KILLING SARAI(4)
Oh no…the overhead light.
I grit my teeth watching the light fade above me so slowly that it’s torturous, until finally it blinks out and leaves me in darkness. After shoving the pillowcase underneath the driver’s seat I try to hide the stolen rifle just behind the seat between the leather and the door. It leaves me with enough time to squeeze my little body as far into the floorboard as I can. I wrap my arms tight around my knees which are pressed against my chest and I arc my back over and hold the awkward position.
The voices fade and all that is left is the sound of one pair of legs approaching the car. The trunk pops open and seconds later it closes again.
I hold my breath when the front driver’s side door opens and the overhead light pops on again. The American shuts the door behind him and I feel the car move as he positions himself in the front seat. One. Two. Three. Four. Five. Six. Finally the light fades. I hear the key being slid into the ignition and then the engine purrs to life.
Why aren’t we moving? Why are we just sitting here? Maybe he’s reading something.
And then he says aloud in Spanish, “Cocoa butter lotion. Warm breath. Sweat.”
It takes a moment for my brain to register the meaning behind his strange words and to realize that he’s actually talking to me.
I rise up quickly from behind the seat and cock the handgun, pressing the barrel against the back of his head.
“Just drive,” I say in English, my hands shaking holding the gun in place. I’ve never killed anyone before and I don’t want to, but I’m not going back into that compound.
The American slowly raises his hands. The glint of his thick silver watch catches my eye but I don’t let it distract me. Without another word he places one hand on the steering wheel and the other on the gear shift, putting the car into Drive.
“You’re American,” he says calmly, but I detect the tiniest ounce of interest in his voice.
“Yes, I’m American, now please just drive.”
Keeping the gun pointed at his head, I maneuver myself into the backseat and I pull the gun away from his reach. I catch him glimpse me in the rearview mirror, but it’s so dark inside the car with just the low lights from the dashboard that all I can see are his eyes for a brief moment as they sweep over me.
Finally the car goes into forward motion and he puts both hands on the steering wheel. He’s being calm and cautious, but I get the feeling he isn’t the slightest bit worried about me or what I might be capable of doing. This scares me. I think I’d rather him be begging for his life, stuttering over words of plea, promising me the world. But he looks as dangerous and as uninterested as he did back inside the house even when he put a bullet in that gunman’s head he so casually named Guillermo.
CHAPTER TWO
We’ve been driving for twenty-eight minutes. I’ve been watching the clock in the dashboard, the glowing blue numbers already starting to burn through to my subconscious. The American hasn’t said a word. Not one word. I know it has nothing to do with being afraid. I’m the one with the gun but I’m the only one of us who is afraid. And I don’t understand why he hasn’t spoken. Maybe if he would just turn the radio on…something…because the silence is killing me. I’ve been trying to keep my eyes on him while at the same time trying to get some kind of idea of my whereabouts. But so far the only landmarks that I’ve seen are trees and the occasional stucco house or dilapidated building—it all looks the same as the compound.
Thirty-two minutes in and I realize I’ve already lowered the gun at some point. My finger is still on the trigger and I’m ready to use it if I have to, but I was stupid to think I could hold it up pointed directly at him for longer than a few minutes.
I don’t know what I’m going to do when I get tired. Thankfully the adrenaline is keeping me wide awake for now.
“What’s your name?” I ask him, hoping to stir the silence.
I need to get him to trust me, to want to help me.
“My name is inconsequential.”
“Why?”
He doesn’t respond.
I swallow a lump in my throat, but another one just forms in its place.
“My name is Sarai.”
Still no response.
It kind of feels like torture, the way he ignores me. I’m beginning to think that is exactly what he’s doing: torturing me with silence.
“I need you to help me,” I say. “I’ve been a prisoner of Javier’s since I was fourteen-years-old.”
“And you assume I’m going to help you because I am also American,” he says simply.
I hesitate before I answer, “I-I…well, why wouldn’t you?”
“It is not my business to interfere.”
“Then what is your business?” I ask with a trace of distaste. “To murder people in cold blood?”
“Yes.”
A shiver moves through my back.
Not knowing what to say to something like that, or even if I should, I decide it’s best to change the subject.
“Can you just get me across the border?” I ask, becoming more desperate. “I’ll—.” I lower my eyes in shame. “I’ll do whatever you want. But please, please just help me get over the border.” I feel tears trying to force their way to the surface, but I don’t want him to see me cry. I don’t know why, but I just can’t let him. And I know he understands what it means to do whatever he wants. I hate myself for offering my body to him, but like I said before about desperation….
J.A. REDMERSKI's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)