The Shining (The Shining #1)(69)



He and Scotty were sitting in the play rocketship when Scotty jerked his thumb at Robin and said: "You know that kid?"

"Yeah," Danny said.

Scott leaned forward. "His dad LOST HIS MARBLES last night. They took him away."

"Yeah? Just for losing some marbles?"

Scotty looked disgusted. "He went crazy. You know." Scott crossed his eyes, flopped out his tongue, and twirled his index fingers in large elliptical orbits around his ears. "They took him t0 THE BUGHOUSE."

"Wow," Danny said. "When will they let him come back?"

"Never-never-never," Scotty said darkly.

In the course of that day and the next, Danny heard that

a.) Mr. Stenger had tried to kill everybody in his family, including Robin, with his World War II souvenir pistol;

b.) Mr. Stenger ripped the house to pieces while he was STINKO;

c.) Mr. Stenger had been discovered eating a bowl of dead bugs and grass like they were cereal and milk and crying while he did it;

d.) Mr. Stenger had tried to strangle his wife with a stocking when the Red Sox lost a big ball game.

Finally, too troubled to keep it to himself, he had asked Daddy about Mr. Stenger. His daddy had taken him on his lap and had explained that Mr. Stenger had been under a great deal of strain, some of it about his family and some about his job and some of it about things that nobody but doctors could understand. He had been having crying fits, and three nights ago he had gotten crying and couldn't stop it and had broken a lot of things in the Stenger home. It wasn't LOSING YOUR MARBLES, Daddy said, it was HAVING A BREAKDOWN, and Mr. Stenger wasn't in a BUGHOUSE but in a SANNY-TARIUM. But despite Daddy's careful explanations, Danny was scared. There didn't seem to be any difference at all between LOSING YOUR MARBLES and HAVING A BREAKDOWN, and whether you called it a BUGHOUSE or a SANNYTARIUM, there were still bars on the windows and they wouldn't let you out if you wanted to go. And his father, quite innocently, had confirmed another of Scotty's phrases unchanged, one that filled Danny with a vague and unformed dread. In the place where Mr. Stenger now lived, there were THE MEN IN THE WHITE COATS. They came to get you in a truck with no windows, a truck that was gravestone gray. It rolled up to the curb in front of your house and THE MEN IN THE WHITE COATS got out and took you away from your family and made you live in a room with soft walls. And if you wanted to write home, you had to do it with Crayolas.

"When will they let him come back?" Danny asked his father.

"Just as soon as he's better, doc."

"But when will that be?" Danny had persisted.

"Dan," Jack said, "NO ONE KNOWS."

And that was the worst of all. It was another way of saying never-never-never. A month later, Robin's mother took him out of nursery school and they moved away from Stovington without Mr. Stenger.

That had been over a year ago, after Daddy stopped taking the Bad Stuff but before he had lost his job. Danny still thought about it often. Sometimes when he fell down or bumped his head or had a bellyache, he would begin to cry and the memory would flash over him, accompanied by the fear that he would not be able to stop crying, that he would just go on and on, weeping and wailing, until his daddy went to the phone, dialed it, and said: "Hello? This is Jack Torrance at 149 Mapleline Way. My son here can't stop crying. Please send THE MEN IN THE WHITE COATS t0 take him to the SANNY-TARIUM. That's right, he's LOST HIS MARBLES. Thank you." And the gray truck with no windows would come rolling up to his door, they would load him in, still weeping hysterically, and take him away. When would he see his mommy and daddy again? NO ONE KNOWS.

It was this fear that had kept him silent. A year older, he was quite sure that his daddy and mommy wouldn't let him be taken away for thinking a fire hose was a snake, his rational mind was sure of that, but still, when he thought of telling them, that old memory rose up like a stone filling his mouth and blocking words. It wasn't like Tony; Tony had always seemed perfectly natural (until the bad dreams, of course), and his parents had also seemed to accept Tony as a more or less natural phenomenon. Things like Tony came from being BRIGHT, which they both assumed he was (the same way they assumed they were BRIGHT), but a fire hose that turned into a snake, or seeing blood and brains on the wall of the Presidential Sweet when no one else could, those things would not be natural. They had already taken him to see a regular doctor. Was it not reasonable to assume that THE MEN IN THE WHITE COATS might come next?

Still he might have told them except he was sure, sooner or later, that they would want to take him away from the hotel. And he wanted desperately to get away from the Overlook. But he also knew that this was his daddy's last chance, that he was here at the Overlook to do more than take care of the place. He was here to work on his papers. To get over losing his job. To love Mommy/Wendy. And until very recently, it had seemed that all those things were happening. It was only lately that Daddy had begun to have trouble. Since he found those papers.

(This inhuman place makes human monsters.)

What did that mean? He had prayed to God, but God hadn't told him. And what would Daddy do if he stopped working here? He had tried to find out from Daddy's mind, and had become more and more convinced that Daddy didn't know. The strongest proof had come earlier this evening when Uncle Al had called his daddy up on the phone and said mean things and Daddy didn't dare say anything back because Uncle Al could fire him from this job just the way that Mr. Crommert, the Stovington headmaster, and the Board of Directors had fired him from his schoolteaching job. And Daddy was scared to death of that, for him and Mommy as well as himself.

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