The Shining (The Shining #1)(89)
There was something behind the pink plastic shower curtain. There was something in the tub.
He could see it, ill defined and obscure through the plastic, a nearly amorphous shape. It could have been anything. A trick of the light. The shadow of the shower attachment. A woman long dead and reclining in her bath, a bar of Lowila in one stiffening hand as she waited patiently for whatever lover might come.
Jack told himself to step forward boldly and rake the shower curtain back. To expose whatever might be there. Instead he turned with jerky, marionette strides, his heart whamming frightfully in his chest, and went back into the bed/sitting room.
The door to the hall was shut.
He stared at it for a long, immobile second. He could taste his terror now. It was in the back of his throat like a taste of gone-over cherries.
He walked to the door with that same jerky stride and forced his fingers to curl around the knob.
(It won't open.)
But it did.
He turned off the light with a fumbling gesture, stepped out into the hall, and pulled the door shut without looking back. From inside, he seemed to hear an odd wet thumping sound, far off, dim, as if something had just scrambled belatedly out of the tub, as if to greet a caller, as if it had realized the caller was leaving before the social amenities had been completed and so it was now rushing to the door, all purple and grinning, to invite the caller back inside. Perhaps forever.
Footsteps approaching the door or only the heartbeat in his ears?
He fumbled at the passkey. It seemed sludgy, unwilling to turn in the lock. He attacked the passkey. The tumblers suddenly fell and he stepped back against the corridor's far wall, a little groan of relief escaping him. He closed his eyes and all the old phrases began to parade through his mind, it seemed there must be hundreds of them,
(cracking up not playing with a full deck lostya marbles guy just went loony tunes he went up and over the high side went bananas lost his football crackers nuts half a seabag)
all meaning the same thing: losing your mind.
"No," he whimpered, hardly aware that he had been reduced to this, whimpering with his eyes shut like a child. "Oh no, God. Please, God, no."
But below the tumble of his chaotic thoughts, below the triphammer beat of his heart, he could hear the soft and futile sound of the doorknob being turned to and fro as something locked in tried helplessly to get out, something that wanted to meet him, something that would like to be introduced to his family as the storm shrieked around them and white daylight became black night. If he opened his eyes and saw that doorknob moving he would go mad. So he kept them shut, and after an unknowable time, there was stillness.
Jack forced himself to open his eyes, half-convinced that when he did, she would be standing before him. But the hall was empty.
He felt watched just the same.
He looked at the peephole in the center of the door and wondered what would happen if he approached it, stared into ft. What would he be eyeball to eyeball with?
His feet were moving
(feets don't fail me now)
before he realized it. He turned them away from the door and walked down to the main hall, his feet whispering on the blue-black jungle carpet. He stopped halfway to the stairs and looked at the fire extinguisher. He thought that the folds of canvas were arranged in a slightly different manner. And he was quite sure that the brass nozzle had been pointing toward the elevator when he came up the hall. Now it was pointing the other way.
"I didn't see that at all," Jack Torrance said quite clearly. His face was white and haggard and his mouth kept trying to grin.
But he didn't take the elevator back down. It was too much like an open mouth. Too much by half. He took the stairs.
Chapter 31-32
31. The Verdict
He stepped into the kitchen and looked at them, bouncing the passkey a few inches up off his left hand, making the chain on the white metal tongue jingle, then catching it again. Danny was pallid and worn out. Wendy had been crying, he saw; her eyes were red and darkly circled. He felt a sudden burst of gladness at this. He wasn't suffering alone, that was sure.
They looked at him without speaking.
"Nothing there," he said, astounded by the heartiness of his voice. "Not a thing."
He bounced the passkey up and down, up and down, smiling reassuringly at them, watching the relief spread over their faces, and thought he had never in his life wanted a drink so badly as he did right now.
32. The Bedroom
Late that afternoon Jack got a cot from the first-floor storage room and put it in the corner of their bedroom. Wendy had expected that the boy would be half the night getting to sleep, but Danny was nodding before "The Waltons" was half over, and fifteen minutes after they had tucked biro in he was far down in sleep, moveless, one band tucked under his cheek. Wendy sat watching him, holding her place in a fat paperback copy of Cashelmara with one finger. Jack sat at his desk, looking at his play.
"Oh shit," Jack said.
Wendy looked up from her contemplation of Danny. "What?"
"Nothing."
He looked down at the play with smoldering ill-temper. How could he have thought it was good? It was puerile. It had been done a thousand times. Worse, he had no idea how to finish it. Once it had seemed simple enough. Denker, in a fit of rage, seizes the poker from beside the fireplace and beats saintly Gary to death. Then, standing spread-legged over the body, the bloody poker in one hand, he screams at the audience: "It's here somewhere and I will find it!" Then, as the lights dim and the curtain is slowly drawn, the audience sees Gary's body face down on the forestage as Denker strides to the upstage bookcase and feverishly begins pulling books from the shelves, looking at them, throwing them aside. He bad thought it was something old enough to be new, a play whose novelty alone might be enough to see it through a successful Broadway run: a tragedy in five acts.