The Windup Girl(31)
The problem with banks is that they cannot be trusted. The problem with secret caches is that they are hard to protect. The problem with a room in a slum is that anyone can take the money when he is gone. He needs other caches, safe places to hide the opium and jewels and cash he procures. He needs a safe place for everything. For himself as well, and for that, any amount of money is worth spending.
All things are transient. Buddha says it is so, and Hock Seng, who didn't believe in or care about karma or the truths of the dharma when he was young, has come in his old age to understand his grandmother's religion and its painful truths. Suffering is his lot. Attachment is the source of his suffering. And yet he cannot stop himself from saving and preparing and striving to preserve himself in this life which has turned out so poorly.
How is it that I sinned to earn this bitter fate? Saw my clan whittled by red machetes? Saw my businesses burned and my clipper ships sunk? He closes his eyes, forcing memories away. Regret is suffering.
He takes a deep breath and climbs stiffly to his feet, surveys the room to ascertain that nothing is out of place, then turns and shoves his door open, wood scraping on dirt, and slips out in the squeezeway that is the slum's thoroughfare. He secures the door with a bit of leather twine. A knot, and nothing else. The room has been broken into before. It will be broken into again. He plans on it. A big lock would attract the wrong attention, a poor man's bit of leather entices no one.
The way out of the Yaowarat slum is full of shadows and squatting bodies. The heat of the dry season presses down on him, so intense that it seems no one can breathe, even with the looming presence of the Chao Phraya dikes. There is no escape from the heat. If the seawall gave way, the entire slum would drown in nearly cool water, but until then, Hock Seng sweats and stumbles through the maze of squeezeways, rubbing up against scavenged tin walls.
He jumps across open gutters of shit. Balances on planks and slips past women sweating over steaming pots of U-Tex glass noodles and reeking sun-dried fish. A few kitchen carts, ones who have bribed either the white shirts or the slum's pi lien, burn small dung fires in public, choking the alleys with thick smoke and frying chile oil.
He squeezes around triple-locked bicycles, stepping carefully. Clothes and cook pots and garbage spill out from under tarp walls, encroaching on the public space. The walls rustle with the movement of people within: a man coughing through the last stages of lung water; a woman complaining about her son's lao-lao rice wine habit; a little girl threatening to hit her baby brother. Privacy is not something for a tarp slum, but the walls provide polite illusion. And certainly it is better than the Expansion tower internments of the yellow cards. A tarp slum is luxury for him. And with native Thais all around, he has cover. Better protection than he ever enjoyed in Malaya. Here, if he doesn't open his mouth and betray his foreigner's accent, he can be mistaken for a local.
Still, he misses that place where he and his family were alien and yet had forged a life. He misses the marble-floored halls and red lacquer pillars of his ancestral home, ringing with the calls of his children and grandchildren and servants. He misses Hainan chicken and laksa asam and good sweet kopi and roti canai.
He misses his clipper fleet and the crews (And isn't it true that he hired even the brown people for his crews? Even had them as captains?) who sailed his Mishimoto clippers to the far side of the world, sailing even as far as Europe, carrying tea strains resistant to genehack weevil and returning with expensive cognacs that had not been seen since the days of the Expansion. And in the evenings, he returned to his wives and ate well and worried only that a son was not diligent or that a daughter would find a good husband.
How silly and ignorant he had been. He fancied himself a sea trader, and yet understood so little of the turning tides.
A young girl emerges from under a tarp flap. She smiles at him, too young to know him for a stranger, and too innocent yet to care. She is alive, burning with the limber vitality that an old man can only envy with every aching bone. She smiles at him.
She could be his daughter.
* * *
Malaya's night was black and sticky, a jungle filled with the squawks of night birds and the pulse and whir of insect life. Dark harbor waters lapped before them. He and Fourth Daughter, that useless waif, the only one he could preserve, hid among piers and rocking boats, and when darkness fell completely, he guided her down to the water, to where waves rushed onto the beach in steady surges and the stars overhead were pinpricks of gold in blackness.
"Look, Ba. Gold," she whispered.
There were times when he'd told her that every star was a bit of gold that was hers for the taking, because she was Chinese and with hard work and attendance to her ancestors and traditions, she would prosper. And now, here they were under a blanket of gold dust, the Milky Way spread over them like some great shifting blanket, the stars so thick that if he were tall enough he could reach up and squeeze them and have them run down his arms.
Gold, all around, and all of it untouchable.
Amid the lapping of fishing boats and little spring craft, he found a rowboat and pulled for deep water, aiming for the bay, following the currents, a black speck on the shifting reflections of the ocean.
He would have preferred a cloudy night, but at least there was no moon, and so he pulled and pulled, while all around them sea carp surfaced and rolled, showing the fat pale bellies that people of his clan had engineered to feed a starving nation. He pulled on the oars and the carp surrounded them, showing bloated stomachs now thickened on the blood and gristle of their creators.