If this was Isaac’s attempt at facilitating me into his music, he was going to have to try for something less…

The words—they suddenly picked me up and held me, dangling in the air; I could kick and writhe and I wouldn’t have been able to come down from them. I listened, staring at the fire, and then I listened with my eyes closed. When it was over, I played it again and listened for what he was trying to convey.

When I ripped the CD from the player and stuffed it back in its envelope my hands were shaking. I marched it to the kitchen and shoved it in the back of my junk drawer, underneath the Neiman Marcus catalog and pile of bills bound by a rubber band. I was agitated. My hands couldn’t stop moving— through my skunk streak, into my pockets, pulling on my bottom lip. I needed a detox so I retreated to my office to soak up the colorless solitude. I lay on the floor and stared up at the ceiling. Normally the white cleansed me, calmed me, but today the words to the song found me. I’ll write! I thought. I stood up and moved to my desk. But even when the blank Word document was pulled up in front of me—clean and white—I couldn’t splash any thoughts onto it. I sat at my desk and stared at the cursor. It seemed impatient as it blinked at me, waiting for me to find the words. The only words I could hear were the words of the song that Isaac Asterholder left on my windshield. They invaded my white thinking space until I slammed shut my computer and marched back downstairs to the drawer. I dug out the cardboard sleeve from where I’d shoved it underneath the catalogs and bills, and dropped it into the trash.

I needed something to distract myself. When I looked around, the first thing I saw was the fridge. I made a sandwich with the bread and the cold cuts Isaac kept stocked in my vegetable bin, and ate it sitting cross-legged on my kitchen counter. For all of his save the earth with hybrids and recycling bullshit, he was a soda fanatic. There were five variations of carbonated, stomach-eating, sugar-infested soda in my fridge. I grabbed the red can and popped the tab. I drank the whole thing watching the snow fall. Then I dug the CD from the trash. I listened to it ten times … twenty? I lost count.

When Isaac walked through the door sometime after eight, I was draped in a blanket in front of the fire, my arms wrapped around my legs. My bare feet were tapping to the music. He stopped dead in his tracks and stared at me. I wouldn’t look at him, so I kept to the fire, focused. He moved to the kitchen. I heard him cleaning up my sandwich mess. After a while he came in with two mugs and handed me one. Coffee.

“You ate today.” He sat down on the floor and leaned his back against the sofa. He could have sat on the couch, but he sat on the floor with me. With me.

I shrugged. “Yeah.”

He kept staring at me and I squirmed, pressed down by his silver eyes. Then, what he said hit me. I hadn’t fed myself since it happened. I would have starved if not for Isaac. That sandwich was the first time I’d taken action to live. The significance felt both dark and light.

We sat in silence drinking our coffee, listening to the words he left me.

“Who is it?” I asked softly. Humbly. “Who is singing?”

“Her name is Florence Welch.”

“And the name of the song?” I sneaked a glance at his face. He was nodding slightly, like he approved of me asking.

“Landscape.”

I had a thousand words, but I held them tightly in my throat. I wasn’t good at saying. I was good at writing. I played with the corner of my blanket. Just ask him how he knew.

I squeezed my eyes shut. It was so hard. Isaac took my mug and stood up to carry them to the kitchen. He was almost there when I called out.

“Isaac?”

He looked at me over his shoulder, his eyebrows up.

“Thanks … for the coffee.”

He tucked his lips in and nodded. We both knew that was not what I was going to say.

I put my head between my knees and listened to Landscape.