Just One Day(34)

I run up and down the stairs, calling his name now. But it just echoes back to me—Willem, Willem!—like the walls are laughing at me.
Panic is coming. I try to push it away with logic. He went out to get us something to eat. To find us somewhere to sleep.
I go stand next to the window and wait.
Paris begins to wake. Store grates go up, sidewalks are swept. Car horns start honking, bicycles chime, the sound of footfalls on the rainy pavement multiply.
If stores are open, it must be nine o’clock? Ten? Soon the artists will arrive, and what will they do when they find me squatting in their squat like Goldilocks?
I decide to wait outside. I put on my shoes and sling my bag over my shoulder and head to the open window. But in the cold light of day, without wine emboldening me or Willem helping me, the distance between the second floor and the ground seems like an awfully long way to fall.
You got up, you can get back down, I chastise myself. But when I hoist myself onto the ledge and reach for the scaffolding, my hand slips and I feel dizzy. I imagine my parents getting the news of me falling to my death from a Paris building. I collapse back into the studio, hyperventilating into the cave of my hands.
Where is he? Where the hell is he? My mind pinballs through rationales for his delay. He went to get more money. He went to fetch my suitcase. What if he fell going out the window? I jump up, full of twisted optimism that I will find him sprawled underneath the drain pipe, hurt but okay, and then I can make good on my promise to take care of him. But there’s nothing under the window except a puddle of dirty water.
I sink back down onto the studio floor, breathless with fear, which is now on an entirely different Richter scale than my little scare on the train.
More time goes by. I hug my knees, shivering in the damp morning. I creep downstairs. I try the front door, but it’s locked, from the outside. I have the sense that I’m going to be trapped here forever, that I’ll grow old and wither and die locked in this squat.
How late can artists sleep? What time is it? But I don’t need a clock to tell me Willem has been gone too long. With each passing minute, the explanations I keep concocting ring increasingly hollow.
Finally, I hear the clank of the chain and keys jangle in the locks, but when the door swings open, it’s a woman with two long braids carrying a bunch of rolled up canvases. She looks at me and starts talking to me in French, but I just spring past her.
Out on the street, I look around for Willem, but he’s not here. It seems like he would never be here, on this ugly stretch of cheap Chinese restaurants and auto garages and apartment blocks, all gray in the gray rain. Why did I ever think this place was beautiful?
I run into the street. The cars honk at me, their horns strange and foreign sounding, as if even they speak another language. I spin around, having absolutely no idea where I am, no idea where to go, but desperately wanting to be home. Home in my bed. Safe.
The tears make it hard to see, but somehow I stumble across the street, down the sidewalk, ricocheting from block to block. This time no one is chasing me. But this time I am scared.
I run for several blocks, up a bunch of stairs and onto a square of sorts, with a rack of those gray-white bicycles, a real estate agency, a pharmacy, and a café, in front of which is a phone booth. Melanie! I can call Melanie. I take some deep breaths, swallow my sobs, and follow the instructions to get the international operator. But the call goes straight to voice mail. Of course it does. She left the phone off to avoid calls from my mother.
An operator comes on the line to tell me I can’t leave a message because the call is collect. I start to cry. The operator asks me if she should call the police for me. I hiccup out a no, and she asks if perhaps there is someone else I might call. And that’s when I remember Ms. Foley’s business card.
She picks up with a brisk “Pat Foley.” The operator has to ask her if she’ll accept the collect call three times because I start crying harder the minute she answers, so she can’t hear the request.
“Allyson. Allyson. What’s the matter? Are you hurt?” she asks over the line.
I’m too scared, too numb to be hurt. That will come later.
“No,” I say in the tiniest of voices. “I need help.”
Ms. Foley manages to pull the basics out of me. That I went to Paris with a boy I met on the train. That I’m stuck here, lost, with no money, no clue where I am.
“Please,” I beg her. “I just want to go home.”
“Let’s work on getting you back to England, shall we?” she says calmly. “Do you have a ticket?”
Willem bought me a round trip, I think. I rifle through my bag and pull out my passport. The ticket is still folded neatly inside. “I think so,” I tell Ms. Foley in a quivery voice.
“When is the return booked for?”
I look at it. The numbers and dates all swim together. “I can’t tell.”
“Top left corner. It’ll be in military time. The twenty-four-hour clock.”
And there I see it. “Thirteen-thirty.”
“Thirteen-thirty,” Ms. Foley says in that comfortingly efficient voice of hers. “Excellent. That’s one-thirty. It’s just past noon now in Paris, so you have time to catch that train. Can you get yourself to the train station? Or to a Metro?”
I have no idea how. And no money. “No.”
“How about a taxi? Take a taxi to the Gare du Nord?”
I shake my head. I don’t have any euros to pay for a taxi. I tell Ms. Foley that. I can hear the disapproval in her silence. As if nothing I’ve told her before has lowered me in her esteem, but coming to Paris without sufficient funds? She sighs. “I can order you a taxi from here and have it prepaid to bring you to the train station.”