The Widower's Two-Step (Tres Navarre #2)(68)
I thought, after all these years, that I could keep the resentment out of my voice. I'm not sure I managed.
She nodded. "It doesn't mean we can't make it a double celebration, Jackson."
"I'll do my best."
"You'll come," she insisted.
When I left she was still deliberating whether or not to go with the grape vines.
The neighbourhood private security guy cruised past the front yard as I was opening my mother's white Audi sedan. He saw my dress clothes and for the first time in two years he didn't slow down or look at me suspiciously.
There was an Indian medicine pouch waiting for me on Mother's dashboard.
35
"I think that went just fine," David Mitchell told me. "Come in, come in."
WJ His office was on the third floor of the Humanities &c Social Sciences Building, just down the hall from the interview room. On the office door was a Peanuts cartoon of Lucy in the psychiatrist's booth with the little DOCTOR is IN sign. Professor Mitchell, a man on the cutting edge of humour.
His work space was messy but cozy, filled with crammed bookshelves and dented filing cabinets and dying potted plants. There was a Macintosh computer setup as big as a Hyundai against the back wall. A poster for the Houston Renaissance Festival above that. More Lucy and Linus cartoons were Scotchtaped around the room like hastily applied BandAids.
Mitchell offered me a seat and a Diet Pepsi from his private stash. I accepted the seat.
"Well," he said. "Now that we've grilled you, perhaps you have some questions of your own."
He nodded his head encouragingly. He'd done that all the way through the formal interview while his three colleagues—two elderly Anglo men and one Latino— stared at me and frowned and asked me over and over again what exactly I'd been doing since my postgraduate work. When they'd shaken my hand at the end of the hour they'd all looked worried, like they should've worn surgical gloves. Maybe Mother was right. Maybe the brown tie had been a bad choice.
I asked Mitchell some questions. Mitchell nodded his head a lot. He had silver hair and silver sideburns that were trimmed into the shape of fins from a 1950s automobile. His features were pinched and angular and his eyes were beady like a weasel's. A nice weasel. A good ole weasel.
Mitchell gave me some background on the teaching position that had opened up in the department.
Apparently old Dr. Haimer, who as far as anyone could remember had been teaching medieval literature since it was titled "Contemporary Authors," was finally retiring, midterm. Last week, in fact. His two teaching assistants had resigned in protest, leaving Haimer's classes in the hands of other T.A.s and a few American Lit professors who probably thought Marie de France was some kind of bicycle race.
"Medieval just isn't a very popular field," Mitchell told me. "Usually we'd have plenty of lecturers waiting to fill the position in an emergency, but—"
"Why did Haimer leave?"
Mitchell shook his head. "He opposed the establishment of more separate ethnic studies programs. Said it was fragmenting, that the curriculum should have one inclusive canon."
"Oops."
Mitchell looked grave. "He had good intentions. The fact is he said what was on a lot of our minds. But his vote was the only open dissent in the faculty senate. Word got out to the students. Boycotts started, protests on the Patillo, signs that read RACIST. Not the sort of public relations the provost wanted."
"So why me? You don't need another white guy."
Mitchell stared at me like I'd just made an inside joke. "Of course. The committee would prefer someone— 'of diverse gender and ethnicity,' I think is the going term."
"But?"
He shook his head, letting a little more distaste show. "I'll have to speak with Dr.
Gutierrez about that in the committee meeting, I'm sure, but let's talk about qualifi
cations, son. We need someone who knows the field, someone with a good background who can relate to the students. Someone young, a teacher more than a publisher. Technically it would only be for the rest of the year—a visiting assistant professor's position—until a more extensive hiring search can be conducted. But still, once you're in, once you make connections on the faculty—"
He nodded more encouragement, letting me get the picture. I got it.
We talked a little more about the interview process, about when I might come back to teach a demo class if the committee decided to go the next step. I wasn't holding my breath for that, but I said I could stay available. Mitchell nodded, content.
He opened the folder I'd given him and ran down my credentials and training from Berkeley. He started shaking his head and smiling.
"You're bilingual."
"Spanish and English. Middle English. Some classical Spanish and Latin, enough AngloNorman to get the dirty jokes in the fabliaux."
He whistled silently and closed the folder. "You completed a fiveyear program in three years. These letters of recommendation are extremely strong. How is it after all that you got into ..."
He looked for a polite word.
"Thug work?" I offered.
He chuckled. "Let's go with 'investigations.' "
"Just luck. And the fact that the only job I could get with my Ph.D. at the time was tending a bar on Telegraph Avenue. And the fact that a friend of mine introduced me to someone, a criminal lawyer who sort of—took me in."
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)