KILLING SARAI(40)
I turn to Victor, momentarily lost in the mysterious depths of his eyes under the bright light from the fixture centered above the table. I swallow nervously and come back to reality when I hear the woman’s voice again.
“He doesn’t trust anyone,” she says to me as she scoops some whipped potatoes from my plate, into her mouth. She points her spoon at me and continues with her mouth full. “Never has. But it’s to be expected.” She swallows. “And completely understandable, being in his line of work and all.”
Her eyes veer to Victor’s and suddenly she changes the topic as if he gave her some private look of warning that I missed by the time I turned my head to see him, too.
“Anyway,” she goes on, now taking a bite of my chicken, “you two can stay here for as long as you need. Spare room is at the end of the hall.” She takes a bite of my corn and then my roll, finally washing the food down with her tea.
Then she slides my plate back to me. I take it hesitantly, fingering the edge of the plate and feeling uncomfortable about eating anything she just double-dipped her spoon in.
Victor slides his plate toward her next and she does the same to his food.
It worries me that in the home of one of his contacts he feels the need to have her eat the food first to prove to him that she didn’t poison it. I wonder briefly about our water but realize that must be why he requested it from the tap. He had been watching every move the woman made the whole time while I was metaphorically drooling over my first home-cooked meal since I hung out at Mrs. Gregory’s house.
Victor nods at me, letting me know that it’s OK to eat now. And I don’t give the germ exchange another thought and dig right in.
The woman, whose name I learn is ‘Samantha’, does most of the talking for the next thirty minutes while we eat. Every now and then Victor will add a few comments here and there, but I find that his conversation willingness is even more lacking than it was with me or Niklas. But she doesn’t seem to mind. In fact, she’s more accepting of it than I would be. If the two of them were on a date right now, it would be obvious to everyone in the restaurant that he is not at all into her and she’s completely oblivious to that fact. But this isn’t a date and I get the feeling that I’m the only one in this room who is oblivious to what’s going on.
My theory is confirmed when after lunch things between the two of them begin to…change.
“Will you two be sharing a bed?” she asks from the doorway of the spare bedroom.
There is only one bed in here. It’s a question I’ve been asking myself since I walked in.
“If not,” she goes on, glancing at Victor in a way that perhaps she didn’t expect me to notice, “then I can make up a bed for one of you on the couch.”
“That will not be necessary,” Victor answers and I don’t know why, but my heart leaps inside my chest. “I won’t be sleeping.”
Then my heart goes back to normal. Boring, non-fluttering normal.
Samantha looks pleased.
And for some reason, I’m instantly…jealous.
Trying to familiarize myself with this inane, absurd emotion that just infiltrated my head, I force myself to shake it off. I start looking at random objects within the room: the plain-Jane cream-colored bedspread that covers the full-sized bed, the matching dresser and chest of drawers placed against opposite walls, the large oak chest situated at the foot of the bed with a horse carved into the side, the window with equally plain white curtains where a beaded necklace of some sort dangles from one end of the curtain rod.
“Alright then,” she says standing in the doorway with her hands cradled in front of her. “Make yourselves at home. And Victor…,” she glances downward below his waist, “when you’re ready to patch that up, you know where to find me.”
“I’ll be there soon,” Victor says and then she smiles politely at both of us and walks down the hallway, leaving us alone in the room.
“Why are we here exactly?”
Victor opens his gun suitcase on the bed and takes out two sleek black handguns. He puts one underneath the mattress and the other on a small desk in the corner of the room. Then he opens the closet, taking down a new suit after sliding back several others dangling from hangers. Slacks first, then a long-sleeved button-up shirt, lastly, a matching jacket.
“You’re going to stay here,” he says, “until I kill Javier. I’ll be going back to Tucson later tonight, or wherever it is I am told that Javier was last seen and then I’ll find him and I’ll kill him.”
“But why Houston?” I ask, sitting on the edge of the bed. “Wasn’t there a…‘Safe House’ in Arizona somewhere closer? You know, maybe you should’ve used me as bait, after all. I could help you. I mean, it’s likely that whoever is looking for me that one of the first places they’ll check is where I used to live, around people I used to know.” I pause, thinking to myself how glad I am now that Mrs. Gregory no longer lives where she used to.
“You’re right,” he says. “And that’s why it’s likely I’ll be heading right back to Tucson. I’ve seen where you once lived, where the woman you spent most of your time with, once lived. By taking you there last night, you’ve already helped me by showing me precisely where Javier might be found. There’s no need to risk your life anymore by keeping you there.”
J.A. REDMERSKI's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)