Mud Vein(18)

“Shut up, Yul,” I whisper.

But, he doesn’t shut up. And no wonder I didn’t see it before. The truth is more twisted than I am. If I am right, we will be home soon; Isaac with his family, me with mine. I giggle. If I am right, the door will open and we can walk to a place where there is help. All of this will be over. And it’s a good thing, too, we are down to a dozen logs. When my toes are thawed, I stand and head downstairs so that I can tell him.

He’s not in the kitchen. I stand for a moment at the sink where I usually find him looking out the window. The faucet has a drip. I watch it for a minute before turning away. The whiskey we were drinking a few nights ago is still on the counter. I screw off the cap and take a swig straight from the bottle. The lip feels warm. I wonder if Isaac was in here doing the same thing. I flinch, lick my lips and take two more deep sips. I walk boldly up the stairs, swinging my arms as I go. I’ve learned that if you move all of your limbs at once you can chase some of the cold away.

Isaac is in the carousel room. I find him sitting on the floor staring up at one of the horses. This is unusual. It’s typically my spot. I slide down the wall until I am sitting next to him and stretch my legs out in front of me. I am already feeling the effects of the whiskey, which makes this easier. “The carousel day,” I say. “Let’s talk about it.”

Isaac turns his head to look at me. Instead of avoiding his eyes, I catch and hold them. He has such a piercing gaze. Steely.

“I haven’t told anyone that story. I can’t for the life of me figure out how someone would know. That’s why this room seems more like a coincidence,” I say.

He doesn’t reply, so I carry on. “You told someone though, didn’t you?”

“Yes.”

He lied to me. He told me he hadn’t told a soul. Maybe I lied, too. I can’t remember.

“Who did you tell, Isaac?”

We are breathing together, both sets of eyebrows drawn.

“My wife.”

I don’t like that word. It makes me think of frilly aprons with apple pattern and blind, submissive love.

I look away. I look instead at the death that adorns the horses’ lacquered manes. One horse is black and one is white. The black has the flared nostrils of a racehorse, its head tossed to the side, eyes wide with fear. One leg is furled up like it was mid-stride when sentenced to eternal fiberglass. It is the more striking of the two horses: the determined, angry one. I am endeared to it. Mostly because there is an arrow piercing its heart.

“Who did she tell?”

“Senna,” he says. “No one. Who would she tell that to?”

I push myself to my feet and walk barefoot to the first horse—the black one. I trace the saddle with my pinkie. It is made of bones.

I am not fond of the truth; it’s why I lie for a living. But I am looking for someone to blame.

“So, then this is a coincidence, just like I initially said.” I no longer believe that, but Isaac is withholding something from me.

“No, Senna. Have you looked at the horses—I mean really looked at them?” I spin around to face him.

“I’m looking at them right now!” Why am I shouting?

Isaac jumps up and rounds on me. When I won’t look at him he grabs my shoulders and spins me ‘til I’m facing the black horse again. He holds me firmly. “Hush and look at it, Senna.”

I flinch. I look just so he won’t say my name like that again. I see the black horse, but with new eyes: non-stubborn, just plain old Senna eyes. I see it all. I feel it all. The rain, the music, the horse whose pole had a crack in it. I can smell dirt and sardines … something else, too … cardamom and clove. I pull out of it, pull out of the memory so fast my breath stops. Isaac’s hands loosen on my shoulders. I’m disappointed; he was warm. I am free to run, but I curl my toes until I can feel them gripping carpet, and I stay. I came here to solve one of our problems. One of our many problems. These are the same horses. The very same. I trace the crack with my eyes. Yul says something about me repressing my memories. I laugh at him. Repressing my memories. That’s a Saphira Elgin thing to say. But he’s right, isn’t he? I’m in a fog and half the time I don’t even realize it.





“The date that it happened,” I say softly. “That’s what will open the door.”

The air prickles, then he runs. I hear him taking the stairs two at a time. I didn’t even have to remind him of the date. It’s cut into the fleshy part of our memories. I wait with my eyes closed; praying it works, praying it doesn’t. He comes back a minute later. Much slower this time. Plunk, plunk, plunk up the stairs. I feel him standing in the doorway looking at me. I can smell him too. I used to bury my head in his neck and breath in his smell. Oh God, I’m so cold.

“Senna,” he says, “want to come outside?”

Yes. Sure. Why not?





Part Two





Pain & Guilt





It was December twenty-fifth. Consequently, that day came every year, and I wished to hell it wouldn’t. You couldn’t get rid of Christmas. And even if you could, all of the hopeful people in the world would find a new day to celebrate, with their cheap tinsel and stuffed turkeys and lawn ornament bullshit. And I’d be forced to hate that day, too. Turkey was disgusting anyway. Anyone with taste buds could tell you that. It tasted like sweat and had the texture of wet paper. The entire holiday was a joke; Jesus had to share it with Santa. The only thing worse was that Jesus had to share Easter with a bunny. That was just creepy. But at least Easter had ham.