Wild Man Creek (Virgin River #14)(39)



But this woman was different. Jillian was a whole new being. Right above some very delicious-looking br**sts was a fresh, wholesome, beautiful face with large dark eyes that burned in his memory for hours and a smile that knocked him out. And in that head? Some very sexy, unbelievable intelligence. Man, she was way too smart for him. When she talked about corporate strategy, she turned him on. When she talked about growing her fancy seeds, she turned him on. When she ate her eggs and croissant, she made him want to tackle her and lower her to the ground and start peeling off her clothes.

He thought about her all morning. After breakfast he took his painting of the buck to a meadow that got a lot of sun and set up the easel. All the while he asked himself if he’d been off the antidepressants just long enough to get good and horny, or if this woman was just about the finest, rarest woman he’d come across in a very long time.

A small herd of deer—doe and fawns and one buck—wandered along the bottom of the foothills and he snapped a few shots with his zoom. Beautiful extended family out there, does nudging the fawns along, buck tall and standing guard. He wondered if he could paint something as detailed and expansive as a herd.

But then his thoughts returned again to Jillian—so pretty, so fresh, so sexy, so smart. He tried to think about other women—he’d run into a couple when visiting art galleries over in the coastal towns, good-looking women who had been happy to give him business cards. There were a couple of women back in Georgia who had kept in touch after his accident. There were even a couple of old girlfriends he could resurrect without much effort. He was far from rich but could easily afford a plane ticket so he could do some visiting if it was a simple matter of getting with a woman. Anything to somehow scratch this itch and put the confusion to rest.

But his brain and his body were completely tuned in to Jillian. She was a kooky little dish, that one, with her recliner and no furniture, her seed cups, getting excited over her golf cart. Then there was something about the way she could read him. I was forced out of my job, too. And now they shared confidences—his plane ticket and her job loss. He couldn’t remember ever doing that before. It was strangely alluring.

Colin wasn’t a religious man at all, but he had a powerful core faith that had strengthened since being pulled out of a Black Hawk wreck he shouldn’t have survived by fellow pilots who risked their own lives by landing and coming to his rescue. So he lectured God that it was a bad idea to put this quality female in his path because he was a little vulnerable and she seemed like a first-class woman who shouldn’t be hurt by an irresponsible wild man like him.

Wild man? That persona was now mostly in the past. He might still have the soul of a wild man, but at the moment he was just a man in need of a woman.

He was pulled out of his thoughts when he heard the sound of horse hooves and turned to see a man riding toward him. His Jeep was still on the road outside the fence, the hatch up in back, so he rested the palette and brush on the ground and waited.

As he got closer, Colin could see the man was Native American with a feather in his cowboy hat and a long braid down his back. Colin didn’t know much about horses but he knew a pretty one when he saw it. This one was incredible; chestnut in color, young and muscular. The man rode right up to him and stopped, not dismounting but stretching out his hand from his position in the saddle. “How you doing?” he said. “I’m Clay Tahoma.”

“Colin Riordan,” he said, shaking the hand. “Am I trespassing? I didn’t see any signs.”

“There should be signs posted on the fence, but it’s no problem for you to paint here—it’s things like target practice, off-season hunting and poaching we dislike. This is a back pasture—it belongs to Dr. Nate Jensen, the vet who owns Jensen Large Animal Clinic. It’s private property, but you’re welcome here as long as it’s unoccupied. It isn’t likely we’d ever leave a difficult horse this far away from the clinic. Just be careful, that’s all. Look around first. Mind the fence. A broken-down fence can be catastrophic for us.” Clay leaned down from his horse to peer at the painting—it was the four-point buck. “Awesome,” he said. “That’s probably not paint by number.”

Colin laughed. “I got a great shot of them with the zoom,” he said, pointing at the small herd of deer in the distance.

“They’re headed for the river,” Clay said, “taking the youngsters out for a stroll. I’m a friend of Luke’s and Shelby’s—they mentioned you’d be here for a while.”

“Seems like everyone’s a friend of Luke’s and Shelby’s….”

“I think everyone is a friend of everyone else around here. I’ve only been here since last August myself.” He nodded toward the painting. “That’s beautiful work. I have a cousin who paints—Native American art. He’s now some high mucky-muck artist in Sedona, but he grew up next door to me on the reservation, Navajo Nation. Where are you showing your work?”

“I haven’t had a showing or a sale. Right now I’m just painting.”

“Lots of Native and wildlife work around Albuquerque, Sedona, Phoenix… Might be time for a road trip.”

Colin laughed. “Maybe. When I’m ready.”

“Looks like you’re ready, but what do I know.” Clay tipped his hat. “I want to check the back pastures and roads. I’m sure I’ll be seeing you around again. Nice meeting you.”

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