The Widower's Two-Step (Tres Navarre #2)(110)
"Catch your plane," I said.
It was hard sounding convinced, sounding like it was really the best thing. It was even harder watching him walk away, but I did. The last I saw was his cowboy hat, just before the Latino kid riding on his dad's shoulders stepped into line and started bouncing up and down along the gateway tunnel, waving his arms out to the side like he was an airplane, obscuring my last view of Brent.
The stewardess smiled and rolled her eyes at the skycap with the empty wheelchair next to her. Kids.
I got up and looked down at the beer Brent had bought me, what was left of it. I dumped it in the bromeliads and walked away.
My phone conversation with Professor Mitchell at UTSA lasted exactly thirty seconds.
He offered me the job. I said I was honoured and I'd have to think about it.
"I understand, son." He tried to make his tone not too obvious—that he didn't understand, that he thought I was an idiot for even hesitating. "When can you let us know?"
I told him next week. I told him I had another kind of class to finish up between now and then. He said fine.
After hanging up, I spent a long time staring at the crepe myrtle out the kitchen window. It was a relief twenty minutes later when Erainya did her customary unsyncopated rattattat on the screendoor frame.
When I opened the door Jem laughed and just about launched a twolayer cake into my chest as he came in. Fortunately I caught the cake while it was still in one piece and raised it up, allowing Jem free rein to tackle me.
Robert Johnson mewed a complaint and disappeared into the closet. He probably remembered the last time the Manoses had come over.
Erainya stepped in and looked around my apartment. "So you're still alive. You don't call why—you forget the number?"
Jem was explaining to me about the cake. He told me that we'd have to wait until I really finished my hours to eat it but he'd made it himself with his food colouring kit and I wouldn't believe the colours inside when I opened it up. The outside was forbidding enough—lumpy gray frosting that looked like the product a cement finger painting session, the layers uneven and offcentre so the cake seemed to be leaning away from me on its plate.
"It's just about the nicest cake I've ever seen, Bubba."
Jem giggled, then went to find the cat.
In the top of the closet a shoe box moved.
Erainya was still waiting for an answer to her question. She was giving me the lookofdeath treatment, her black eyes bugging toward me and her talon fingers tap ping her forearm.
"I got ten hours left," I told her. "That's about one job. You figure we can avoid arguing that long?"
"It's twenty," she reminded me. "And I don't know, honey. You going to get yourself sidetracked again?"
"Professor Mitchell is probably wondering the same thing."
Erainya frowned. "Mitchell who?"
"I said, yes. I'm willing to finish up. You?"
Erainya thought about it, weighing the pros and cons. "I suppose the Longoria case could've gone better if I'd had a dumblooking guy for a decoy, honey. I supposed there's advantages. Maybe you got a little raw potential. Nothing amazing, you understand. And what about after the twenty hours?'"
Jem came back over with Robert Johnson hanging by his armpits from Jem's hands, Robert Johnson's toes fully extended and the tiny white V on his crotch showing and his face looking like he would die from mortification any second.
Jem looked troubled. "Where's Miranda?"
He'd just made the connection, remembered his trick ortreat partner and remembered that she had some vague association with Tres when she wasn't being Jem's Little Miss Muffett.
Erainya waited to hear an answer to both questions, hers and Jem's. She was chewing on the inside of her mouth, her lips turning sideways.
"Miranda had to go, Bubba. She's going to be a singer in Nashville. Isn't that cool?"
Jem didn't look impressed. Neither did Robert Johnson. Both turned and left. Probably going to play wet kitty/drykitty in bathroom.
"You need anything, honey?" Erainya's voice was softer now, so much so that I had to look to make sure she had really been the one speaking.
She frowned immediately. "What?"
"Nothing. And no. Thanks."
Erainya looked out the window at the afternoon in progress. Gary Hales was in the front yard, watering his sidewalk. Across the street a red Mazda Miata was just pulling up in front of the Suitez house. The Mazda was loaded so heavily with cardboard moving boxes that the trunk was halfopen, precariously fastened with a crisscross of cords. Allison SaintPierre looked across the street, trying to make sure she remembered which house was mine. Last time she was here she'd been drunk.
Erainya and I exchanged looks.
"Nashville, honey?"
"It's not that."
She did a backhand slap in the air. "Ah. I'll wrap the cake in Saran Wrap. Maybe it'll keep."
Knowing how Erainya applied Saran Wrap, I had the feeling the cake would keep several centuries.
I went outside.
Allison saw me coming and sat on the hood of the red Mazda and waited. She was holding a backpack—my backpack, the one I'd left with the maid at her Monte Vista house.
Allison was already warming up her head shake as I walked across Queen Anne Street. By the time I got to her she was going pretty well with it.
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)