Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1)(58)
“There is also this,” he said, springing from his chair with a grin. When he returned, it was with the white cloak the faerie had given me draped over his arm.
I stared at it. In the light of the cabin, its unnaturalness was heightened—the fur looked less like hair and more like blades of frost. “Did you do something to it?”
“God, no. I’d rather stuff my mattress with snow than tailor any garment of theirs. Not that it couldn’t use it.” He examined the cloak critically. “I’ve been keeping it outside, for it melts a little indoors. But if we pack it in ice—”
“We could display it at the conference.” My head spun. We had collected an artefact of a species of faerie that had never been studied before. One that said faerie in every stitch and crease. It was nothing short of a triumph.
He smiled at me. “Precisely.”
He went and put the coat back in the cold, then brought me one of his own notebooks, leather-bound with pages that crinkled smartly and had lavender crumbled into them (of course). To my astonishment, it contained a draft of the abstract and an outline in his irritating handwriting.
“Did you think I would leave you to do all the work?” he said in response to my look.
“Of course I did.” I skimmed through the outline and added my own notes here and there. It wasn’t bad at all. But then, Bambleby has been published before, dozens of times; I suppose I’d just always assumed that his students did everything for him.
“You haven’t included anything about your encounter with the snow prince,” I said. “If that’s what he was.”
“What would I say? That I fought and killed him with a sword forged from tears? I wish to raise eyebrows at ICODEF, but not for that reason.”
I didn’t reply. In truth, I didn’t like thinking back to that scene by the cave. I was used to recording stories of the Folk—I had not expected to become one, had never wished to. I was supposed to remain comfortably outside the stories with my pen and my notebook. I could tell it didn’t bother Wendell in the least, and why would it? He was a story; he had proven that when he had taken the impossible ice sword and driven back our enemy with the ease of breathing, his blade flashing too quickly for me to follow it. I’d had no idea he was capable of something like that—magic, yes. Displays of physical skill, the sort of skill that requires training and effort? No. Since that night, I feel as if the ground has altered slightly beneath the two of us, as if I cannot see him from precisely the same angle I used to.
“You still haven’t explained yourself, by the way,” he said, picking at a loose thread on his jumper. “How did you know to pull that sword out of the snow? Sometimes, Em, you are so terrifyingly competent in your dealings with the Folk that I begin to suspect you are a magician.”
I snorted. “One doesn’t need magic if one knows enough stories.” I examined him. “Do you have any doubts about all this? What if the scholarly community learns what you are? Most will fear and distrust you. A select few may try to have you shot and stuffed like one of Davidson’s brownies.”
He leaned his chair on its back legs. “Nobody at Cambridge will believe it, in the unlikely event that any of them find out what Hrafnsvik thinks of me. Just in case, I’ll get out in front of the whole thing when I return, and tell them that our guileless villagefolk were so impressed by our success in the field that they thought us both faeries. That will get a laugh at ICODEF. Most of our tenured colleagues rarely require much convincing as to the gullibility of the peasantry. You know that, Em—remember the trouble you had giving co-author credit to that Welsh shepherd for your paper on faerie mounds? Your peer reviewers wouldn’t let it go to print.”
I remembered very well, and thought he was probably right. So what was I worried about? And why was I worried? Surely it was of little importance to me if Bambleby’s secret got out. But he was my friend, and I thought he was handling the issue far too lightly.
We were interrupted by a knock at the door. It was one of Aud’s sons with a delivery of dried wildflowers, polished shells, and a colourful array of mushrooms that must have taken days of labour to retrieve. Bambleby accepted it perfunctorily and closed the door in the young man’s face.
“What on earth am I to do with this?” he muttered, setting the basket down on the table with a clink. “Open an apothecary?”
“They don’t know what you want,” I said, smothering laughter. “They only know what they give to their own Folk in exchange for their services. You could simply tell them you prefer silver.” For this is the customary offering in Ireland, at least for the courtly fae. Almost every species of Folk disdains human metals, yet the Irish fae are unique in their ability to tolerate—and, indeed, to love—silver. It is said that they fill their vast, dark forests with silver mirrors like jewels, which drink in the little sun and starlight that penetrates the boughs and reflect it back at the will of the Folk; it is also said that they use silver to construct fantastical staircases that wind up and up those vast trunks, and bridges that hang between them like delicate necklaces.
“It doesn’t matter, for I can’t accept any of it,” he said moodily. “I made no agreement with these people. I went on that mad goose chase for you.”
I frowned a little, remembering our strange, one-sided bargain. “Then I shall buy you a fine set of cutlery upon our return,” I said. “As for Aud and the rest, I recommend that you affect a strong predilection for fungi, and declare their debt to you repaid.”