Dark Triumph (His Fair Assassin #2)(115)
One of the men, seeing what I intend, leaps forward. He looms over me, the helm he wears shadowing his face. I try to pull away from his grasp, but he is as quick as he is tall. When his hand closes around my wrist—the moment our skin touches—I know.
My head snaps up, and I look into a pair of light blue eyes that burn with an unholy light.
Beast.
Chapter Fifty-One
THE SIGHT OF BEAST FILLS my heart with such joy that I fear it will burst. He is dressed in d’Albret’s colors and shoves a rolled-up leather packet into my hands. His disguise buys us some time, and while his body blocks me from the other men’s view, I quickly unroll my knives. Since there is no time to don the sheaths, I stab them through my skirt, threading the blades through the thick fabric so they will not fall out.
“Bring her over here!” Captain de Lur orders.
When I am fully armed, Beast flashes one of his fierce grins at me. “Cut the tabard off, for I will not besmirch my god by fighting in d’Albret’s colors.”
I cannot blame him. I put the tip of my knife to the tabard and cut it in half, careful that the blade does not go too far. Beast shrugs out of it and pulls his sword from its sheath. For a brief moment, the men think he means to use it on me. “You ready?” he asks.
“I’ve only been waiting on you.”
He smiles again, then turns to face the surrounding men, and confusion erupts. As Captain de Lur takes a step toward us, there is a faint whisper of sound, then his eyes roll up and he crumples. A small rock pings to the floor.
Yannic.
Then Beast gives one of his bloodcurdling yells as the battle lust engulfs him. He raises his sword and lunges to his left to get his body and his weapon between me and the bulk of d’Albret’s soldiers.
I kick out, my foot connecting with the nearest man’s gut, up high where it will knock all the air from his lungs. Gripping a knife in each hand, I realize that all the hate in this room is no match for the love that fills me. And fill me it does, its effervescence racing along my limbs, chasing away the sorrow and fatigue, as if some holy light rather than mere blood flows in my veins.
But it is no holy light, simply me, whole and unafraid of who and what I am, eager to do the work I was born to do.
D’Albret’s men have regrouped and are rushing toward Beast. He meets the first parry, and the sound of their swords is deafening.
I tighten my grip on my knives as another soldier rushes toward me, sword drawn. As easily as if I were practicing with Annith, I duck under his blade, get inside his guard, and shove my knife into his throat. Before he has even begun to fall to the ground, I turn to meet another. But this one has witnessed my trick just now and lowers his own sword to block another such maneuver. So instead, I flip my knife around, grab it by the point, and hurl it toward him. It takes him straight through the eye, and he drops to his knees.
Two more guards approach and I turn to meet them. Time slows, like a drop of honey suspended from the tip of a knife. As I feint and parry, every move comes without conscious thought. It feels as if my body has been filled with something as cool and dark and unerring as a shadow. I am whole now. Whole and unbroken and filled with an unearthly grace that moves through me with unspeakable joy.
From out of the corner of my eye I see that the battle fever has completely consumed Beast, and he churns through the rushing guards like a plow tills through earth. Truly, we are the gods’ own children, forged in the fire of our tortured pasts, but also blessed with unimaginable gifts.
How long we fight, I do not know, but slowly, as if I am being drawn up from the bottom of some deep well, I become aware of my surroundings. Now that I have stopped fighting, I feel as thin and empty as a discarded glove. Over half of d’Albret’s men lay dead at our feet. The other half show no signs of retreating. Indeed, two of the men have gone for reinforcements.
Out of knives, I bend over and pluck a sword from one of the dead soldiers who litter the ground, then turn to Beast, who is breathing hard.
The light in his eyes is only half feral now. He opens his mouth to say something, but an explosion rocks the building—indeed, the very earth beneath our feet. It sounds as if a dozen cannon have been shot at once. Beast grabs my hand and begins pulling me toward the door.
“What was that?” I ask.
“Lazare and his charbonnerie.”
“Here?”
“He thought we might need a diversion. Nor did we think it necessary to leave the duchess’s own weapons in the hands of her enemy to be used against her.” Another explosion follows.
“And the girls?”
“At the convent of Brigantia. The abbess swore she would not release them to anyone but you or me or on the duchess’s own orders.”
As the soldiers recover and regroup, they spot us moving toward the door.
We break into a run.
At the main door to the palace, small knots of servants huddle, peeking out the door and watching, whispering among themselves, but they make no move to stop us.
Outside, in the courtyard, I blink against the bright light. Clusters of soldiers stand, trying to discern the direction of the attack, not realizing it is their very own artillery that has been destroyed. Beast uses their confusion and heads for the east gate. Not wanting to draw any more attention to ourselves, we walk rather than run. But he is a head taller than most men and I am dressed in crimson; it does not take them long to notice us. Besides, they are d’Albret’s men, and they know too well the punishment that will be exacted if they fail to stop us. They quickly shift their attention from the unknown attackers to us and begin moving toward the gate, blocking our escape.