Those Christmas Angels (Angels Everywhere #5)(15)

Anne Fletcher pulled the blanket around her shoulders as she attempted to fall to sleep. Opening one eye, she peered at the clock. Two in the morning. She should’ve been asleep hours ago. For no reason she could discern, she’d been having trouble sleeping. No matter what she did—read, drank warm milk, swallowed nighttime aspirin—she remained fully awake.

With a disgusted sigh, she tossed back the covers and reached for the switch on her lamp. She was wide-awake and any effort to sleep would be a waste of time. Her mind drifted to the memory of the angel who’d appeared to her. She leaned over to get her sketchbook from the bedside table and flipped the pages until she found what she wanted.

Anne was sure she’d imagined the visitation, and yet it had seemed so real. But none of this made sense. Why would an angel appear to her? Not a word had been spoken, not a sound uttered. But an angel had stood directly in front of her. So strong was the impression that even now Anne could feel the love emanating from the heavenly being.

To further confuse her, the image had lasted for several minutes, long enough for Anne to grab her sketchbook. Almost as if she was posing, the angel had stood perfectly still while Anne quickly outlined what was before her, unbelievable though it was.

“She was so beautiful,” Anne whispered as she studied the drawing with fresh eyes.

The urge to paint the image onto canvas suddenly gripped her. After a long day in her studio, she should be exhausted; instead, she was filled with excitement. Anne got out of bed. Dressed in her nightgown and slippers, she decided she’d paint until she felt tired. She’d get started and see how things went.

The studio was cold and dark, and she turned on the light, then hurried into the kitchen to make a pot of tea. Taking a pristine canvas from the pile stacked against the wall, she set it on the easel and stepped back. No, bigger. The angel who’d visited her couldn’t be displayed on such a small space. Searching through her supplies, Anne looked for the largest canvas she had.

She found one in a closet, bigger than anything she’d ever used before, and began to work. Thinking she’d soon grow tired, she didn’t pause. She painted through the night and didn’t stop until daylight. To her amazement, she noticed sunshine pouring in around her. She glanced at the clock on the wall. Almost eight! For the first time in her life she’d worked straight through the night.

“I’ll just take a quick break,” she told herself as she went back to bed. Exhausted, she climbed between the sheets and closed her eyes. Seven hours later, around three, she woke feeling refreshed and revitalized.

After showering and changing clothes, Anne resumed her painting. The next time she looked up, it was dark again. Shocked, she realized she hadn’t eaten in nearly thirty hours. The refrigerator provided a chunk of cheddar and a small cluster of seedless grapes, which she munched on hungrily. She made another pot of tea. Then it was back to work.

When she’d finished the painting, she saw daylight again; for the second night in a row, she’d worked without sleep. Stepping back, Anne examined her creation with a critical eye.

“Yes,” she whispered, awed by the painting before her.

This was her best work to date. She’d call it…Visitation. Smiling, she studied the painting from several angles.

The phone rang, startling her, and she hurried to answer it.

“Anne, it’s Marta.”

“Oh, Marta, hello.” Her mind raced frantically as she tried to remember what day it was. Anne had a terrible feeling she’d missed their dinner appointment—not to mention her lunch with Roy—and sincerely hoped she hadn’t. She thought for a minute; as far as she could calculate, it was Thursday morning. Never had she worked on a project in such a frenzied fashion—to the point that she no longer knew what day of the week it was.

“I just called to ask if you’d let me see one of your paintings.”

“Oh, Marta, are you sure?” Anne would never presume to ask her friend for this kind of favor.

“I’ve been hearing good things about your landscapes. A colleague of mine was on the island last summer—Kathy Gruber—and met you. She saw your work at a local exhibit. You remember her, don’t you?”

“Yes, of course.”

“Since I’m in town this week, I’d like to take a look at some of your pieces.”

Anne glanced at her angel. “I’ll let you see one, but it isn’t a landscape. As it happens, I just finished it.” Eyeing the canvas, she frowned. The painting was too big; she couldn’t bring it into town with her. “It won’t fit in my car,” she said.

“I can make a trip out to your place tomorrow, if that’s convenient.”

“Of course it is, but we’re still meeting for dinner tonight, aren’t we?”

“I wouldn’t miss it for the world,” Marta assured her.

“Me, neither,” Anne said.

They spoke for a few minutes longer. When Anne replaced the receiver, she saw by the clock that she had just enough time for a short nap and a shower before heading into Seattle to meet her son.

Six

“Not bad,” Goodness said as she studied the painting. She cocked her head to one side and decided that, as a portrait, it was uncannily accurate. “It certainly looks like Shirley.”

“I had no idea I was so lovely,” Shirley said, clasping her hands. “Is that truly the way Anne sees me?” She gazed expectantly at her two friends.