Maybe Someday(69)
believe that those who are musically gifted seri-
ously lack talent in the kitchen-skills department.
Sydney and I work really well together when it
comes to writing music, but our lack of finesse
and knowledge when it comes to mixing a few
ingredients together is a little pathetic.
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She insisted that we bake the cakes from
scratch, whereas I would have grabbed the boxed
mixes. But it’s been kind of fun, so I’m not
complaining.
She places the third cake in the oven and sets
the timer. She turns around and mouths “thirty
minutes,” then pushes herself up onto the
counter.
Sydney: Is your little brother coming
tomorrow?
Me: They’re gonna try. They open for a
band in San Antonio at seven tomorrow
night, so as long as they get loaded up on
time, they should be here by ten.
Sydney: The whole band? I get to meet
the whole band?
Me: Yep. And I bet they’ll even sign your
boobs.
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Sydney: SQUEEEE!
Me: If those letters really make up a
sound, I am so, so glad I can’t hear it.
She laughs.
Sydney: How did y’all come up with the
band name Sounds of Cedar?
Any time anyone’s asked how I came up with
the name of the band, I just say I thought it soun-
ded cool. But I can’t lie to Sydney. There’s
something about her that pulls stories about my
childhood out of me that I’ve never told anyone.
Not even Maggie.
Maggie has asked in the past why I never
speak out loud and where I came up with the
name of the band, but I don’t like to bring up
anything negative that might cause her even the
smallest amount of concern. She’s got enough to
deal with in her own life. She doesn’t need to add
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my childhood issues to that. They’re in the past
and there’s no need to bring them up.
However, Sydney’s a different story. She
seems so curious about me, about life, about
people in general. It’s easy to tell her things.
Sydney: Uh-oh. Looks like I need to pre-
pare myself for a good story, because you
look like you don’t want to answer that.
I turn around until my back is pressed against
the counter-top she’s sitting on, and I lean against
it.
Me: You just love the heart-wrenching
stuff, huh?
Sydney: Yep. Give it to me.
Maggie, Maggie, Maggie.
I often find myself repeating Maggie’s name
when I’m with Sydney. Especially when Sydney
says things like “Give it to me.”
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The last couple of weeks have been okay since
our talk. We’ve definitely had our moments, but
one of us is usually quick to begin pointing out
flaws and repulsive personality traits to get us
back on track.
Aside from a couple of weeks ago, when our
writing session ended with me having to take a
cold shower, two nights ago was probably the
hardest time of all for me. I don’t know what it is
about the way she sings. I can simply be watch-
ing her, and I get the same feeling I get when I
press my ear to her chest or rest my hand against
her throat. She closes her eyes and starts singing
the words, and the passion and feelings that pour
from her are so powerful I sometimes forget I
can’t even hear her.
This particular night, we were writing a song
from scratch, and we couldn’t communicate well
enough to understand it. I needed to hear her, and
although we were both reluctant, it ended with
my head pressed to her chest and my hand resting
against her throat. While she was singing, she
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casually brought her hand to my hair and was
twirling her fingers around.
I could have stayed in that position with her all
night.
I would have, if every touch of her hand didn’t
make me crave a little bit more. I finally had to
tear myself away from her, but just being on the
floor wasn’t enough separation. I wanted her so
bad; it was all I could think about. I ended up
asking her to tell me one of her flaws, and instead
of giving me one, she stood up and left my
bedroom.
The way she had been touching my hair was a
very natural thing for her to do, considering the
way we were positioned. It’s what a guy would
do to his girlfriend if he were holding her against
his chest, and it’s what a girl would do to her
boyfriend if he were wrapped around her. But we
aren’t those things.
The relationship we have is different from any-
thing I’ve experienced. Mostly because we do
have a lot of physical closeness based on the
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nature of writing music together and the fact that
Colleen Hoover's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)