Beautiful Beast (Gypsy Heroes #3)(89)

I think of her dangling from the top of the pole and doing splits mid-air to David Guetta’s electronic music and a voice screaming, ‘Let me see your f*cking hands,’ as she starts tumbling down the pole. And when the male voice asks again, ‘A party without me?’ the lights come on and the club fills with lines from the song, ‘I Might Be Anyone’. But she is not anyone. She is as beautiful as Lupita Ny in that iconic Lanc?me advert. After her performances the club always erupts into applause.

‘I know you are very good at what you do,’ I tell her sincerely.

‘Damn right. I’m not just showing them a pair of tits. I’m giving them a performance that will blow their heads off. And if a customer treats me with contempt—some of them come in there just to do that, a stripper and a black stripper at that, I must be despicable—I’ll use his money the next day to buy me something that will make me feel good, and that will be my revenge.’

Melanie yawns hugely.

‘Thanks for the advice,’ I say gratefully. She is absolutely right. I’d better get off my high horse or forget dancing altogether. And since leaving Eden is not an option I’m going to have to do things very differently from now on.





SEVEN


The club has a carnival air to it. Men throwing money into the air as if it is confetti, champagne flowing like it is free, gorgeous girls dressed for showtime, and then the cabaret starts, and ladyboys from Thailand flutter onto the stage. They are bold, highly talented, and gregarious.

I stand backstage and hear the DJ announce my name. As I walk up to the door I remember Ann, my instructor, saying, When you are on stage wave a wand and become a tigress. Make eye contact with the punters, hold their gazes for a long time. Make them think you want them. Make them squirm in their seats. Make them feel your power, so that when you have finished your routine and are walking toward them they know it’s time to reach for their wallets.

At the doorway of the stage I hold onto the doorframe and strike a pose while I survey the darkened audience of men. The lights are hot and bright in my eyes, but I see him immediately. He stands out like a sore thumb, the only man who does not look like he is looking for a good time. His pose is relaxed, his knees spread apart, one hand on a thigh, another loosely curved around a glass of amber liquid, but he stares directly at me with intense, unsmiling, furious eyes.

What the f*ck is he angry about?

I freeze and almost lose my self-confidence. But then a blast of candy white smoke from the stage bathes me. A blue strobe light cuts me in half. Then the music comes on and my heart starts to pound with sexual energy, the kind that Melanie uses in her performances, and I think, f*ck you, Jake Eden. I haven’t done anything wrong.


Totally ignoring him I strut onto the stage. There are whistles and catcalls from a stag party that are seated right at the edge of the stage. There are about twelve of them and I am glad for them. They straighten my spine. I will give them the best performance of my life. I’ll take their money. My time has to be paid for.

I concentrate on the music. I let it fill every cell in my body as I dance around the pole and rub myself sinuously on it. Flicking my hair back, I grip the pole hard and perfectly execute the flying around the pole move that landed me on my knees at the audition. The men from the stag party seem impressed judging from the whistles.

I search for the bridegroom. Early thirties, red hair, pleasant face and has an L sign pinned to his shirt. I will dance for him. It’s hard to explain, but it’s so much easier to dance for someone you don’t fancy. You look into their eyes and you pretend. So I do. And the more I stare at him the more rowdy and boisterous his mates become. I am clearly a success.

It is almost time to lose my bikini bra. I climb the pole. Slowly, seductively. They hoot their encouragement. I focus totally on the bridegroom—his eyes are on stalks. Gripping the pole with my thighs I lean right back so I am looking at the crowd while I am upside down. Hanging in that position I let my breath out in a hard puff. The bra pops open and flies off. The boys go crazy.

Far in the shadows another man is watching, calling. Helplessly my eyes flash across the crowded room, the crush of bodies, and clash with his. All the sounds and smells and chaos recede. He is as still as a statue. For a moment I am suspended on the pole and caught in his world. In this world I am in trouble. I have done something very wrong. Somehow I have betrayed Jake Eden.

Then gravity asserts itself and I pull my body upwards, and slide down the pole. I bend to pick up my bra from the stage floor and the bridegroom is standing at the edge of the stage holding a fifty. We look at each other. There is hunger in his eyes, the kind of hunger that Melanie talked about. And I feel sorry for his bride. Then I pull my stocking out and he slips my very first cash tip into it.

I look again at him—we are less than ships that pass in the night, and yet we are more.

‘Thanks,’ I say, blowing him a kiss as I exit the stage. I go backstage and get back into the deep red cheongsam with the slit that goes up to my crotch. I touch the orchid Jake gave me and it is exactly where I pinned it. With a deep breath I walk out onto the floor. I know exactly what I will say to Jake.

A waitress sidles up to me. ‘Table twenty-three has just left a black Amex behind the bar and thinks you’re hot,’ she whispers.

I look at her little name tag, and say, ‘Thanks, Toni. I’ll be sure to remember you later.’