Beach Read(25)
I’d expected to stare at one page for twenty minutes, caught in the hamster wheel of anxiety. Instead I’d read 150 pages and then accidentally stuffed the book in my purse when it was time to go home.
It was the first wave of relief I’d felt in weeks, and from there, I binge-read every romance novel I could get my hands on. And then, without any true plans, I started writing one, and that feeling, that feeling of falling head over heels in love with a story and its characters as they sprang out of me, was unlike anything else.
Mom’s first diagnosis taught me that love was an escape rope, but it was her second diagnosis that taught me love could be a life vest when you were drowning.
The more I worked on my love story, the less powerless I felt in the world. I may have had to ditch my plan to go to grad school and find a teaching job, but I could still help people. I could give them something good, something funny and hopeful.
It worked. For years, I had a purpose, something good to focus on. But when Dad died, suddenly writing—the one thing that had always put me at ease, a verb that felt more like a place only for me, the thing that had freed me from my darkest moments and brought hope into my chest in my heart’s heaviest—had seemed impossible.
Until now.
And okay, this was more of a diary written in third person than a novel, but words were coming out of my hands and it had been so long since that had happened I would’ve rejoiced to find ALL WORK AND NO PLAY MAKES JACK A DULL BOY filling up the Word document a thousand times over.
This had to be better than that (????):
She had no idea whether her father had actually loved That Woman. She didn’t know whether he’d loved her mother either. The three things she knew, without doubt, that he’d loved were books, boats, and January.
It wasn’t just that I’d been born then. He’d always acted like I’d been born in January because it was the best month and not the other way around.
In Ohio, I’d largely considered it to be the worst month of the year. Oftentimes we didn’t get snow until February, which meant January was just a gray, cold, lightless time when you no longer had a major holiday to look forward to.
“In West Michigan, it’s different,” Dad had always said. There was the lake, and the way it would freeze over, covered in feet of snow. Apparently you could walk across it like it was some Martian tundra. In college, Shadi and I had planned to drive out one weekend and see it, but she’d gotten a call that their sheltie had died, and we’d spent the weekend watching Masterpiece Classic and making s’mores on the stove top instead.
I got back to typing.
If things had been different, she might’ve gone to the lakeside town in winter instead of summer, sat behind the wall of windows staring at the white-capped blues and strange frozen greens of the snowy beach.
But she’d had this uncanny feeling, a fear she’d come face-to-face with his ghost if she’d shown up there at just the right time.
I would’ve seen him everywhere. I would’ve wondered how he’d felt about every detail, remembered a particular snowfall he’d described from his childhood: All these tiny orbs, January, like the whole world was made out of Dippin’ Dots. Pure sugar.
He’d had a way of describing things. When Mom read my first book she told me she could see him in it. In the way I wrote.
It made sense. I’d learned to love stories from him, after all.
She used to pride herself on all the things she had in common with him, regard the similarities with affection. Night owls. Messy. Always late, always carrying a book.
Careless about sunblock and addicted to every form of potatoes. Alive when we were on the water. Arms thrown wide, jackets rustling, eyes squinting into the sun.
Now she worried those similarities betrayed the terrible wrongness that lived in her. Maybe she, like her father, was incapable of the love she’d spent her life chasing.
Or maybe that love simply didn’t exist.
10
The Interview
I’D READ SOMEWHERE that it took 10,000 hours to be an expert at something. Writing was different, too vague a “something” for 10,000 hours to add up to much. Maybe 10,000 hours of lying in an empty bathtub brainstorming added up to being an expert on brainstorming in an empty bathtub. Maybe 10,000 hours of walking your neighbor’s dog, working out a plot problem under your breath, would turn you into a pro at puzzling through plot tangles.
But those things were parts of a whole.
I’d probably spent more than 10,000 hours typing novels (those published as well as those cast aside), and I still wasn’t an expert at typing, let alone an expert on writing books. Because even when you’d spent 10,000 hours writing feel-good fiction and another 10,000 reading it, it didn’t make you an expert at writing any other kind of book.
I didn’t know what I was doing. I couldn’t be sure I was doing anything. There was a decent chance I’d send this draft to Anya and get an email back like, Why did you just send me the menu for Red Lobster?
But whether or not I was actually succeeding at this book, I was writing it. It came in painful ebbs and desperate flows, as if timed to the waves crashing somewhere behind that wall of fog.
It wasn’t my life, but it was close. The conversation between the three women—Ellie, her mother, and Sonya’s stand-in, Lucy—might’ve been word for word, although I knew not to trust memory quite so much these days.