Beautiful Beast (Gypsy Heroes #3)(75)

I feel the floor scrape against my bare knees. It isn’t a nightmare. It is real.

We haven’t spoken for two weeks. I had exams and when I called his mobile, it went straight to voicemail… Shit excuse. I should have called again, I should have emailed. Why hadn’t I? I should have known.

I hunker down over his body, my pose ungainly, heavy, that of a suffering beast. My buttocks hit the floor and my legs fold up and cross under me. I press my fingers against my open mouth and stare at him. His lips and fingers are blue and the rest of him is ashen and still. He can’t be dead.

It can’t be real!

The stillness of a dead body is impossible to describe. And yet when you see it you refuse to believe it. You always think it is a trick. A mistake. A ploy…. But a needle is embedded in his arm, which is blackened with the skin stretched and unreal. It looks as if it belongs elsewhere. That is not my brother’s arm. I know my brother’s arm as intimately as I know my own.

My breathing is shallow and trembling. I suck a huge burst of air into my lungs and pull the offending needle out. My stomach twists. It should never have entered his body in the first place. I throw the syringe away. It hits something and rolls on the wooden floor. It also leaves a tiny hole in my brother’s flesh that does not bleed. I swallow hard. My hands are shaking badly.

That means he didn’t suffer, a voice whispers in my head. He did not even have time to pull it out before he was gone to wherever it is he went to.

Oh God! He is nineteen. He can’t be gone.

CPR. I should give him CPR. There must be something I can still do. I grab his shoulders and try to drag him across my thighs, but his body is so heavy, so cold, and so stiff and foreign that my shocked hands fly away from his shoulders as if they have touched fire. I gaze at him as he lies unmoving. The blood that ran without rest during his short life has stilled within his veins. Everything has cooled and hardened. He is like a piece of wood.

With a sob of intolerable, indescribable anguish I reach for him and with every ounce of my might I drag his cold, dead weight toward me and lift it onto my lap. I touch the soft brown hair that flops across his forehead and it feels different. His scalp has hardened and changed the lie of his hair. I caress his hair, his face, his hands. Holding his head pressed against my stomach I close my eyes and begin to rock him the way a mother would comfort her distressed baby.


But there is no comfort—his head is a hard, unfamiliar weight and the action produces an odd thud made by his stiff hand repeatedly hitting the floor. I stop. In a daze I look down on his face.

His mouth is open, the tongue—a strange, dull color—is pushed against his teeth. Without the healthy sheen of saliva it looks gross. I try to close his mouth, but it is locked open. His eyes are not fully shut and through the slits I see the whites. I try to lift a lid to see once more the beautiful blue eyes I have known all my life.

If I could at least see that.

But his eyelids are glued shut. They will not budge. Tremors shoot through my hand as I still the gruesome desire to force his eyelid open. When we were young we used to lick the salt from each other’s skin. I am suddenly filled with the strange desire to lick his skin.

I put one hand under his head and the other under his neck and I put his head on the floor. Then I scoot backwards until I am on my hands and knees and my face is hovering inches away from his. My head moves downwards. My tongue comes out. Inches away a voice in my head urgently cries, ‘No.’

I stop and listen to peculiar silence around us. It is quieter than falling snow. On the tabletop I notice his fingerprints in the light layer of dust, and then something weird happens. For a second I clearly perceive myself not from inside my body but from outside, crouched over my dead brother, more animal than human. I recoil from the sight. And then the moment is gone and I lower my head and lick the last salt on the corpse’s skin.

It is the beginning of my descent into unfamiliar territory. A place you might call madness.

I’m afraid my stay was excruciatingly long.





Can’t read my, can’t read my,

No, he can’t read my poker face

—Poker Face, Lady Gaga





ONE


Lily

‘FIRST STOP, EDEN,’ says Patrick, with a quick backward glance, as he pulls the eight-seater minibus out into the lunchtime traffic. ‘Just give it your best moves, and no worries if ya don’t get picked because we still have Spearmint Rhino and Diamonds after that,’ he adds cheerfully.

He has a boyish face, full of charm and guile, but one look at him and you know. Weasel. And he drives like a mad man. The five of us hang onto our battered seats and smile distantly at each other. We are competitors who have been collected from the designated pick-up point outside South Kensington Tube station and are on our way to an audition. Surreptitiously, I watch them.

Traveling with me are a tall redhead, a black girl with a tight body, a life-size human Barbie doll with masses of blonde hair, a beyond believable tiny waist and enormous boobs, and a sleekly beautiful olive-skinned girl. Each one of us has a large shoulder bag. No doubt their bags hold the same things mine does.

A sexy costume, killer shoes, and strong stage make-up.

I gaze out of the window and digest the information that Club Eden is to be our first stop. Shame. I had hoped to practice my routine on a real life stage in one of the other clubs and see all the other girls’ routines before we got to Eden, but still, it is interesting to know that Eden has to be paying Patrick the highest commission to have first refusal. No wonder it has overtaken all the other strip clubs and become the club to be seen in even though it does not offer full nudity.