The Serpent's Shadow (Kane Chronicles #3)(17)
[Yeah, Sadie. You saw that one coming.]
Screensaver pictures floated across my laptop monitor. There was my dad at a dig site in Egypt, looking relaxed and in charge in his khaki fatigues, his sleeves rolled up on his dark muscular arms as he showed off the broken stone head of some pharaoh’s statue. Dad’s bald scalp and goatee made him look slightly devilish when he smiled.
Another picture showed Uncle Amos onstage at a jazz club, playing his saxophone. He wore round dark glasses, a blue porkpie hat, and a matching silk suit, impeccably tailored as always. His cornrows were braided with sapphires. I’d never actually seen Amos play onstage, but I liked this photo because he looked so energetic and happy—not like he did these days, with the weight of leadership on his shoulders. Unfortunately the photo also reminded me of Anne Grissom, the Texas magician with her fiddle, having so much fun earlier this evening just before she died.
The screensaver changed. I saw my mom bouncing me on her knee when I was a baby. I had this ridiculous ’fro back then, which Sadie always teases me about. In the photo, I’m wearing a blue Onesie stained with pureed yams. I’m holding my mom’s thumbs, looking startled as she bounces me up and down, like I’m thinking, Get me off of this ride! My mom is as beautiful as always, even in an old T-shirt and jeans, her hair tied back in a bandana. She smiles down at me like I’m the most wonderful thing in her life.
That photo hurt to look at, but I kept looking at it.
I remembered what Sadie had told me—that something was affecting the spirits of the dead, and we might not see our mom again unless we figured it out.
I took a deep breath. My dad, my uncle, my mom—all of them powerful magicians. All had sacrificed so much to restore the House of Life.
They were older, wiser, and stronger than me. They’d had decades to practice magic. Sadie and I had had nine months. Yet we needed to do something no magician had ever managed—defeat Apophis himself.
I went to my closet and took down my old traveling case. It was just a black leather carry-on bag, like a million others you might see in an airport. For years I’d lugged it around the world as I traveled with my dad. He’d trained me to live with only the possessions I could carry.
I opened the suitcase. It was empty now except for one thing: a statuette of a coiled serpent carved in red granite, engraved with hieroglyphs. The name—Apophis—was crossed out and overwritten with powerful binding spells, but still this statuette was the most dangerous object in the whole house—a representation of the enemy.
Sadie, Walt, and I had made this thing in secret (over Bast’s strong objections). We’d only trusted Walt because we needed his charm-making skills. Not even Amos would have approved such a dangerous experiment. One mistake, one miscast spell, and this statue could turn from a weapon against Apophis into a gateway allowing him free access to Brooklyn House. But we’d had to take the risk. Unless we found some other means of defeating the serpent, Sadie and I would have to use this statue for Plan B.
“Foolish idea,” said a voice from the balcony.
A pigeon was perched on the railing. There was something very un-pigeonlike about its stare. It looked fearless, almost dangerous; and I recognized that voice, which was more manly and warlike than you’d normally expect from a member of the dove family.
“Horus?” I asked.
The pigeon bobbed its head. “May I come in?”
I knew he wasn’t just asking out of courtesy. The house was heavily enchanted to keep out unwanted pests like rodents, termites, and Egyptian gods.
“I give you permission to enter,” I said formally. “Horus, in the form of a…uh…pigeon.”
“Thank you.” The pigeon hopped off the railing and waddled inside.
“Why?” I asked.
Horus ruffled his feathers. “Well, I looked for a falcon, but they’re a little scarce in New York. I wanted something with wings, so a pigeon seemed the best choice. They’ve adapted well to cities, aren’t scared of people. They’re noble birds, don’t you think?”
“Noble,” I agreed. “That’s the first word that comes to mind when I think of pigeons.”
“Indeed,” Horus said.
Apparently sarcasm didn’t exist in Ancient Egypt, because Horus never seemed to get it. He fluttered onto my bed and pecked at a few Cheerios left over from Khufu’s lunch.
“Hey,” I warned, “if you poop on my blankets—”
“Please. War gods do not poop on blankets. Well, except for that one time—”
“Forget I said anything.”
Horus hopped to the edge of my suitcase. He peered down at the statuette of Apophis. “Dangerous,” he said. “Much too dangerous, Carter.”
I hadn’t told him about Plan B, but I wasn’t surprised that he knew. Horus and I had shared minds too many times. The better I got at channeling his powers, the better we understood each other. The downside of godly magic was that I couldn’t always shut off that connection.
“It’s our emergency backup,” I said. “We’re trying to find another way.”
“By looking for that scroll,” he recalled. “The last copy of which burned up tonight in Dallas.”
I resisted the urge to spike the pigeon. “Yes. But Sadie found this shadow box. She thinks it’s some sort of clue. You wouldn’t know anything about using shadows against Apophis, would you?”
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)