I Am Legend(3)
He felt the muscles of his abdomen closing in like frightening coils. He picked up the book and tried to read, his lips forming each word slowly and painfully.
But in a moment the book was on his lap again. He looked at the bookcase across from him. All the knowledge in those books couldn't put out the fires in him; all the words of centuries couldn't end the wordless, mindless craving of his flesh.
The realization made him sick. It was an insult to a man. All right, it was a natural drive, but there was no outlet for it any more. They'd forced celibacy on him; he'd have to live with it. You have a mind, don't you? he asked himself. Well, use it?
He reached over and turned the music still louder; then forced himself to read a whole page without pause. He read about blood cells being forced through membranes, about pale lymph carrying the wastes through tubes blocked by lymph nodes, about lymphocytes and phago?cytic cells.
"--to empty, in the left shoulder region, near the thorax, into a large vein of the blood circulating system."
The book shut with a thud.
Why didn't they leave him alone? Did they think they could all have him? Were they so stupid they thought that? Why did they keep coming every night? After five months, you'd think they'd give up and try elsewhere.
He went over to the bar and made himself another drink. As he turned back to his chair he heard stones rattling down across the roof and landing with thuds in the shrubbery beside the house. Above the noises, he heard Ben Cortman shout as he always shouted.
"Come out, Neville!"
Someday I'll get that bastard, he thought as he took a big swallow of the bitter drink. Someday I'll knock a stake right through his goddamn chest. I'll make one a foot long for him, a special one with ribbons on it, the bastard.
Tomorrow. Tomorrow he'd soundproof the house. His fingers drew into white-knuckled fists. He couldn't stand thinking about those women. If he didn't hear them, maybe he wouldn't think about them. Tomorrow. Tomorrow.
The music ended and he took a stack of records off the turntable and slid them back into their cardboard envelopes. Now he could hear them even more clearly outside. He reached for the first new record he could get and put it on the turntable and twisted the volume up to its highest point.
"The Year of the Plague," by Roger Leie, filled his ears. Violins scraped and whined, tympani thudded like the beats of a dying heart, flutes played weird, atonal melodies.
With a stiffening of rage, he wrenched up the record and snapped it over his right knee. He'd meant to break it long ago. He walked on rigid legs to the kitchen and flung the pieces into the trash box. Then he stood in the dark kitchen, eyes tightly shut, teeth clenched, hands damped over his ears. Leave me alone, leave me alone, leave me alone!
No use, you couldn't beat them at night. No use trying; it was their special time. He was acting very stupidly, trying to beat them. Should he watch a movie? No, he didn't feel like setting up the projector. He'd go to bed and put the plugs in his ears. It was what he ended up doing every night, anyway.
Quickly, trying not to think at all; he went to the bedroom and undressed. He put on pajama bottoms and went into the bathroom. He never wore pajama tops; it was a habit he'd acquired in Panama during the war.
As he washed, he looked into the mirror at his broad chest, at the dark hair swirling around the nipples and down the center line of his chest. He looked at the ornate cross he'd had tattooed on his chest one night in Panama when he'd been drunk. What a fool I was in those days! he thought. Well, maybe that cross had saved his life.
He brushed his teeth carefully and used dental-floss. He tried to take good care of his teeth because he was his own dentist now. Some things could go to pot, but not his health, he thought. Then why don't you stop pouring alcohol into yourself? he thought. Why don't you shut the hell up? he thought.
Now be went through the house, turning out lights. For a few minutes he looked at the mural and tried to believe it was really the ocean. But how could he believe it with all the bumpings and the scrapings, the howlings and snarlings and cries in the night?
He turned off the living-room lamp and went into the bedroom.
He made a sound of disgust when he saw that sawdust covered the bed. He brushed it off with snapping hand strokes, thinking that he'd better build a partition between the shop and the sleeping portion of the room. Better do this and better do that, he thought morosely. There were so many damned things to do, he'd never get to the real problem.
He jammed in his earplugs and a great silence engulfed him. He turned off the light and crawled in between the sheets. He looked at the radium-faced clock and saw that it was only a few minutes past ten. Just as well, he thought. This way I'll get an early start.
He lay there on the bed and took deep breaths of the darkness, hoping for sleep. But the silence didn't really help. He could still see them out there, the white-faced men prowling around his house, looking ceaselessly for a way to get in at him. Some of them, probably, crouching on their haunches like dogs, eyes glittering at the house, teeth slowly grating together, back and forth, back and forth.
And the women...
Did he have to start thinking about them again? He tossed over on his stomach with a curse and pressed his face into the hot pillow. He lay there, breathing heavily, body writhing slightly on the sheet. Let the morning come. His mind spoke the words it spoke every night, Dear God, let the morning come.
Richard Matheson's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)