Club Dead (Sookie Stackhouse #3)(10)
out for me.
He really enjoyed doing that, and I enjoyed letting him. At that mental image, I almost broke down again, but I stood with my head resting against the wall for a long moment while I gathered my resolve. I took a deep breath, turned to the mirror, and slapped on some makeup. My tan wasn't great this far into the cold season; but I still had a nice glow, thanks to the tanning bed at Bon Temps Video Rental.
I'm a summer person. I like the sun, and the short dresses, and the feeling you had many hours of light to do whatever you chose. Even Bill loved the smells of summer; he loved it when he could smell suntan oil and (he told me) the sun itself on my skin.
But the sweet part of winter was that the nights were much longer—at least, I'd thought so when Bill was around to share those nights with me. I threw my hairbrush across the bathroom. It made a satisfying clatter as it ricocheted into the tub. "You bastardl" I screamed at the top of my lungs. Hearing my voice saying such a thing out loud calmed me down as nothing else could have.
When I emerged from the bathroom, Eric was completely dressed. He had on a freebie T-shirt from one of the breweries that supplied Fangtasia ("This Blood's For You," it read) and blue jeans, and he had thoughtfully made the bed.
"Can Pam and Chow come in?" he asked.
I walked through the living room to the front door and opened it. The two vampires were sitting silently on the porch swing. They were in what I thought of as downtime. When vampires don't have anything in particular to do, they sort of go blank; retreat inside themselves, sitting or standing utterly immobile, eyes open but vacant. It seems to refresh them.
"Please come in," I said.
Pam and Chow entered slowly, looking around them
with interest, as if they were on a field trip. Louisiana farmhouse, circa early twenty-first century. The house had belonged to our family since it was built over a hundred and sixty years ago. When my brother, Jason, had struck out on his own, he'd moved into the place my parents had built when they'd married. I'd stayed here, with Gran, in this much-altered, much-renovated house; and she'd left it to me in her will.
The living room had been the total original house. Other additions, like the modern kitchen and the bathrooms, were relatively new. The next floor, which was much smaller than the ground level, had been added in the early 1900s to accommodate a generation of children who all survived. I rarely went up there these days. It was awfully hot upstairs in the summer, even with the window air conditioners.
All my furniture was aged, styleless, and comfortable—absolutely conventional. The living room had couches and chairs and a television and a VCR, and then you passed through a hall that had my large bedroom with its own bath on one side, and a hall bathroom and my former bedroom and some closets—linen, coat—on the other. Through that passage, you were into the kitchen/dining area, which had been added on soon after my grandparents' wedding. After the kitchen, there was a big roofed back porch, which I'd just had screened in. The porch housed a useful old bench, the washer and dryer, and a bunch of shelves.
There was a ceiling fan in every room and a fly swatter, too, hung in a discreet spot on a tiny nail. Gran wouldn't turn on the air conditioner unless she absolutely had to.
Though they didn't venture upstairs, no detail escaped Pam and Chow on the ground floor.
By the time they settled at the old pine table where Stackhouses had eaten for a few generations, I felt like
I lived in a museum that had just been cataloged. I opened the refrigerator and got out three bottles of TrueBlood, heated them up in the microwave, gave them a good shake, and plonked them down on the table in front of my guests.
Chow was still practically a stranger to me. He'd been working at Fangtasia only a few months. I assume he'd bought into the bar, as the previous bartender had. Chow had amazing tattoos, the dark blue Asian kind that are so intricate, they are like a set of fancy clothes. These were so different from my attacker's jailhouse decorations that it was hard to believe they were the same art form. I'd been told Chow's were Yakuza tattoos, but I had never had the nerve to ask him, especially since it wasn't exactly my business.
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However, if these were true Yakuza tats, Chow was not that old for a vampire. I'd looked up the Yakuza, and the tattooing was a (relatively) recent development in that criminal organization's long history. Chow had long black hair (no surprise there), and I'd heard from many sources that he was a tremendous draw at Fangtasia. Most evenings, he worked shirtless. Tonight, as a concession to the cold, he was wearing a zipped red vest.
I couldn't help but wonder if he ever really felt naked; his body was so thoroughly decorated. I wished I could ask him, but of course that was out of the question. He was the only person of Asian descent I had ever met, and no matter how you know individuals don't represent their whole race, you do kind of expect at least some of the generalizations to be valid. Chow did seem to have a strong sense of privacy.
But far from being silent and inscrutable, he was chattering away with Pam, though in a language I couldn't understand. And he smiled at me in a disconcerting way. Okay, maybe he was too far from inscrutable. He was probably insulting the hell out of me, and I was too dumb to know it.
Pam was dressed, as always, in sort of middle-class anonymous clothes. This evening it was a pair of winter white knit pants and a blue sweater. Her blond hair was shining, straight and loose, down her back. She looked like Alice in Wonderland with fangs.