The Widower's Two-Step (Tres Navarre #2)(82)
His hair was tousled into a thin wet black mess, like he'd just showered. He wore a Tshirt and denim shorts.
There was a stack of Dixie cups and a bottle of Ryman whiskey on the tree stump next to him. He'd made a bold start on the bottle. He was singing his heart out and for the first time I realized just how good he really was.
He didn't hear me coming up, or he didn't care. I stayed about twenty yards away and listened to him finish the song. He gave the impression that he was singing to somebody on the hilltop over on the horizon.
When Brent finished he let the guitar slide off his lap, then he picked up the whiskey bottle and poured himself a cupful. He slugged it down and glanced at me.
"Navarre."
"I thought you were a recording."
Daniels frowned. " You want Miranda, she's in Austin, mixing the demo. Willis is out getting more finger pipes."
"In that case, mind if I join you?"
He deliberated, like he wanted to say no but was so out of practice turning down social requests that he didn't remember how. He held the stack of Dixie cups toward me. I took one off the top, then sat in the other lawn chair.
You could see a long way off. The hills in the distance were green. The sky was blue the way amusement park water is blue—an unnatural, dyedforthetourists kind of look, with foamy little scraps of cloud. A couple of turkey buzzards circled about half a mile to the north, over a clump of trees. Dead cow or deer, probably. To the east there was a brown zigzag of haze from someone's brushfire.
The Ryman whiskey burned its way down my throat.
"Les' brand, isn't it?"
Brent shrugged. "He gives it out. Door prizes."
I wanted to ask some questions but the country air, the country mood, had started working on me. I realized how tired I was, how tired I'd been for the past few weeks.
The midday sun was warm but not unpleasant, just enough to burn the last of the dew off the chicken wire and get some warmth into my bones. The hills invited quiet spectating. The reasons I had come out to the ranch house started unknitting in my head.
"You play out here often?"
Some shadows deepened around Brent's eyes. "I suppose."
"Y'all got another gig tonight?"
He shook his head. "Just Miranda. She's got a show up scheduled with Robert Earle Keen at Floore's Country Store. I suppose Milo's going to bring her back down for that."
I dabbed the flakes of Dixie cup wax off the surface of the liquor. "Miranda doesn't drive at all, does she?"
I hadn't even considered that fact until I said it. I hadn't questioned it Friday night, when I'd given her a lift into town, or the other times when she'd gotten rides with Milo or her father. The fact that I had just naturally accepted it, not even thought about it as odd, disturbed me for some reason I couldn't quite put into words.
"Not that she can't," Brent said. "She doesn't."
"Why?"
Brent glanced at me briefly, declined comment.
He picked up his guitar again and picked the strings so lightly I almost couldn't hear the notes. His hand changed chords fast, contorting into various claw shapes on the fret board.
"You ever get frustrated with her playing your songs?" I asked. "Getting all the attention for your music?"
Brent kept playing quietly, looking at the hills as he worked his fret board, occasionally twitching his eye as he reached for a harder note. His face and his hands reminded me of a deepsea fisherman's as he worked his rod and reel.
"She was grateful at first," he said. "Told me she couldn't have done it without me—that she owed me everything. She gives you those bright eyes—" He smiled, a kind of sad amusement. Suddenly he looked like his father, a leaner version, less gray, weathered a little sooner and a little more harshly, but still Willis' son. "Guess you're the cavalry now, ain't you, Navarre?"
"You never thought much of Milo hiring a private eye."
"Nothin' personal," he said. "Seems to me Les has ditched us, Milo's trying to prove he's got things under control. It's not—I appreciate—" He stopped himself, not sure how to proceed. "Miranda was talking about you yesterday. She seemed to feel a lot easier about things—said you were a good man. I do appreciate that."
He meant it, but there was an uneasiness in his tone I couldn't quite nail down.
"Something about her Century Records deal is bothering you."
He shook his head uncertainly.
"Has Les tried to call you?"
Brent frowned. "Why would he?"
"Just a thought. You don't figure he would've contacted Miranda?"
"Les is gone for good. That's pretty obvious, ain't it?"
"Is that what Allison's hoping?"
Brent played a few more chords. His focus moved farther away by a few hundred miles. "It never should have happened between me and her."
"None of my business."
Brent shook his head sadly.
For no reason I could see he decided to start singing again. It was a pretty tune—one of his slow ones, "The Widower's TwoStep."
Coming straight from Brent the song was a hundred times sadder. I could almost feel the weight of the tractor shed apartment on his back, imagine a young woman in there, pregnant, dying from some condition I couldn't even remember the name of.
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)