The Windup Girl(126)

The windup girl returns, kneels beside them at the low table. Kanya forces herself not to speak, not to interrupt the girl's precise whisking and steeping of the tea, but it is an effort. The windup girl pours, and as Kanya watches the creature's strange movements, she thinks she sees a little of what the Japanese desired from their engineered servants. The girl is perfect, precise as clockwork, and contextualized by the tea ceremony, all her motions take on a ritual grace.

The windup carefully does not observe Kanya in return. Does not say anything about her being a white shirt. Does not observe that in another context Kanya would happily mulch her. She ignores Kanya's Environment Ministry uniform entirely. Exquisitely polite.

Yashimoto waits for Kanya to sip her tea, then sips himself. Sets his tea deliberately on the table. "Our countries have been friends always," he says. "Ever since our Emperor made a gift of tilapia to the Kingdom in the time of your great scientist King Bhumibol's time. We have always been steadfast." He looks at her significantly. "I hope that we can help you in this matter, but I wish to emphasize that we are friends of your country."

"Tell me about windups," Kanya says.

Yashimoto nods. "What do you wish to know?" He smiles, motions at the girl kneeling beside them. "This one, you can see for yourself."

Kanya keeps her expression impassive. It is difficult. The creature beside her is beautiful. Her skin is sleek, her movements surprisingly elegant. And she makes Kanya's skin crawl. "Tell me why you have them."

Yashimoto shrugs. "We are an old nation; our young are few. Good girls like Hiroko fill the gap. We are not the same as the Thai. We have calories but no one to provide the labor. We need personal assistants. Workers."

Kanya carefully makes no show of disgust. "Yes. You Japanese are very different. And except for your country, we have never granted this sort of niche-"

"Crime," Jaidee supplies.

"-exemption," she finishes. "No one else is allowed to bring in creatures like this one." She nods unwillingly at the translator, trying to hide the disgust in her voice. "No other country. No other factory."

"We are aware of the privilege."

"And yet you abuse it by bringing a military windup-"

Hiroko's words cut her off, even as Kanya continues to speak. Hiroko instead picks up the vehement response from her owner.

"No! This is impossible. We have no contact with such technology. None!"

Yashimoto's face is flushed, and Kanya wonders at his sudden anger. What sort of cultural insult has she unwittingly delivered? The windup girl continues her translation, no trace of emotion on her own face as she speaks with her owner's voice. "We work with New Japanese like Hiroko. She is loyal, thoughtful, and skilled. And a necessary tool. She is as necessary as a hoe for a farmer or a sword for a samurai."

"Strange that you mention a sword."

"Hiroko is no military creature. We do not have such technology."

Kanya reaches into her pocket and slaps down the picture of the windup killer. "And yet one of yours, imported by you, registered to your staff, has now assassinated the Somdet Chaopraya and eight others, and disappeared into thin air, as if she is some raging phii. But you sit before me and tell me that it is impossible for a military windup to be here!" Her voice rises to a shout, and the windup girl's translation finishes at a similar intensity.

Yashimoto's face stills. He takes the picture and studies it. "We will have to check our records."

He nods to Hiroko. She takes the photo and disappears out the door. Kanya watches Yashimoto for traces of anxiety or nervousness, but there are none. Irritation, she sees, but no fear. She regrets that she cannot speak directly with the man. Listening to her words echo into Japanese, Kanya wonders what surprise is lost when the windup girl delivers them. What preparation Hiroko provides for his shock.

They wait. He silently offers more tea. She refuses. He does not drink anymore himself. The tension in the room is so thick that Kanya half expects the man to leap to his feet and cut her down with the ancient sword that adorns the wall behind him.

A few minutes later, Hiroko returns. She hands the picture back to Kanya with a bow. Then speaks to Yashimoto. Neither of them betray any emotion. Hiroko kneels again beside them. Yashimoto nods at the photograph. "You're sure this was the one?"

Kanya nods. "There is no question."

"And this assassination explains the increasing rage in the city. There are crowds gathering outside the factory. Boat people. The police have driven them away, but they were coming with torches."

Kanya stifles her nervousness at the increasing frenzy. Everything is moving too fast. At some point, Akkarat and Pracha will be unable to back off without losing face and then everything will be lost. "The people are very angry," she says.

"It is misplaced anger. She is not a military windup." When Kanya tries to challenge him, he looks at her fiercely and she subsides. "Mishimoto knows nothing of military windups. Nothing. Such creatures are kept under strict control. They are used by our Defense Ministry, only. I could never possess one." He locks eyes with her. "Never."

"And yet-"

He continues to speak, with Hiroko translating, "I know of the windup you describe. She had fulfilled her duty-"

The windup girl's voice breaks off even as the old man continues speaking. She straightens and her eyes flick to Yashimoto. He frowns at her break in decorum. Says something to the windup. She ducks her head. "Hai."