Getting Schooled (Getting Some #1)(5)

“You should have kids, Garrett,” Tara insists. “You’d be an amazing father. It’s a sin you don’t have kids.”

“I do have kids. Thirty of them, six periods a day—and another forty every day after school during football season.”

Interest is the key with teenagers—with getting them to listen—they have to sense that you give a damn. That you care. You can’t fake it—they’ll know.

I don’t know if I’d be as good of a teacher as I am if I had kids of my own—if I’d have the energy, the patience. It’s not the only reason I’m not married with kids, but it’s one of them.

Like I said—I don’t mess with a winning streak.

Tara pushes back from the table and stands. “Well. Then, it looks like it’s Match.com for me. And I don’t suppose a new guy is going to be real keen about me keeping a piece of hot coach on the side.”

Gently, I push a strand of hair behind her ear.

“No, I don’t think that’d go over too well.”

“This was fun, Garrett.” She reaches up and kisses my cheek. “Take care of yourself.”

“Yeah, you too, Tara. I’ll see you around.”

With one more smile and a nod of her head, she picks up her purse, pats Snoopy good-bye, and heads out the door.

Snoopy watches her go, then turns to me—waiting.

I tilt my head towards the glass doors that frame the setting sun as it streaks the sky in pinks and grays and oranges.

“You wanna go bark at the geese on the lake?”

Snoopy’s ears perk high, and he rushes over to the back door as fast as his old little legs can take him.





Chapter Two


Callie





Looking back now, I should’ve known it was too good to be true. The best things in life usually are—long-lasting lipstick, Disneyland, dual action vibrators.

“Okay, let’s check you out,” Cheryl says, bending her knees, so she’s eye level with me. At five-seven, I’m not exactly short, but Cheryl is like a warrior woman of Sparta at over six feet tall with eye-catching dark red hair and a broad, often-laughing, always-louding mouth.

Cheryl works in the back office, here at the Fountain Theater Company. We crashed into each other—literally—on campus when we were both students at the University of San Diego, sending the papers in her hands scattering like leaves on a windy day. It took twenty minutes for us to catch them all—and by the time we did, it was the beginning of a beautiful friendship.

I open my eyes so wide my eyeballs would fall out if they weren’t attached to my head.

“Corner makeup gunk?”

“You’re good,” Cheryl confirms.

I pull back my lips and grit out, “Teeth?”

“Clean and shiny like a baby’s hiney.”

I tilt my head back. “Nose?”

Real friends make sure there aren’t any bats hanging in the cave.

“All clear.”

“Okay.” I shake out my hands and whistle out a deep breath. “I’m ready.” I close my eyes and whisper the words that, through the years, always helped settle my nerves. Words that aren’t mine.

“Visualize the win. See it happen, then make it happen. You got this.”

“What’s that?” Bruce asks.

I open my eyes at the blond, lanky, impeccably attired man in a gray tweed jacket, camel pants, and red ascot standing behind Cheryl’s right shoulder.

“Just something my high school boyfriend used to say.” I shrug. “He played football.”

Bruce is an actor with the Fountain Theater Company, like I was years ago, before I moved behind the scenes for a steadier paycheck and worked my way up to general manager.

“I don’t know why you’re nervous, Callie. Dorsey is a jackass, but even he has to see you should be executive director. You’ve earned this.”

Theater people are a rare breed. For the truest of us, it’s not about money or fame or getting our picture on the cover of People magazine—it’s about the performance. The show. It’s about Ophelia and Eponine, Hamlet and Romeo, or even chorus girl #12. It’s the magical connection with the audience, the smell of backstage—dust and makeup and costume fabric—the warm heat of the lights, the swoosh of the velvet curtain, the roll of the sets, and the clip-clap echo of shoes across a stage. It’s the piercing thrill of opening night, and the tear-wringing grief that comes with the closing performance. Behind the scenes or in front, cast or crew, stage left or right—there’s nothing I don’t love about it.

But for our newly retired executive director, Madam Lauralei? Not so much.

She was more concerned with her television production work on the side and her recurring voice-over role for a successful string of inflammatory bowel disease medication commercials than growing the company. Than putting in the time and energy to expand our audience and choose innovative projects that could turn us into a cultural fixture in Old Town, San Diego.

But I could change all that. As executive director, I’d be equal to the artistic director, below only the founder, Miller Dorsey, who enjoys the prestige of owning a theater company but tends to take a hands-off approach in the actual running of it. I’d have a say in budgets and schedules, marketing and advertising and how our resources are allotted. I would fight for the Fountain, because it’s a part of me, the only place I’ve ever worked since college. I would throw down like the Jersey girl I am—get in faces, bribe, barter, and blackmail if I had to. I’ve got the experience, the skills, and the determination to make this company the powerhouse I know it can be.