Dark Triumph (His Fair Assassin #2)(96)
It is a foul thing to do, to use a man’s body thusly, and I will not dishonor our own fallen in such a way.
Bruno’s eyes widen so that the white shows, and he makes the sign to ward off evil. I reach out and grab his thick, meaty arms and give him a shake. “I do not enjoy this one bit more than you, but I have five of us I wish to get out alive. Now, can you do it or must I ask someone else?”
When he finally nods, I relax my grip. “We can all say extra prayers for them later, if you’d like.” I gesture to the two soldiers to take position. When their crossbows are aimed at the far side, I motion to the other two boys to hit the dirt. As they do, de Brosse’s men begin firing their bolts to the far bank.
We all hold our breath as inch by painful inch Samson and Bruno make their way to the dead Frenchmen. Every moment brings the risk of an arrow strike, and I must keep reminding myself that neither of them was marqued. It does not make the wait any easier.
At last they return with their grisly burden. The rest of us step out into the night and use our enemies to shield our flight to safety. De Brosse’s remaining soldiers drag him and the other fallen with them as we go.
We leave the bodies at the crest of the hillock where Claude and Jacques wait with our horses. It does not matter that we’ve been spotted—the chain cannot be raised again, not until a new winch is built. But it is possible that the Frenchmen may head for town, and we do not want them to raise a hue and cry before Beast and the charbonnerie have completed their task. The element of surprise is one of the few things we have going for us.
Once we are all mounted, I tell the greenlings to head back to camp with our dead and order de Brosse’s remaining soldiers to come with me. If they think it strange to take orders from a woman, they wisely keep it to themselves. We ride hard to reach Morlaix before word of our nighttime activity does.
Chapter Forty-One
THE TOWN IS QUIET, AND the city gates are still closed. There is no sign of increased sentries, nor is there any cry of warning. I rein back hard before we ride into sight of the watchmen. “You stay here and intercept any archers from the far bank who think to warn the city,” I tell the two remaining men-at-arms. “With luck, you at least injured a few with your blind shots.” Hoping they will heed my orders, I leave my horse with them and make my way to the abbey window that was to be left open for us.
The night is quiet, not a whisper of activity or hint of warning. I cannot help but worry that something has gone wrong, that their plans fell through or that they were caught before they could reach the barracks.
At last I see a dark smudge of smoke rising up in a column over the city, and my fists unclench. The column grows thicker and is followed by a faint orange glow. The fires are set. I close my eyes and imagine the thick, choking smoke moving across the sleeping French, filling their mouths and noses as they sleep, the soldiers coming away coughing and choking, struggling for breath. “Fire!” some of them will yell, waking the rest, and a mad, chaotic scramble will ensue as they all try to break free from the hall.
But only one window will be open. All the others blocked or filled with churning smoke so the French will have no choice but to hurl themselves out the one escape route, a long drop to the hard ground below, outside the protection of the city walls.
I draw near the abbey. The abbess of Saint Mer had promised there would be a window left open for us, and there is. I quickly crawl through it and find no one about, so I hurry through the empty corridors to the city beyond.
Outside, the streets seems almost deserted, with only a few pockets of fighting here and there. I stop long enough to pick up a handful of bolts from a fallen soldier. Feeling better thus armed, I continue on my way.
As I draw near the soldiers’ garrison, I hear the sounds of fighting. Hugging the wall, I creep forward. At first, I see no one, but as my eyes adjust to the darkened street, I see a knot of charbonnerie pinned behind an overturned wagon by three French archers.
Luckily, I have five bolts. But I will need to be quick and well hidden. I slip silently from the wall to kneel behind a water pump near the barracks building. I stick two bolts in my mouth, then load a third, take aim, and shoot. The man gives a surprised cry as he is struck. His two companions look around, but they were so focused on the charbonnerie they did not see where the arrow came from. I quickly load the second bolt and fire it off.
The second archer is down, but before I can load the third bolt, the last remaining archer turns and fires in my direction. I hear a clang as the bolt strikes the metal handle of the pump. Now—while he is reloading—I take my shot.
It catches him in the temple. I wait for a second to be certain there are no more archers, then give an all-clear wave to the charbonnerie.
The closer I draw to the quay, the louder the sound of fighting becomes. The French must have realized that the purpose of our attack was to allow the British through, and they have chosen to make a last stand by the dock.
I have only two quarrels left but take comfort in the weight of the knives.
When I reach the end of the street, I must step over three fallen bodies. Indeed, I follow a trail of fallen French soldiers the rest of the way to the dock. I emerge from the alley and pause midstep. Beast stands alone, hacking and swinging at nearly a dozen men. His bravery—or stupidity—is breathtaking. He has no regard for his own safety as he cuts through his enemies. Indeed, that may be what gives him such advantage over the others, for none would guess the risks he is willing to take with his own life.