'Salem's Lot(96)

She toiled steadily upward, going as quietly as possible. As she neared the brow of the hill, she began to catch glimpses of the house through the steadily thinning screen of branches - the blind side of the house in relation to the village below. And she began to be afraid. She could not put her finger on any precise reason, and in that way it was like the fear she had felt (but had already largely forgotten) at Matt Burke's house. She was fairly sure that no one could hear her, and it was broad daylight - but the fear was there, a steadily oppressive weight. It seemed to be welling into her consciousness from a part of her brain that was usually silent and probably as obsolete as her appendix. Her pleasure in the day was gone. The sense that she was playing was gone. The feeling of decisiveness was gone. She found herself thinking of those same drive-in horror movie epics where the heroine goes venturing up the narrow attic stairs to see what's frightened poor old Mrs Cobham so, or down into some dark, cobwebby cellar where the walls are rough, sweating stone - symbolic womb - and she, with her date's arm comfortably around her, thinking: What a silly bitch . . . I'd never do that! And here she was, doing it, and she began to grasp how deep the division between the human cerebrum and the human midbrain had become; how the cerebrum can force one on and on in spite of the warnings given by that instinctive part, which is so similar in physical construction to the brain of the alligator. The cerebrum could force one on and on, until the attic door was flung open in the face of some grinning horror or one looked into a half-bricked alcove in the cellar and saw  -

STOP!

She threw the thoughts off and found that she was sweating. All at the sight of an ordinary house with its shutters closed. You've got to stop being stupid, she told herself. You're going to go up there and spy the place out, that's all. From the front yard you can see our own house. Now, what in God's name could happen to you in sight of your own house?

Nonetheless, she bent over slightly and took a tighter grip on the stake, and when the screening trees became too thin to offer much protection, she dropped to her hands and knees and crawled. Three or four minutes later, she had come as far as it was possible without breaking cover. From her spot behind a final stand of pines and a spray of junipers, she could see the west side of the house and the creepered tangle of honeysuckle, now autumn?-barren. The grass of summer was yellow but still knee-high. No effort had been made to cut it.

A motor roared suddenly in the stillness, making her heart rise into her throat. She controlled herself by hooking her fingers into the ground and biting hard on her lower lip. A moment later an old black car backed into sight, paused at the head of the driveway, and then turned out onto the road and started away toward town. Before it drew out of sight, she saw the man quite clearly: large bald head, eyes sunken so deeply you could really see nothing of them but the sockets, and the lapels and collar of a dark suit. Straker. On his way in to Crossen's store, perhaps.

She could see that most of the shutters had broken slats. All right, then. She would creep up and peek through and see what there was to see. Probably nothing but a house in the first stages of a long renovation process, new plastering under way, new papering perhaps, tools and ladders and buckets. All about as romantic and supernatural as a TV football game.

But still: the fear.

It rose suddenly, emotion overspilling logic and the bright Formica reason of the cerebrum, filling her mouth with a taste like black copper.

And she knew someone was behind her even before the hand fell on her shoulder.

9

It was almost dark.

Ben got up from the wooden folding chair, walked over to the window that looked out on the funeral parlor's back lawn, and saw nothing in particular. It was quarter to seven, and evening's shadows were very long. The grass was still green despite the lateness of the year, and he supposed that the thoughtful mortician would endeavor to keep it so until snow covered it. A symbol of continuing life in the midst of the death of the year. He found the thought inordinately depressing and turned from the view.

'I wish I had a cigarette,' he said.

'They're killers,' Jimmy told him without turning around. He was watching a Sunday night wildlife program on Maury Green's small Sony. 'Actually, so do I. I quit when the surgeon general did his number on cigarettes ten years ago. Bad PR not to. But I always wake up grabbing for the pack on the night stand.'

'I thought you quit.'

'I keep it there for the same reason some alcoholics keep a bottle of scotch on the kitchen shelf. Will power, son.'

Ben looked at the clock: 6:47. Maury Green's Sunday paper said sundown would officially arrive at 7:02 EST.

Jimmy had handled everything quite neatly. Maury Green was a small man who had answered the door in an unbuttoned black vest and an open-collar white shirt. His sober, inquiring expression had changed to a broad smile of welcome.

'Shalom, Jimmy!' He cried. 'It's good to see you! Where you been keeping yourself?'

'Saving the world from the common cold,' Jimmy said, smiling, as Green wrung his hand. 'I want you to meet a very good friend of mine. Maury Green, Ben Mears.'

Ben's hand was enveloped in both of Maury's. His eyes glistened behind the black-rimmed glasses he wore. 'Shalom, also. Any friend of Jimmy's, and so on. Come on in, both of you. I could call Rachel - '

'Please don't,' Jimmy said. 'We've come to ask a favor. A rather large one.'