Fifty Shades of Grey(46)
Christian takes his headphones off, and reaches across and pulls mine off too.
"We're here," he says softly.
His look is so intense, half in shadow and half in the bright white light from the landing lights. Dark knight and white knight, it's a fitting metaphor for Christian. He looks strained. His jaw is clenched and his eyes are tight. He unfastens his seatbelt and reaches over to unbuckle mine. His face is inches from mine.
"You don't have to do anything you don't want to do. You know that don't you?" His tone is so earnest, desperate even, his gray eyes impassioned. He takes me by surprise.
"I'd never do anything I didn't want to do, Christian." And as I say the words, I don't quite feel their conviction because at this moment in time - I'd probably do anything for this man seated beside me. But this does the trick. He's mollified.
He eyes me warily for a moment and somehow, even though he's so tall, he manages to ease his way gracefully to the door of the helicopter and open it. He jumps out, waiting for me to follow, and takes my hand as I clamber down on to the helipad. It's very windy on top of the building, and I'm nervous about the fact that I'm standing at least thirty stories high in an unenclosed space. Christian wraps his arm around my waist, pulling me tightly against him.
"Come," he shouts above the noise of the wind. He drags me over to an elevator shaft and, after tapping a number into a keypad, the doors open. It's warm inside and all mirrored glass. I can see Christian to infinity everywhere I look, and the wonderful thing is, he's holding me to infinity too. Christian taps another code into the keypad, then the doors close and the elevator descends.
Moments later, we're in an all-white foyer. In the middle is a round, dark wood table, and on it is an unbelievably huge bunch of white flowers. On the walls there are paintings, everywhere. He opens two double doors, and the white theme continues through the wide corridor and directly opposite where a palatial room opens up. It's the main living area, double height. Huge is too small a word for it. The far wall is glass and leads on to a balcony that overlooks Seattle.
To the right is an imposing 'U' shaped sofa that could sit ten adults comfortably. It faces a state-of-the-art stainless steel - or maybe platinum for all I know - modern fireplace.
The fire is lit and flaming gently. On the left beside us, by the entryway, is the kitchen area.
All white with dark wood worktops and a large breakfast bar which seats six.
Near the kitchen area, in front of the glass wall, is a dining table surrounded by sixteen chairs. And tucked in the corner is a full size, shiny black grand piano. Oh yes... he probably plays the piano too. There is art of all shapes and sizes on all the walls. In fact, this apartment looks more like a gallery than a place to live.
"Can I take your jacket?" Christian asks. I shake my head. I'm still cold from the wind on the helipad.
"Would you like a drink?" he asks. I blink at him. After last night! Is he trying to be funny For one second, I think about asking for a margarita - but I don't have the nerve.
"I'm going to have a glass of white wine, would you like to join me?"
"Yes, please," I murmur.
I am standing in this enormous room feeling out of place. I walk over to the glass wall, and I realize that the lower half of the wall opens concertina-style on to the balcony. Seattle is lit up and lively in the background. I walk back to the kitchen area - it takes a few seconds, it's so far from the glass wall - and Christian is opening a bottle of wine. He's removed his jacket.
"Pouilly Fume okay with you?"
E.L. James's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)