Minutes to Kill (Scarlet Falls #2)(36)

And Hannah hadn’t reset the alarm when Brody went outside.

Keeping the retriever close, Brody hurried back to the house. Through the kitchen window, he could see Kailee and Hannah working together. Kailee was smiling, talking, and sketching. Hannah’s body was tense, and her brows were furrowed in concentration. The young artist had her hands full getting Hannah to relax.

Brody led the dog inside. He unsnapped the leash and locked the door.

Kailee set down her pencil and turned the pad around. “We did two drawings. Hannah has a good eye for detail.” Kailee turned the sketch pad toward him.

The first sketch was of a scroungy-looking man in his late twenties. Goatee. Thin. Mean eyes. The second sketch made Brody suck wind. Beyond the physical characteristics—young, dark hair and eyes—Kailee had captured the terror and hopelessness on the young girl’s face. Brody didn’t have to ask to know Hannah was seeing that face every time she closed her eyes. No wonder she was exhausted.

“Are you satisfied with the pictures?” he asked Hannah.

“Yes.” She nodded. “Both of these look accurate. I’m not as comfortable with my memory of the second man to attempt a sketch.” She turned to the artist. “Thank you so much, Kailee.”

“I’m glad I could help.” Kailee tore the sketches from her pad. “I need to go. I have a date.”

Brody walked her to the door. Then, considering the dog’s behavior in the woods, he escorted her all the way to her car and watched the young woman drive away. When he went back into the kitchen, Hannah was still sitting at the island, staring at the drawings. Maybe this hadn’t been a good idea.

“You should reset the alarm.”

“What did you see?” Hannah asked.

“Nothing. But the dog was agitated.”

Hannah went into the pantry, and Brody heard a few digitized beeps.

“Are you all right?” he asked. Reliving the attack had obviously been stressful, but Brody knew better than to let her suppress the images. Denial didn’t work in the long run.

She nodded. “I can’t get her out of my head. Why didn’t the Vegas detective have me do a composite image?”

He looked over her shoulder. “I talked to him this afternoon. Because of budget cuts, they’re using a computer program instead of artists. The new software is giving them problems. Composites are a crapshoot, but Kailee is unusually good.” Brody paused. “You have to take these drawings with the knowledge that your mind could be conjuring up details all on its own. It wouldn’t be your fault. It just happens. If Kailee worked with a dozen witnesses, she’d get twelve slightly different images of the same suspect. Everyone sees things from their own perspective.”

“So you’re saying these drawings might not be accurate?”

“It’s hard to say. It’s been a few days since the attack. Memory fades fast.”

“Then why did you bring Kailee here?”

“Because it’s worth a try, and sooner is better than later.” Brody also thought taking action might help Hannah. “The Vegas PD hasn’t had any luck matching the fingerprints they lifted from the rental car, but if they do, it can’t hurt to get these drawings before your memory fades further. Having both fingerprints and an eyewitness will strengthen any case.” Brody tapped on the picture of the girl. “I’ll run off a copy of this. I’m trying to identify a dead woman who also had long dark hair.” In fact, Hannah’s victim and the woman in the morgue had a few things in common. “I’ll be checking missing persons cases. You never know. I could get lucky.” His gaze shifted to the sketch of Hannah’s assailant. The girl’s eyes were full of terror, but this man was freezer cold.

Hannah’s gaze was full of the same terrible knowledge. “He’s going to hurt her. If he didn’t kill her already.”

“You don’t know that.”

“It was in his eyes,” she whispered. “And there was nothing I could do about it.”

Brody nodded. “I get it. Even if I identify this woman and find her killer, I can’t really help her or her family. I can’t bring her back to life, and that’s all they really want.”

“You can’t change the past, but you can give them closure.” Her eyes softened. She knew what it was like to have a family member murdered. “It helps to know that the person responsible for Lee’s death was caught. It doesn’t take away the pain, but it’s far better than having his killer on the loose.”

“I’m glad,” he said. What if the dead woman was Teresa? Brody would have to take that news to Chet. And even if the dead woman was someone else, he couldn’t bring Chet’s daughter back—she’d been lost to Chet for years—and Brody would have to tell some other family their loved one had been murdered.

“That girl in Vegas was very much alive. I have to live with the fact that she might be dead now because of me.”

“You did everything you could. You can’t blame yourself because a man chose to commit an act of violence. You were injured trying to help. Most people would have run the other way.” Brody understood. Most people sense danger and run the other way. Cops and soldiers run toward trouble. Hannah had the same spirit. It was the very quality that drew him to her.

She was silent. She wasn’t going to give herself a break. He glanced around the quiet house. Moping around these empty rooms all day couldn’t be good for her. Hannah needed action.