'Salem's Lot(107)

He sat up and hung his head over, breathing raggedly, cradling his wounded testicles in both hands. The sharp pain became a dull, pervading ache that made him feel nauseated.

When it began to abate a little, he looked over at the shuttered window. The light coming through the broken slats had faded to a dull ocher - it was almost sundown. And the door was locked.

He pulled the loose loop of rope over the beam, and set to work on the knots that held his legs. They were maddeningly tight, and his concentration had begun to slip away from him as reaction set in.

He freed his thighs, the knees, and after a seemingly endless struggle, his ankles. He stood up weakly among the harmless loops of rope and staggered. He began to rub his thighs.

There was a noise from below: footsteps.

He looked up, panicky, nostrils dilating. He hobbled over to the window and tried to lift it. Nailed shut, with rusted tenpennies bent over the cheap wood of the half sill like staples.

The feet were coming up the stairs.

He wiped his mouth with his hand and stared wildly around the room. Two bundles of magazines. A small tin plate with a picture of an 1890s summer picnic on the back. The iron cot frame.

He went to it despairingly and pulled up one end. And some distant gods, perhaps seeing how much luck he had manufactured by himself, doled out a little of their own.

The steps had begun down the hall toward the door when he unscrewed the steel cot leg to its final thread and pulled it free.

4

When the door opened, Mark was standing behind it with the bed leg upraised, like a wooden Indian with a tomahawk.

'Young master, I've come to - '

He saw the empty coils of rope and froze for perhaps one full second in utter surprise. He was halfway through the door.

To Mark, things seemed to have slowed to the speed of a football maneuver seen in instant replay. He seemed to have minutes rather than bare seconds to aim at the one-quarter skull circumference visible beyond the edge of the door.

He brought the leg down with both hands, not as hard as he could - he sacrificed some force for better aim. It struck Straker just above the temple, as he started to turn to look behind the door. His eyes, open wide, squeezed shut in pain. Blood flew from the scalp in an amazing spray.

Straker's body recoiled and he stumbled backward into the room. His face was twisted into a terrifying grimace. He reached out and Mark hit him again. This time the pipe struck his bald skull just above the bulge of the forehead, and there was another gout of blood. ?He went down bonelessly, his eyes rolling up in his head. Mark skirted the body, looking at it with eyes that were bulging and wide. The end of the bed leg was painted with blood. It was darker than Technicolor movie blood. Looking at it made him feet sick, but looking at Straker made him feel nothing.

I killed him, he thought. And on the heels of that: Good. Good.

Straker's hand closed around his ankle.

Mark gasped and tried to pull his foot away. The hand held fast like a steel trap and now Straker was looking up at him, his eyes cold and bright through a dripping mask of blood. His lips were moving, but no sound came out. Mark pulled harder, to no avail. With a half groan, he began to hammer at Straker's clutching hand with the bed leg. Once, twice, three times, four. There was the awful pencil sound of snapping fingers. The hand loosened, and he pulled free with a yank that sent him stumbling out through the doorway and into the hall.

Straker's head had dropped to the floor again, but his mangled hand opened and closed on the air with tenebrous vitality, like the jerking of a dog's paws in dreams of cat-chasing.

The bed leg fell from his nerveless fingers and he backed away, trembling. Then panic took him and he turned and fled down the stairs, leaping two or three at a time on his numb legs, his hand skimming the splintered banister.

The front hall was shadow-struck, horribly dark.

He went into the kitchen, casting lunatic, shying glances at the open cellar door. The sun was going down in a blazing mullion of reds and yellows and purples. In a funeral parlor sixteen miles distant, Ben Mears was watching the clock as the hands hesitated between 7:01 and 7:02.

Mark knew nothing of that, but he knew the vampire's time was imminent. To stay longer meant confrontation on top of confrontation; to go back down into that cellar and try to save Susan meant induction into the ranks of the Undead.

Yet he went to the cellar door and actually walked down the first three steps before his fear wrapped him in almost physical bonds and would allow him to go no further. He was weeping, and his body was trembling wildly, as if with ague.

'Susan!' he screamed. 'Run!'

'M - Mark?' Her voice, sounding weak and dazed. 'I can't see. It's dark - '

There was a sudden booming noise, like a hollow gun?shot, followed by a profound and soulless chuckle.

Susan screamed . . . a sound that trailed away to a moan and then to silence.

Still he paused, on feather-feet that trembled to blow him away.

And from below came a friendly voice, amazingly like his father's: 'Come down, my boy. I admire you' '

The power in the voice alone was so great that he felt the fear ebbing from him, the feathers in his feet turning to lead. He actually began to grope down another step before he caught hold of himself - and the catching hold took all the ragged discipline he had left.

'Come down,' the voice said, closer now. It held, be?neath the friendly fatherliness, the smooth steel of com?mand.