KILLING SARAI(28)
Niklas turns his head to look at me.
“Sit back and stay out of sight,” he demands.
I do what he says, not because he ordered it but because it’s probably best.
The truck door slams shut. Victor walks out ahead of it towards them. One by one I look at each of the men, wondering which one was sent here to speak for Javier since he’s not here himself, but then I see Izel’s black hair sliding past the window of the green truck as she gets out.
“This makes twice Javier’s been too much of a coward to come himself,” I say out loud, not necessarily to Niklas.
“He knows by now that Victor can kill him with little effort,” Niklas says, watching out the window. “I’d say it’s a smart move on Javier’s part.”
Izel tries to approach Victor with her usual sultry walk, but she’s clearly in pain from the wounds he left on her legs and she stumbles just as she passes the rusted hood. One of the men step over quickly to help her, but she smacks him hard across the face and shouts curses at him, telling him to back off. She hates pity. I think she hates everything, including herself.
Words are exchanged between Izel and Victor. I can’t hear what they’re saying, but by the body language, I can tell it’s the usual: Izel trying to scare him with threats about Javier and how he’s made a very dangerous enemy—same opening conversation as they had back at the motel that day. And just like before, Victor is unfazed by her and it only adds fuel to the fire in her expression.
I try to hear what they’re saying even though I know I can’t, but mostly, I try to see Lydia.
Against Niklas’ demand, I push up closer to the cage again, trying to glimpse her through the window. I’m positive that’s her sitting on the passenger’s side. But I think there’s someone sitting next to her.
Izel raises her hand to the men by the truck behind her and one of them runs around to open the door. He reaches inside and grabs the one I think is Lydia and drags her out.
“It’s her!” I say excitedly, relieved.
Niklas snaps his head around.
“I said sit back,” he growls through bared teeth. “Don’t f*ck this up any more than you already have.”
I freeze hearing this and I fall backward against the seat again, though only enough that it satisfies him and he turns away.
Lydia looks like hell, but at least she’s able to walk. At least she’s alive. She’s dressed in the same dirty clothes she was wearing when I saw her on that video. The bloodstains left from her mouth and nose are evident on the front of her thin white t-shirt, even from here at a distance. Her hands are bound at the wrists down in front of her. Her light red hair is disheveled and filthy and matted. She’s crying, gazing hopelessly toward us in the SUV and I can only imagine she’s wondering whether or not I’m in here. I want to run out of here and toward her, to let her know that I’m OK and that she’s finally going home, but wishing I could do that I know is all that I can do.
The man who pulled her out of the truck jerks on her elbow, pulling her harshly out of the way and over to the side.
Victor says something to Izel and she smiles cunningly. Then she looks back over her bare shoulder and indicates with the wave of two fingers for the other man whom she’d just slapped, to do something. He responds quickly by going around to the open truck door where Lydia was removed and he reaches inside for the other figure I saw had been sitting next to her.
“Oh my God,” I say also more to myself. “That’s Cordelia. Why did they bring her?” I look to Niklas for the answer, but he doesn’t offer one.
Cordelia and Lydia are standing side by side now, both trembling with tear-streaked faces, both of them unable to stop looking toward the SUV.
Victor waves two fingers toward us.
Niklas turns around. “Are you ready?”
I swallow hard. “Yes.”
Niklas opens his door and as he gets out the hidden locks on the SUV click again. He pops the back door open and reaches out his hand to me. Reluctantly I take it.
“Sarai!” I hear Lydia’s voice on the air once I step out of the SUV.
I look up as I move around the opened door to see the man holding her by the elbow push her onto the dirt-covered ground and onto her knees. The other man does the same to Cordelia just because he can.
I begin to walk slowly the short distance toward Victor, my legs shaking more with each step. I feel Izel’s eyes on me, so cold and predatory, but I won’t look at her. I refuse to give her the satisfaction. Instead, I look only at Victor and although he’s staring right into my eyes, I know that not an ounce of his vigilant attention has been taken from those around him.
Then he looks away, putting his hand up to me and instinctively I stop.
“Have one of your men bring them,” Victor instructs Izel.
Izel sneers, her nostrils flaring, making her look all the more hateful. Then with the backward tilt of her head, she orders the man standing over Lydia to do just that. He swings his rifle hanging from the shoulder-strap around toward his back and then reaches out with both hands, grabbing Lydia and Cordelia each in one, lifting them to their feet.
Victor looks at me again. He reaches out his hand and as I walk toward him I feel his seemingly emotionless gaze penetrate my own. There’s something in his eyes, something quiet and mysterious and I feel like he’s trying to speak to me through them. I place my hand into his and his fingers collapse around it, at first carefully.
J.A. REDMERSKI's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)