Beautiful Ruins (93)
When Pasquale came back down, Gualfredo was leaning against the piazza wall. He spoke softly to Pasquale, his eyes still on Lugo’s gun. “This is a big mistake you’ve made, Tursi. You understand this, no? A very big mistake.”
Pasquale said nothing.
“You understand I will come back. And my guns will not be fired by old fishermen.”
Pasquale could do nothing but give the bastard Gualfredo his coolest stare until, finally, Gualfredo looked away.
A few minutes later, Gualfredo and the limping Pelle started back down the hill for their boat, Lugo accompanying them as if they were old friends, holding the rifle in his arms like a long, skinny baby. At the water, old Lugo turned to Gualfredo, spoke a few sentences, pointed to the village, gestured with the rifle, and then walked back up the trail to the piazza, to where Pasquale and Alvis Bender sat recuperating. The boat fired up and Gualfredo and Pelle disappeared into the darkness.
On the hotel balcony, Pasquale poured the old man a glass of wine.
Lugo the Promiscuous War Hero drank the wine in one long gulp and then looked over at Alvis Bender, whose contribution to the fight had been so minimal. “Liberatore,” he said with a whiff of sarcasm—Liberator. Alvis Bender simply nodded. It had never before occurred to Pasquale, but an entire generation of men had been defined by the war, his father, too, and yet they rarely talked about it with one another. Pasquale had always thought of the war as one big thing, but he’d heard Alvis talk about his war as if everyone served in a separate war, a million different wars for a million people.
“What did you say to Gualfredo?” Pasquale asked Lugo.
Lugo looked back from Alvis Bender over his shoulder, toward the shore. “I told Gualfredo that I knew he had a reputation as a hard man, but the next time he came to Porto Vergogna I would shoot out his legs and while he lay squirming on the beach I would pull down his pants, shove my garden stick up his fat asshole, and pull the trigger. I told him the last second of his miserable life would be spent feeling his own shit come out the top of his head.”
Neither Pasquale nor Alvis Bender could think of a thing to say. They watched old Lugo finish his wine, set the glass on the table, and walk back to his wife. She gently took the rifle from him and he disappeared into his little house.
18
Front Man
Recently
Sandpoint, Idaho
At 11:14 A.M., the doomed Deane Party departs LAX on the first leg of its epic journey, taking up an entire first-class row on the Virgin Airlines direct flight to Seattle. In 2A, Michael Deane stares out his window and fantasizes this actress looking exactly as she did fifty years ago (and himself, too), imagines her forgiving him instantly (Water under the bridge, darling). In 2B, Claire Silver glances up occasionally from the excised opening chapter of Michael Deane’s memoir in whispered awe (No way . . . Richard Burton’s kid?). The story is so matter-of-factly disturbing that it should instantly seal her decision to take the cult museum job, but her repulsion gives way to compulsion, then curiosity, and she flips the typewritten pages faster and faster, oblivious to the fact that Shane Wheeler is casually tossing unsubtle negotiating gambits across the aisle from 2C (I don’t know; maybe I should shop Donner! around . . .). Seeing Claire immersed in whatever document Michael Deane gave her, Shane begins to worry that it’s another script, perhaps one even more outlandish than his Donner! pitch, and quickly abandons his coy negotiating tactics. He turns away, to old Pasquale Tursi in 2D, makes polite conversation (“è sposato?” Are you married? “Sì, ma mia moglie è morta.” Yes, but my wife is dead. “Ah. Mi dispiace. Figli?” I’m sorry. Any children? “Sì, tre figli e sei nipoti.” Three children, six grandchildren). Talking about his family makes Pasquale feel embarrassed about the silly, old-man sentimentality of this late-life indulgence: acting like a lovesick boy off chasing some woman he knew for all of three days. Such folly.
But aren’t all great quests folly? El Dorado and the Fountain of Youth and the search for intelligent life in the cosmos—we know what’s out there. It’s what isn’t that truly compels us. Technology may have shrunk the epic journey to a couple of short car rides and regional jet legs—four states and twelve hundred miles traversed in an afternoon—but true quests aren’t measured in time or distance anyway, so much as in hope. There are only two good outcomes for a quest like this, the hope of the serendipitous savant—sail for Asia and stumble on America—and the hope of scarecrows and tin men: that you find out you had the thing you sought all along.
In the Emerald City the tragic Deane Party changes planes, Shane ever so casually mentioning that the ground they’ve covered so far in just over two hours would’ve taken William Eddy months to travel.
“And we haven’t even had to eat anyone,” Michael Deane says, and then adds, more ominously than he intends, “yet.”
For the final leg they pack into a commuter prop-job, a toothpaste tube of returning college freshmen and regional sales associates. It’s a mercifully brief flight: ten minutes taxiing, ten minutes climbing over a bread-knife set of mountains, ten more over a grooved desert, another ten over patchwork farmland, then a curtain of clouds parts and they bank over a stubby, pine-ringed city. At three thousand feet, the pilot sleepily and prematurely welcomes them to Spokane, Washington, ground temperature fifty-four.