Their Fractured Light (Starbound #3)(21)
I keep my face averted from the camera once I’m inside, and knock the panel next to it aside so I can grab at the lip of the wall and clamber up out of the elevator, onto its top. I rip the cord from the camera and stick my own transmitter in its place—and suddenly I’m in, the whole lobby and elevator security system at my command. It’s the work of a moment to relay it to my headset, but I know I’m going to lose Dimples as soon as she and her new friends step out of their elevator.
I can see the one elevator in use, and the display beside the door: 20. The same floor we were on the other day. My heart sinks, but my body’s already moving. I pull out my magnetic grips, sling my bag back over my shoulders, and start to climb.
My shoulders start to protest and ache after the fifth floor, but I push the pain aside, focusing on the video feed I’ve got. They’re going to get there—and, picturing the giant rift frame in the holosuite, I’m pretty sure I know where “there” is—long before I can. I just have to hope they’re questioning her before…
My thoughts grind to a halt before they can arrive at the conclusion of that thought.
Just. Keep. Climbing.
A scientist with narrow lips and a stoop in his shoulders is retuning the cage around the thin spot. He has forgotten to disconnect its power source. The thin spot remains silent, giving no warning. He is one of the people who hurt the stillness in order to learn about it.
The cables spark and scream as he pulls them free, flooding his body with electricity. He is dead before he hits the ground, and as the other scientists come running, the thin spot is quiet and satisfied.
The other scientists are quiet and sad even after the dead one has been taken away. They normally talk and laugh as they prod at the thin spot in the universe, but now they are silent. The silence is heavy and thick.
So we make them a new scientist just like the dead one. If they are pleased, maybe they will stop hurting us.
THE MEN FROM LAROUX INDUSTRIES have been very, very well trained. They stay just on the plausible deniability side of torture. They don’t touch me, except to jab a needle into the back of my shoulder—drugs to make me more pliable, maybe, or to sedate me. My skin crawls as I try not to think about some foreign substance coursing through my system, doing God knows what to my mind. They don’t feed me, don’t bring me water. They don’t utter threats, but their gazes say what their mouths don’t—that I’m alive only because they haven’t decided to kill me yet. They don’t waste time telling me what will happen if I don’t give them what they want, because they know that nothing they can say will be worse than the things my imagination conjures.
My throat is like sandpaper, thirst starting to make my head throb in time with my heartbeat. It’s been hours—at least, I think it has. The holosuite, without programming, is a barren, white nothingness. Only the security cameras and projectors punctuate the vaulted white ceiling, and the cameras are dark—not a single one glows. They’ve shut off surveillance in this room. They don’t bother to turn on most of the lights, choosing instead to use only one set, leaving the rest of the room shrouded. It gives the impression of infinite space—and yet here I am, in this chair they’ve brought in for me, unable to move.
The metal ring, the one that had started to glow right before everyone’s eyes went blank, is silent and dark. But I feel its presence just beyond the circle of light like a towering monster, some terrible creature lurking in the shadows, waiting for me to be left alone so it can strike. I know why they’ve brought me here—if I don’t tell them what they want, they’ll use that ring, and the creatures Flynn talked about in his broadcast, and take whatever they want from my mind.
Whenever my eyes close for more than a breath, one of them rams the toe of his boot against a chair leg, sending vibrations screaming up through my body and setting my bruised, aching bones on fire. It’s all I can do not to groan, but I refuse to give them the satisfaction of seeing me in pain.
“You must be getting tired.” It’s the big guy, the one who threw me onto the bed, the one I’d been planning to shoot. His voice sounds almost sympathetic. “Just give us something we can use to track him down, and this will all be over, I promise.”
Almost sympathetic.
“I swear to you,” I whisper, not bothering to conceal the weariness in my voice, “I’ve told you everything I know. I have no idea how to find him. I was a hostage, nothing more.”
At first I’d tried to get information out of them—overconfident stooges like these often give away more than they realize, because they’re so focused on extracting what they want. I did learn that it’s the Knave they want, not Gideon. And they’ve been after him for some time.
I’m positive the Knave has worked with them in the past—I can only assume that he’s gone rogue now and is no longer taking orders from LRI, or perhaps he simply knows too much and LaRoux wants him erased. These men aren’t aware of my identity, as far as I can tell—and they don’t know I’m from Avon. If I hadn’t chosen Gideon to be my unwitting partner in escaping LRI Headquarters, I wouldn’t even be here.
They don’t know I was at LaRoux Industries to try to kill Roderick LaRoux.
I stop myself before I can lean forward and let my head droop. Slumped body language is a sign of defeat, and if these guys know anything about nonverbal communication at all, they’ll take it as a sign to push even harder. I fight to keep my eyes wide to signal fear, but moving from face to face; too much direct eye contact suggests you’re hiding something and trying to counteract the natural tendency to look away. I need to be scared—because innocent bystander Alexis would be terrified—but I can’t look guilty.