The Widower's Two-Step (Tres Navarre #2)(22)

highcal highfibre diet and force me to dress that way and I probably would've looked the same.

Jean looked around calmly. He zeroed in on the shoulder holster under Alex Blanceagle's windbreaker, dismissed it, then noticed Blanceagle's full pockets and the duffel bag. Finally he looked at me. That took a little longer.

Eyes still on me, Jean asked Alex a calm, threeword question in German. Blanceagle responded in the same language—a negative answer.

Jean held out his hand.

Alex struggled to his feet. He limped over to us, trying to keep the weight off his recently kicked shin. He started fumbling with his pockets, pulling out the recording cartridges one by one, and handing them to Jean.

Two of the discs clattered to the floor. When Alex bent over to get them, Jean kicked him in the ribs just hard enough to send Blanceagle sprawling. Jean did it without anger or change of expression, the way a kid might push over a rolypoly bug.

Alex stayed on the carpet, blinking, reorienting himself, then began the process of getting his limbs to work.

Jean's next question, still in German, was aimed at me.

I shrugged helplessly. Jean looked at Alex, who was now up on one elbow and seemed quite content to stay that way.

Blanceagle squinted up at me for a long time. He said, slowly and deliberately, "He's a steel player, for God's sake. I forgot to reschedule the f**king base track session tonight, is all."

Jean scrutinized me one more time, trying to burn a hole in my face with those little crab eyes. I tried to look like an ignorant steel guitar player. I managed the ignorant part pretty well.

Finally Jean nodded at the door. "Get out, then."

His English was perfect, the accent British. A German speaker with a French name and a British accent. It made about as much sense as anything else I'd come across so far. I looked down at Alex Blanceagle.

"Don't worry about those base tracks," Alex told me. "I'll take care of it."

There was absolutely no confidence in his voice.

As I left, Jean and Alex were having a very quiet, very reasonable conversation in German. Jean did most of the talking, slapping the gray and black Beretta against his thigh with a casual carelessness that reminded me very much of his boss, Tilden Sheckly.

When I got back to the main room I could've stuck around longer. Tammy Vaughn was just starting her first number, "Daddy Taught Me Dancin'." I wasn't a country fan but I had heard it once or twice on the radio and Tammy sounded fine. The two hundred or so folks on the dance floor looked like a paltry crowd in the vastness of the hall, but they were hooting and hollering their best. Tilden Sheckly was standing by the sound board, still having a lively argument with the woman in the skyblue jumpsuit. I could've asked a lot of questions, done some twostepping with bighaired women, maybe met a few more nice men with guns.

Instead I said goodbye to Leena the bartender. She was busy now, a bottle of tequila in either hand, but she told me to stick around for a while longer. Her break was coming up soon.

I told her thanks anyway. I'd had enough of the Indian Paintbrush for one night.

12

When I woke up Tuesday I stared at the ceiling for a long time. I felt queasy, disoriented, like I'd been looking through someone else's prescription lenses too long.

I groped along the windowsill until I found the business card from Julie Kearnes' wallet.

The words on it hadn't changed.

LES SAINTPIERRE TALENT MILO CHAVEZ, ASSOCIATE

Milo's wad of fifties was still there, too, not much lighter for my night on the town.

Finally I got up, did the Chen long form in the backyard, then showered and made migas for myself and Robert Johnson.

I checked the latest Austin Chronicle. Miranda Daniels was scheduled to start at the Cactus Cafe at eight P.M. After doing the dishes, I called my brother Garrett and left a message telling him surprise, we had plans tonight. I love my brother. I love having a free place to sleep in Austin even more.

I tried Detective Schaeffer at SAPD homicide. Schaeffer wasn't in. Milo Chavez wasn't in either.

I peeled off a stack of Milo's fifties, enough for my October rent, and left it in an envelope on the counter. Gary Hales would find it. Maybe, if things went well between now and next Friday, I would be able to spring for November too. But not yet.

I left extra water and Friskies on the kitchen counter and a piece of newspaper where Robert Johnson would, inevitably, throw up when he realized I was gone overnight.

Then I headed out for the VW.

I hit Austin just after noon and spent a few more fruitless hours visiting Les SaintPierre's hangouts, talking to people who hadn't seen him recently. This time I claimed to be a songwriter trying to get my tape to Les. I told everybody I had a great new surefire hit called "Lovers from Lubbock." I found it difficult to generate much excitement.

After a late lunch I swung by Waterloo Records on North Lamar and found a Julie Kearnes cassette from 1979 in the bargain bin. I bought it. There were no recordings by Miranda Daniels yet. There were quite a few CDs in the Texas Artist section on Sheckly's Split Rail label—such household names as Clay Bamburg and the Sagebrush Boys, Jeff Whitney, the Perdenales Polka Men. I didn't buy them.

I drove north on Lamar, right on Thirtyeighth, into Hyde Park, following the route I'd taken last week on surveillance. I turned left on Speedway and parked across the street from Julie Kearnes' house.