Go Set a Watchman (To Kill a Mockingbird #2)(58)
“—just like him,” Dr. Finch was saying, “or take Harriet Martineau—”
Jean Louise found herself treading water in the Lake District. She floundered to keep her head up.
“Do you remember Mrs. E. C. B. Franklin?”
She did. She groped through the years for Miss Martineau, but Mrs. E.C.B. was easy: she remembered a crocheted tam, a crocheted dress through which peeped pink crocheted drawers, and crocheted stockings. Every Saturday Mrs. E.C.B. walked three miles to town from her farm, which was called Cape Jessamine Copse. Mrs. E.C.B. wrote poetry.
Dr. Finch said, “Remember the minor women poets?”
“Yes sir,” she said.
“Well?”
When she was a child she had deviled for a while at the Maycomb Tribune office and had witnessed several altercations, including the last, between Mrs. E.C.B. and Mr. Underwood. Mr. Underwood was an old-time printer and stood for no nonsense. He worked all day at a vast black Linotype, refreshing himself at intervals from a gallon jug containing harmless cherry wine. One Saturday Mrs. E.C.B. stalked into the office with an effusion Mr. Underwood said he refused to disgrace the Tribune with: it was a cow obituary in verse, beginning:
O kine no longer mine
With those big brown eyes of thine….
and containing grave breaches of Christian philosophy. Mr. Underwood said, “Cows don’t go to heaven,” to which Mrs. E.C.B. replied, “This one did,” and explained poetic license. Mr. Underwood, who in his time had published memorial verses of indeterminate variety, said he still couldn’t print this because it was blasphemous and didn’t scan. Furious, Mrs. E.C.B. unlocked a frame and scattered the Biggs Store ad all over the office. Mr. Underwood inhaled like a whale, drank an enormous slug of cherry wine in her face, swallowed it down, and cursed her all the way to the courthouse square. After that, Mrs. E.C.B. composed verse for her private edification. The county felt the loss.
“Now are you willing to concede that there is some faint connection, not necessarily between two eccentrics, but with a—um—general turn of mind that exists in some quarters across the water?”
Jean Louise threw in the towel.
Dr. Finch said more to himself than to his niece, “In the 1770s where did the white-hot words come from?”
“Virginia,” said Jean Louise, confidently.
“And in the 1940s, before we got into it, what made every Southerner read his newspaper and listen to newscasts with a special kind of horror? Tribal feelin’, honey, at the bottom of it. They might be sons of bitches, the British, but they were our sons of bitches—”
Dr. Finch caught himself. “Go back now,” he said briskly. “Go back to the early 1800s in England, before some pervert invented machinery. What was life there?”
Jean Louise answered automatically, “A society of dukes and beggars—”
“Hah! You are not so far corrupted as I thought, if you still remember Caroline Lamb, poor thing. You’ve almost got it, but not quite: it was mainly an agricultural society, with a handful of landowners and multitudes of tenants. Now, what was the South before the War?”
“An agricultural society with a handful of large landowners, multitudes of dirt farmers, and slaves.”
“Correct. Leave the slaves out of it for a while, and what do you have? Your Wade Hamptons by the scores, and your small landowners and tenants by the thousands. The South was a little England in its heritage and social structure. Now, what is the one thing that has beat in the heart of every Anglo-Saxon—don’t cringe, I know it’s a dirty word these days—no matter what his condition or status in life, no matter what the barriers of ignorance, since he stopped painting himself blue?”
“He is proud. He’s sort of stubborn.”
“You’re damn right. What else?”
“I—I don’t know.”
“What was it that made the ragtag little Confederate Army the last of its kind? What made it so weak, but so powerful it worked miracles?”
“Ah—Robert E. Lee?”
“Good God, girl!” shouted her uncle. “It was an army of individuals! They walked off their farms and walked to the War!”
As if to study a rare specimen, Dr. Finch produced his glasses, put them on, tilted his head back, and looked at her. “No machine,” he said, “when it’s been crushed to powder, puts itself together again and ticks, but those dry bones rose up and marched and how they marched. Why?”
Harper Lee's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)