After You (Me Before You #2)(3)



The plants have long since withered and died. I am apparently not very good at looking after things. Now I stand on the roof, staring out at London’s winking darkness below. Around me a million people are living, breathing, eating, arguing. A million lives completely divorced from mine. It is a strange sort of peace.

The sodium lights glitter as the sounds of the city filter up into the night air, engines revving, doors slamming. Several miles south, the distant brutalist thump of a police helicopter, its beam scanning the dark for some vanished miscreant in a local park. Somewhere in the distance a siren. Always a siren. ‘Won’t take much to make this feel like home,’ the estate agent had said. I had almost laughed. The city feels as alien to me as it always has. But, then, everywhere does, these days.

I hesitate, then take a step out onto the parapet, my arms lifted out to the side, a slightly drunken tightrope walker. One foot in front of the other, edging along the concrete, the breeze making the hairs on my outstretched arms prickle. When I first moved down here, when it all hit me hardest, I would sometimes dare myself to walk from one end to the other of my block. When I reached the other end I would laugh into the night air. You see? I’m here – staying alive – right out on the edge. I’m doing what you told me!

It has become a secret habit, me, the city skyline, the comfort of the dark, the anonymity, and the knowledge that up here nobody knows who I am. I lift my head, feeling the night breezes, hearing laughter below, the muffled smash of a bottle breaking, the traffic snaking up towards the city, seeing the endless red stream of tail-lights, an automotive blood supply. Only the hours between three and five a.m. are relatively peaceful, the drunks having collapsed into bed, the restaurant chefs having peeled off their whites, the pubs having barred their doors. The silence of those hours is interrupted only sporadically, by the night tankers, the opening up of the Jewish bakery along the street, the soft thump of the newspaper delivery vans dropping their paper bales. I know the subtlest movements of the city because I no longer sleep.

Somewhere down there a lock-in is going on in the White Horse, full of hipsters and East-Enders, and a couple are arguing outside, and across the city the general hospital is picking up the pieces of the sick and the injured and those who have just about scraped through another day. Up here is just the air, the dark and somewhere the FedEx freight flight from LHR to Beijing, and countless travellers, like Mr Scotch Drinker, on their way to somewhere new.

‘Eighteen months. Eighteen whole months. So when is it going to be enough?’ I say, into the darkness. And there it is – I can feel it boiling up again, the unexpected anger. I take two steps along, glancing down at my feet. ‘Because this doesn’t feel like living. It doesn’t feel like anything.’

Two steps. Two more. I will go as far as the corner tonight.

‘You didn’t give me a bloody life, did you? Not really. You just smashed up my old one. Smashed it into little pieces. What am I meant to do with what’s left? When is it going to feel –’ I stretch out my arms, feeling the cool night air against my skin, and realize I am crying again. ‘Fuck you, Will,’ I whisper. ‘Fuck you for leaving me.’

Grief wells up again, like a sudden tide, intense, overwhelming. And just as I feel myself sinking into it, a voice says, from the shadows, ‘I don’t think you should stand there.’

I half turn, and catch a flash of a small pale face on the fire escape, dark eyes wide open. In shock, my foot slips on the parapet, my weight suddenly the wrong side of the drop. My heart lurches, a split second before my body follows. And then, like a nightmare, I am weightless, in the abyss of the night air, my legs flailing above my head as I hear the shriek that may be my own –

Crunch

And then all is black.





CHAPTER TWO


‘What’s your name, sweetheart?’

A brace around my neck.

A hand feeling around my head, gently, swiftly.

I am alive. This is actually quite surprising.

‘That’s it. Open your eyes. Look at me, now. Look at me. Can you tell me your name?’

I want to speak, to open my mouth, but my voice emerges muffled and nonsensical. I think I have bitten my tongue. There is blood in my mouth, warm and tasting of iron. I cannot move.

‘We’re going to put you onto a spinal board, okay? You may be a bit uncomfortable for a minute, but I’m going to give you some morphine to make the pain a bit easier.’ The man’s voice is calm, level, as if it is the most normal thing in the world to be lying broken on concrete, staring up at the dark sky. I want to laugh. I want to tell him how ridiculous it is that I am here. But nothing seems to work as it should.

The man’s face disappears from view. A woman in a neon jacket, her dark curly hair tied back in a ponytail, looms over me and shines a thin torch abruptly in my eyes, gazing at me with the same detached interest as if I was a specimen, not a person.

‘Do we need to bag her?’

I want to speak but I’m distracted by the pain in my legs. Jesus, I say, but I’m not sure if I say it aloud.

‘Multiple fractures. Pupils normal and reactive. BP ninety over sixty. She’s lucky she hit that awning. What are the odds of landing on a daybed, eh? … I don’t like that bruising, though.’ Cold air on my midriff, the light touch of warm fingers. ‘Internal bleeding?’

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