Angelika Frankenstein Makes Her Match(104)
Now free of the vines and cobwebs, and appreciated at last, Blackthorne Manor had regained the power of crystal-clear omniscience, and it had observed these exchanges. It knew that the apples would no longer fall, that visitors would be frequent, and that the stockpiled gold was now circulating in the villages. The hair-plaiting, bath-filling Angelika Frankenstein had moved away, but it wasn’t something to be sad about. There was very little sadness left at Blackthorne. The regular evening-time routine that followed was as familiar to it as a heartbeat.
Chimneys threaded pale blue smoke into the dimming twilight; Adam’s stomach rumbled at the smell of Mary’s stew.
Victor climbed the staircase inside to kiss Lizzie breathless, but not before pausing beneath his new picture frame, hanging directly above the staircase. It looked ridiculously small, just a framed page, centered on the brighter rectangle of wallpaper, in Caroline Frankenstein’s recently vacated space.
“I’m better than him,” Victor said gently, and smoothed his hand over the letter from Herr Jürgen Schneider, which affirmed the sentiment. “I’m so much better than him. Lizzie, my duchess, guess what?” This he shouted, utterly invigorated.
“What, Bear?” she called from her nest in their bed.
“I’m going to live on in history, forever!”
Lizzie cackled. “I have no doubt. Now get in here and give me my kiss.”
*
Miles away, at Larkspur Lodge, a similar evening routine was playing out, with a slight difference. “Are you sure?” Arlo was asking Angelika. He put another log into the fireplace, and then knelt down between her slippers. “Are you absolutely sure?”
“Do you believe I am incapable of counting the passing days?” She held her arched eyebrow a fraction longer, and then laughed. “Yes, I am sure.”
“Then it’s a miracle.”
“I’ve always had faith in you,” she replied as he began to kiss her stomach. “And you have put your heart and soul into it. Every room in the house, you have made an attempt. Over and over, just when I thought your inspiration had run dry, you surprised me.”
“It’s true.” Arlo laughed, and when he put both hands into hers, she luxuriated in the warmth she felt in his fingers as she massaged his lingering aches away. She was the furnace that fueled and healed him. Her body was the giver of all life. She now had an extra reason to be smug about it.
Angelika sewed, night and day, creating exquisite garments for all she loved. Arlo had protested that a baby did not need a cloak and silver-beaded slippers, but his protests were cheerfully ignored. She occupied herself making hampers of baby clothes and food that were delivered to new mothers in the neighboring counties.
She funded a small army of midwives.
She was a benefactress to anyone she believed in.
Before the baby arrived, Arlo occupied himself in the evenings by rereading his beloved copy of Institutiones Rei Herbariae by Tournefort to make sense of the wild varieties of plants that grew across their estate. Blooms and weeds filled the intertwined courtyards and mazes that made up Larkspur Lodge’s jaw-dropping grounds. He had found a strange little thistle in a hedgerow that required some research. He opened the cover and smoothed his fingertips over the inscription, never again allowing a single one of his wife’s declarations to go unnoticed. It was perhaps a little sacrilegious to write in such a rare old book, but she had amended her annotation several times:
To my love: One day I will write your true name here.
Will, then Father Arlo, and then just Arlo, my husband,
and now a father!
With all that I am,
I am always,
your Angelika.
The seasons changed again, and the day came that Angelika Northcott gave her beloved Arlo what he had feared was impossible. She gave birth to the baby in her bathtub and cut the cord with her favorite sewing scissors. She wouldn’t need them for a little while; at least until her new arrival required a wardrobe refresh.
From her new home above the mantel, the portrait of Caroline Frankenstein observed the scene below. Her daughter had made her perfect match, and it was that forever, Frankenstein kind of love. Larkspur Lodge held a similar view.
The baby boy looked absolutely nothing like his father.
They loved him more than any little boy had ever been loved before.
That much was certain.
Acknowledgments
Before I thank some people, I want to acknowledge that this book surely contains historical inaccuracies. I know that men did not usually wear wedding rings in 1814, but I could not resist, for the sake of the story. Sometimes, when writing fiction, you take certain licenses and risks—and for me, this book was the best risk ever.
Next, I must acknowledge, and possibly apologize to, the genius Mary Shelley. There was a plague in my time, and I borrowed your characters for a short while.
Now, my thank-yous! Christina Hobbs and Lauren Billings, aka Christina Lauren, I have loved you two since the year 1814, and this book is dedicated to you both. When I write a book, it’s done safe in the knowledge that you will understand the heart of it—even in this instance, when it’s a heart from the morgue. Thank you, Roland, Tina, Katie, and my mum, Sue, for always being in my corner. I can’t do this without my agent, my rock, Taylor Haggerty. Thank you, Root Literary. I gain a great amount of confidence from my editor, Carrie Feron, and the amazing team at Avon. The fact that so many people continued to work and try their best during a pandemic was inspiring and humbling. Publishing a book is a team effort, and I am a part of the best team there is.